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My daughter turned eleven this week. Though I agree with Allison Kimmich’s earlier post, which argued that it’s great to be a girl here in 2010, I can’t help but worry that growing up female in our culture still results in growing down.

Some examples to ponder:

When my daughter and I went to the mall to have her ears pierced last Saturday, we were deluged with anorexic size mannequins in thongs and barely-there bras.

Later, at the movies, we watched yet another film with a male protagonist (which included a male sidekick who ogled females throughout the entire movie).

For school, she worked on yet another dead white male report.

On television, she is still inundated by stories that focus on a girls looks and emphasize romance and/or beauty as the most important pursuits for a girl.

In music, there are undoubtedly many power-house female musicians, but this seems dampened by all the singing of ‘ho’s’ and ‘get-lows.’

Yet, there are positive aspects to each of these observations. At the mall, my daughter noticed the sexualization of the mannequins and complained about it, showing her awareness that our culture objectifies women in damaging ways (and revealing what I like to think is more feminist awareness in the culture generally). As for the film we watched, it did include one rockin’ strong girl character – only one, but one is better than none. As for books, we are able to find many feminist-friendly reads to fill her endless reading desires (and she subscribes to New Moon, a great feminist magazine for girls). Television may be the area most difficult to put a positive spin on, but at least there are more girl-driven shows. As for school, in general I think there is more emphasis on a diversified curriculum, one that offers more than the hetero white male view of the world.

However, I wish we had come further since I turned eleven back in 1982. The Equal Rights Amendment failed to pass that year, and has yet to be ratified. Laura Ingalls was still rocking the prairie feminism in “”Little House on the Prairie,” and my mom watched a show driven by the super-heroines “Cagney and Lacey.” Sure, Daisy wasn’t wearing much in “Dukes of Hazzard” and Suzanne Sommers was the stereotypical blonde ditz “Three’s Company,” but at least we had the strong mom and daughter trio of “One Day at a Time.” In music, female power abounded via the likes of the GoGos, Joan Jett, and Stevie Nicks. And ET, the top grossing film of the year, gave us one of my longtime favorite female actresses, Drew Barrymore. It was the year Women’s History Week was officially recognized, which has happily expanded to an entire month. (Ah, would that we could have inclusive history year round!)

In my hazy recollections of being eleven in 1982, I recall feeling I could be or do anything I set my sites on. I think here, in 2010, my daughter feels the same despite the fact popular culture still inundates her with the message she is only a sex object, only good for how she can please men, only important so long as she “plays by the rules” and shrinks to fit the mold of the “ideal female.”

As her world expands to include more ideas and experiences, her body is still expected to shrink to fit ever smaller and tighter fashions. As she grows up, the “queen be” culture at school seems to become ever meaner and more judgmental. As she is able to watch “more grown up” television and films, she is introduced incessant sexualization, dehumanization, and silencing of females. And, as her body starts to show the markers of womanhood, she will undoubtedly become more battered by the male gaze of a culture that is more pornified than ever.

Alas, growing up for girls in our culture in many ways still means growing down – but with feminist moms like ourselves guiding our daughters as they grow, I take heart in the fact that many girls are given the opportunity to expand their thinking, their horizons (and yes, even their bodies) without exhortations to “be quiet and diet.”

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With the 6th and final season upon us, will Lost finally zoom towards a feminist future? With the number of female characters dwindling and the simultaneous deification of hetero white males, can feminist Lost fans hope for a satisfying island conclusion?

Previous seasons have been a mixed bag on this count.

Lost has many strong female characters, many of whom I could easily see wearing a “This is what a feminist look like” t-shirt. As noted by Melissa McEwan of Shakesville, an admitted Lost junkie, “Generally, the female characters are more well-rounded than just about any other female characters on television, especially in ensemble casts.”

Lost has often presented ‘gender outside the box’ characters, suggesting being human is more important than being a masculine man or a feminine woman. After all, when you are fighting for your life, ‘doing gender right’ is hardly at the top of you priority list.

While Jack and Sawyer try to out-macho each other in their love triangle with Kate, neither hold entirely to the Rambo-man-in-jungle motif. As for the women, they just might be the strongest, bravest, wisest female characters to grace a major network screen since Cagney and Lacey.

Though the island is certainly patriarchal, one could make a strong case that male-rule is not such a good thing for (island) society. Kate or Juliet would be far better leaders than any of the island patriarchs (and as some episodes suggest, would make great co-leaders – what a feminist concept!)

McEwan, in her discussion with fellow Lost fanatic, Brad Reed of Sadly, No!, agrees, stating “the show looks increasingly to be making an oblique but advanced commentary about the patriarchy.” As she argues:

“The Lost fathers (Benry, Widmore, Paik, Shephard the Elder) are archetypical patriarchs-rich, powerful, well-educated, well-connected, straight, and white, with the exception of Mr. Paik, who’s in the ethnic majority of his country of residence. It is within the battle among these patriarchs that everyone else is caught; it is to their whims, and their arbitrary rules and preferences, that everyone else is subjected. That’s clearly framed as Not a Good Thing, which rather suggests a feminist critique of the patriarchy.”

However, as the two hour season premiere revealed, one of the strongest female leads, Juliet, is dead. Kate is still rocking the strong-woman action, yet the fact remains that “We’re just about out of female characters to root for” (as Cara of Feministe points out).

This slow decrease in female characters means that a show that had more males to begin with has become decidedly testosterone weighted. Moreover, the (white) males left are being deified with Jabob/Lock/Richard/Ben all seemingly having godlike powers. This turn is all the more frustrating given that supposedly Kate was initially conceived as the island leader. Alas, as reported by Jill at Feministe, “execs thought that people wouldn’t watch the show if a chick was in charge, so they gave that role to Jack and turned Kate into one corner of a love triangle.” Grrrr.

The 30-minute season recap that aired last week kept implying women viewers are wooed by the romantic motifs that dominate many of the narrative arcs. Apparently ABC is unaware that women are interested in more things than romance (and shirtless hotties).

Sometimes the writers seem oblivious to the fact that women are more than man-seeking baby-making machines, too. Season five was particularly dire in this vein. Drawing on the Freudian ‘baby as penis replacement’ motif, Kate was depicted as trying to repair the loss of Sawyer with baby Aaron. (For more on this line of argument, go here.)

Yet, overall, Kate is arguably one of the smartest, most daring female characters to lead a contemporary mega-hit television series. Her back-story ain’t bad either – she was on that doomed flight as a result of fighting back against her mother’s abusive partner. And, though Juliet sometimes seems more focused on her various Romeos than on other matters, she heroically detonated the bomb that launched us into season six. Who knows, maybe this final season will launch us into some sort of feminist utopia led by Eloise Hawking or Rousseau. At the very least, let’s hope it doesn’t culminate with Kate all happily married and duly domesticated!