Sociological Images

Johnny Depp will be playing the character of “Tonto” in the 2013 movie re-make of The Lone Ranger.  Critics of the original series have observed that Tonto, the American Indian sidekick of the White hero, was a negative racial stereotype.  He was subservient to the Ranger, spoke poor English, and seemed generally dumb (his name translates into “stupid” in Spanish).  Depp has insisted that he wants to play a different kind of Tonto and reinvent the characters’ relationship.

So far so bad, as least according to recently released publicity photos revealing Depp’s costume and make up (coverage suggests that Depp himself is designing the character’s appearance).  Thanks to YetAnotherGirl and Dolores R. for sending in the tip.

Depp’s look was inspired by the art of a man named Kirby Sattler.

Sattler is famous for painting images of Native Americans, but has been criticized for stereotypical representations.  “Indian art” is a contentious issue: many non-Indian artists have made careers painting the “noble savage” and the “young girl with wolf.”  According to Native Appropriations, Sattler “…relies heavily on stereotypes of Native people as mystical-connected-to-nature-ancient-spiritual-creatures, with little regard for any type of historical accuracy.”  Sattler himself has written that his paintings come out of his own imagination or, as NA puts it, “he makes these subjects up based on the (heavily stereotyped) images in his own head.”  Here’s a Google image search for the artist’s name:

This, unfortunately, is playing out an all-too-common story.  It goes like this:

1. There are very few roles for non-White characters in Hollywood.
2. When we have a non-White character, a White actor is cast into the role (e.g., The Last Airbender and Iron Eyes Cody, the crying Indian).
3. That actor shows a lack of understanding of the real issues at hand. Depp, for example, has claimed a right to play the role because he has a little bit of Indian in him.  ”Cherokee or maybe Creek,” he says, because he doesn’t actually know.
4. So, the portrayal is consistent with harmful stereotypes.  In this case, when deciding on a costume, Depp doesn’t choose to represent a tribe as they really were (“are” is out of the question), but instead draws on the work of an artist who admits that he makes up an idea of “the Indian” that appeals to him, a White man with no interest in true-to-life portrayals.

So, there you have it.  Again.

For more, see Representations of the “Primitive” Indian and Anachronism and American Indians.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Cross-posted at Montclair SocioBlog.

Jacob and Isabella were the most popular baby names last year.  Some observers, even some sociologists, see this as the influence of the Twilight series.  (See here for example.)

But Jacob, Isabella, and even Bella were on the rise well before Stephanie Meyer sent her similarly-named characters out to capture the hearts, minds, and naming preferences of romantic adolescents:

The forecasters predict a bumper crop soon in Rue, Cato, and perhaps other names that are from the Hunger series.  Still, since the YA (Young Adult) audience for these books and movies are more Y than A, I’m hoping for lag time of at least a few years before they start naming babies.  As I blogger earlier, Splash, the film with Darryl Hannah as Madison the mermaid, came out in 1984, but it was not until nine years later that Madison surfaced in the top 100 names. And if there’s a Hogwarts effect, we’re still waiting to see it.  The trend in Harry and Harold is downward on both sides of the Atlantic, and Hermione has yet to break into the top 1000.

Don’t look for any Katnisses to be showing up in your classes for quite a while.

Alexandra O’Dell, a student at North Idaho College, does a great job of integrating data, interviews, and images in this 11-minute video about the sexualization of young girls in the media:

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

We’ve posted in the past about stereotypes about Africa. For instance, Binyavanga Wainaina’s video describes common tropes used when non-Africans write about Africa, while Chimamanda Adichie discusses the problem with the limited narratives we hear about African people and nations.

In another great example of challenging such stereotypes, Dolores sent us a video in which four young men highlight common portrayals of Africans — and specifically, African men — in movies. It’s really great:

Via Colorlines.

Last year we posted Anita Sarkeesian’s great discussion of the manic pixie dream girl trope.  The manic pixie is a female side character who, through her whimsical approach to life, “helps the male main character find himself, love life again, or overcome some obstacle.”  Think Natalie Portman in Garden State.

Anyhow, I came across a skit making fun of the trope by taking the manic pixie to its logical conclusion, titled “Welcome to the State Home for the Manic Pixie Dream Girl.”  Yep, it’s a state-run institution for the charming but totally helpless, perhaps-mentally-challenged not-so-dream girl.  I’m putting it up here because it’s quite funny, but I also like how it deconstructs a version of ideal femininity, revealing it to be rather impractical indeed.

Film by Natural Disastronauts. Found via BoingBoing.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Transcript, by Trellany J. Evans, after the jump:

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Last fall I posted about the continued use of race/ethnicity as a basis for decisions about hiring when casting roles in Hollywood. Though using race or color as a qualification for a job is illegal in the U.S., it is still widely, and openly, practiced when choosing actors for movies and TV.

Dolores R. sent in an example of a casting call for an Acura commercial that shows how race and skin color requirements are explicitly stated. The role is for an African American car dealer; however, the description calls for someone who is “not too dark”:

The casting document was posted by Oh No They Didn’t! after an African-American actor who didn’t fit the profile passed it on to them. Someone at the casting agency claimed that the reason they didn’t want an actor who was “too dark” was that it would make lighting and special effects more difficult.

Seriously.

Acura has apologized, though as Forbes points out, they probably had little to do with the actual casting process; the casting call was mostly likely written within the casting agency.

As I pointed out in my earlier post, within the industry roles are generally understood to be for non-Hispanic Whites unless specifically stated otherwise. However, as this casting call shows, even when a role is open to racial/ethnic minorities, additional restrictions related to skin color or other features may still severely limit the pool of actors who have a legitimate chance at winning the role.

The final commercial:

This 48-second ad is a fantastic example of framing, as well as a super-ridiculous blast-from-the-past.  Paid for by the movie theater industry, the ad attacks the idea of cable.  Cable, of course, was going to deliver more content to television sets and potentially compete for the business movie theaters enjoyed. So they frame cable as “pay tv” and counterpose it to “free tv.”  They don’t, you might notice, frame cable as “pay tv” and the movie theaters as “pay movies” because that comparison is not as useful for them.  Instead, without drawing attention to the fact that they charge for entertainment, they try to delegitimate the idea of paying for on-screen entertainment at home.

They also try to argue that cable tv will bring scary monsters into your living room.  So cute.  In an era where millions of instances of pornifed violence are just a click away, it is almost incomprehensible to imagine wanting to make sure that scary movies stayed at the theater.

Via BoingBoing.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.