Search results for marilyn monroe

We’ve had some fun posting uses of the word “gay” before it meant what it means today. For example, the “gay nineties,” “to wake up GAY in the morning!,” and “I’ve robbed the rainbow to make you gay” (yes, really).

Here’s another fun one: a letter from Marilyn Monroe thanking the German Consulate General  for a bottle of champagne.  May we all be as gracious.

Thanks to Retronaut for the find!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Originally posted at Shameless.

Marilyn Monroe is often held up as the antidote to the idea that only thin can be beautiful. “Marilyn was a size 10/12/14,” goes a common refrain (though sizing basically means nothing these days, so what does that even prove?). There have been a couple Marilyn Monroe memes floating around Facebook in the past couple months, and both are troubling. The focus is on Marilyn’s curves, and how her swimsuit clad body is different from what movie stars look like today (oh, the tyranny of the “Best Beach Bodies!” issue). What’s supposed to be an empowering message to women – you don’t have to be a Victoria’s Secret model to be beautiful – is completely undermined by two much older memes: divide and conquer and the male gaze.

In the first photo, Marilyn is compared to another woman in a bikini, who is much thinner. The text reads: “This [pointing to Monroe] is more attractive than this [pointing to the other woman].” While I can totally get behind the title “fuck society,” and add “and its stupid expectations” for good measure, there’s nothing anti-establishment about what’s being done here. This is a common tactic, in which women are pitted against each other, so that we lose sight of the real problem: namely, society. If women are fighting amongst ourselves about who is more “beautiful,” if we compare ourselves to other women endlessly, we don’t have time to notice that we’re trapped in a hamster-wheel of low self-esteem. Society hopes that you’ll buy things, to try and make yourself feel better. In the meantime, it’s hoped that we as women won’t critically examine what beauty is, what’s being sold to us, and most importantly, who profits from all this. Fuck Society, sure, because society tells you that if you’re not extremely thin, you’re worthless. However, extremely thin women? They’re still people. Further, bodies are just bodies. They have no intrinsic worth, no moral value, other than what we assign them. The thought behind this comparison photo is to turn the dominant paradigm on its head, but what it really does is reinforce that for one woman to be good, another must be bad. And that kind of thinking isn’t going to get us anywhere.

The second is the same photo of Marilyn, this time alone in the Motivational Poster style. The text reads: “PROOF: That you can be adored by thousands of men, even when your thighs touch.” From the start this would seem like a better message. No comparison photo, no pitting women against each other. For some reason, though, this photo troubles and angers me more than the first one does. Because here’s the thing: you are worth more than what men think of you. Marilyn Monroe was, to put it mildly, very sad, very often. She was a sex symbol, and thus, stopped existing as human being, a regular girl. Almost everything that fucked up Marilyn’s later life had to do with being “adored” by men. Men used her, or deified her (and that’s a hard come-down for those dudes when they found a human being in their bed the morning after). Political brothers purportedly passed her around like a toy. Conventional wisdom, political conspiracy aside, has it that Monroe killed herself. Being “adored by thousands of men” didn’t stop her demons from consuming her. It angers me to no end that, again, in the name of self-esteem we’re going to make a poster girl (literally) out of a woman who was notoriously down on herself.

I want very much for us to stop thinking that there is only one body type that is acceptable. I would prefer the focus be on health, rather than appearance. The Monroe Meme seems about the furthest thing from healthy. This is a woman who abused alcohol and sleeping pills later in her life, this is a woman who (probably) died due to depression. But, hey, as long as someone thinks she looks good, I guess that’s what matters.

Heather Cromarty has written for The Walrus Blog, and writes about books and bookish miscellany at In The Midst of Life, We Are in Debt, Etc. Follow her on Twitter: @la_panique.

Mattel, creator of the Barbie doll, has launched “a doll line designed to keep labels out and invite everyone in—giving kids the freedom to create their own customizable characters again and again.”  This doll has minimal makeup, a short hairstyle with an attachable long-hair wig, a flat chest, flat feet (for wearing sneakers, hiking boots, or platform sandals), and clothing that includes femme and butch options.  The clothes and accessories can, of course, be interchanged into dozens of different combinations. 

Creatable World Doll – Let Toys Be Toys Blog

For those old enough to remember the 1960s dolls, I have one word for you:  Skipper.  For those too young to know, Skipper was Barbie’s little sister and had a pre-pubescent body: flat chest and flat feet, since she was too young to wear heels. Imagine Skipper only with hair that could go off and on, and a more expansive wardrobe (which, in the 60s, we would have called “tomboy”).

Vintage Skipper By Mattel Doll, Barbie's Little Sister, Stock Number 0950, Copyright 1963
Vintage Skipper Doll, Joe Haupt, Flicker CC

In fact, Mattel sidestepped controversy by diplomatically calling the new doll “customizable” rather than gender-inclusive.  This doll does not include adult body types at all.  It is more of a genderless kid than a gender inclusive adult.  For gender inclusion recognizes that policies, programs, and language need to be broader to encompass the fluidity of gender expression and orientation.  According to Gender Spectrum, the organization whose mission is to create a gender-inclusive world for all children and youth, gender inclusivity means being open to everyone regardless of their gender identity and/or expression.  Gender inclusion would thus include people with large breasts who identify as men and people with penises who identify as women.    

Of course, Mattel’s 12-inch plastic dolls were never particularly realistic, and never had genitalia.  In addition, anyone with even an ounce of creativity could, and did, dress their Barbie doll in the clothing that came with a Ken or G.I. Joe doll, cut off Barbie’s hair, pierce Ken’s ears, draw on tattoos, create their own accessories, and so on.   

Interestingly, Mattel has already made Barbie dolls dressed as men.  Between 2011 and 2019, Mattel released an Elvis Barbie, a David Bowie Barbie, a Frank Sinatra Barbie, and an Andy Warhol Barbie.  These are standard buxom Barbie dolls dressed as the iconic male figures.  Some might consider these dolls at least as gender-bending as the Creatable WorldTM dolls.  But they are also less threatening because they are marketed to adult collectors, not to kids who will play with them.  And Mattel has yet to create Marilyn Monroe Ken or Barbra Streisand Ken. (If you’re listening, Mattel, I’ll accept royalties.)

Frank Sinatra Barbie
Frank Sinatra Barbie, Miss Vinyl, Flickr CC

Changing your Barbie’s skin color was a little more challenging, but by 2009, Barbie’s 50th anniversary, Mattel had released far more ethnically diverse Barbies, although they were still primarily princesses, graceful goddesses, and buxom movie stars.  Over its nearly 60-year history, Barbie’s body shape remained a lingering complaint of feminist critics, well after Barbie got more racially diverse and Teen Talk Barbie no longer said “Math class is tough.”  For even the pilot and presidential candidate Barbies had big chests and really tiny waists, making one wonder if she would hit that glass ceiling pointy boobs first.  Sure, it could be seen as a sign of strength that Barbie does everything Ken does, only in downward pointing feet that only fit in heels.  But as millennials began to become moms who buy (or refuse to buy) Barbies (see, e.g., this feminist mom’s explanation), and Mattel’s sales started to plummet, Mattel began to rebrand itself in 2016 with the launch of new Barbie body types—petite, tall, and curvy. 

Perhaps Lena Dunham, whose nudity in Girls was considered transgressive, deserves thanks.  We should also thank the artists and activists who had a dream for Barbie and used social media to share it, going much farther than Mattel to re-imagine Barbie, gender, and pop culture.  Indeed, they make Creative WorldTM dolls look pretty conventional.  The changes Mattel has been making can be seen as a direct result of the willingness of artists, activists, and fans to playfully engage with—rather than simply criticize—their dolls.  Creatable WorldTM dolls may be another step Mattel is taking to embrace diversity and include more consumers.  How far it will go might once again depend on what fans of the dolls demand and how creative people get in making their own visions known.

Martha McCaughey is Professor of Sociology at Appalachian State. She blogs on sexual assault prevention at See Jane Fight Back (www.seejanefightback.com)

3Thanks to a tip from Jay Livingston, I came across this quote from The Pursuit of  Loneliness by sociologist Philip Slater.  It’s long, but wow:

[I]t can’t be denied that the female ideal in America is nonaggressive and nonthreatening, to the point of caricature.  Take for example the film personality of the much-idolized Marilyn Monroe: docile, accommodating, brainless, defenseless, totally uncentered, incapable of taking up for herself or knowing what she wants or needs. A sexual encounter with such a woman in real life would border on rape – the idea of “consenting adults” wouldn’t even apply.  The term “perversion” seems more appropriate for this kind of yearning than for homosexuality or bestiality, since it isn’t directed toward a complete being.  The Marilyn Monroe image was the ideal sex object for the sexually crippled and anxious male: a bland erotic pudding that would never upset his delicate stomach.

It’s important to realize that this Playboy ideal is a sign of low, rather than high, sexual energy.  It suggests that the sexual flame is so faint and wavering that a whole person would overwhelm and extinguish it.  Only a vapid, compliant ninny-fantasy can keep it alive. It’s designed for men who don’t really like sex but need it for tension-release – men whose libido is wrapped up in achievement or dreams of glory.

Slater wrote this passage in 1970, hence the reference to Marilyn Monroe.  I would have to think hard about whether I think it still applies broadly, but I think it’s fair to say that the “bland erotic pudding” is still part of the repertoire of essentially every female celebrity who is successful in part because of her appearance.  I did a search for some of the most high-profile female actresses and singers today, looking specifically for images that might fit Slater’s description.  I invite your thoughts.

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Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.