Cheerleading started in the United States in the late 19th century as a male activity whose purpose was to organize crowds cheering at football games. In 1923, women joined cheerleading squads and have increasingly dominated this sport. Cheerleading traditionally features chanting, gymnastics, and tumbling. The dominant image of cheerleaders is a perky, always smiling, female who fits a particular body mold.
However, in the late 1970s, a new style of cheerleading emerged in North Carolina and Virginia. This African American originated style of cheerleading is called “Stomp n Shake”. Stomp n Shake cheerleaders have the same goals as “traditional cheerleaders” — to motivate their sports team and raise the enthusiasm of fans. However, Stomp n Shake uses African American dance/stepping aesthetics and African American bragging and insult traditions (dozens/snapping) to “pump up” their audience. Some Stomp n Shake squads include tumbling and stunts in their repertoire, while other squads don’t. Mostly women, Stomp n Shake cheerleaders rarely smile. Instead their goal is to look serious and intimidating when they are chanting their cheers and performing their cheer routines. As the name implies, hip and butt shaking are common features of Stomp n Shake routines, something usually disallowed in most mainstream competitive cheerleading.
Virginia State University Woo Woos (Work It…):
Howard University Bison Cheerleaders:
Prince Edward County High School, SASSY (We Shake The Best):
It’s also interesting to note that Stomp n Shake cheerleading squads appears to be more accepting of cheerleaders who don’t fit the relatively slender body build of mainstream cheerleaders. Comment threads for YouTube videos of usually include comments that certain squad members are overweight and therefore should not be cheerleaders. Usual responses to those comments are that a “thick”(big boned) body frame is common for many Black females, and, besides, a cheerleader’s weight has nothing to do with her cheerleading skills.
Stomp n Shake is changing the way cheerleading is performed in the United States and elsewhere, often to the dismay of many cheerleading coaches, cheerleaders, and fans who very much prefer that cheerleading remain the way it is. However, the influence of such movies as the Bring It On cheerleader series (five movies from 2000-2009) and the posting of videos on YouTube — along with the desire of cheerleading squads to be cutting edge and “hip”– have already influenced the performance styles of some more “traditional” cheerleading squads. It will be interesting to see whether Stomp n Shake cheerleading will also increase the acceptance in mainstream cheerleading for cheerleaders whose physical builds are different than those of the typical cheerleader in the past and the present.
Azizi Powell earned a B.A. in sociology from Upsala College, East Orange New Jersey. She is a retired health & human services administrator, a mother and grandmother, and a free lance artist (African storyteller). She curates two cultural websites Cocojams and Jambalayah. For more information and videos on Stomp n Shake cheerleading, click here.
Comments 86
Amanda — July 21, 2011
This article is pretty interesting. It could be improved by adding some example videos of the "traditional" cheerleading that Stomp n Shake cheerleading is contrasted against. Maybe it's the Bring It On influence that you cite, but these look like pretty normal cheerleading routines to me.
Cocojams Jambalayah — July 21, 2011
[Edited for the sake of clarity]
Full disclosure: I wrote this post and comment on this blog under the name of cocojams jambalayah.
The above post focuses on what appears to be more acceptance of "fuller figured cheerleaders" among stomp n shake cheerleading squads. However, that is only one possible aspect of this form of cheerleading.
Among the other avenues of inquiry that have repeatedly been raised in numerous YouTube video comment threads are (in no particular order)
1. the expanding definition of cheerleading (Is stomp n shake stepping or cheer dance and not cheerleading?)
2. African American attitudes about stomp n shake cheerleading (Is stomp n
shake the “Black form” of cheerleading and “mainstream” cheerleading the White
form? Should those two forms of cheerleading be judged by the same standards? And is stomp n shake “ghetto” ?(with “ghetto” used here in its African American colloquial definition of “lower class”).
My post also skims over the fact that there are different styles of stomp n shake cheerleading. To showcase another form of stomp n shake cheerleading, here’s a link to a video of the squad which is generally acknowledged to be one of the originators of and foremost performers of stomp n shake cheerleading*-Winston Salem State University (WSSU’s Cheer Phi).
Winston-Salem State University WSSU Cheer Phi Cheerleaders
(North Carolina), 2007
http://www.youtube.com/watch?v=GyRaRAge3PE
* The other generally acknowledged originator and leader in the performance of stomp n shake cheerleading is Virginia State University's Woo Woos.
Cocojams Jambalayah — July 21, 2011
In contrast to that stomp n shake cheer, here's one example of a mainstream style cheerleading cheer:
Hey Hey it's time to fight
Everybody yell blue and white(or any colors)
BLUE AND WHITE!
Hey hey let's do it again
Everybody yell GO FIGHT WIN
Go, Fight, Win!
Go, Fight, Win!
http://cheerleading.about.com/od/cheerschantsyells/a/cheers7.htm
The structure, text, and manner of performance of the "Bring It On" cheers are different from mainstream cheers. However, in my opinion, that structure, text, and performance style of the cheers performed in Bring It On* are more an exaggeration of, and approximation of two types of African American originated (mostly female) chanting and performance styles-an informal (usually children to pre-teen informal rhyming/stepping style that I have termed "foot stomping cheers" and stomp n shake cheerleading.
For those interested in more information and examples of foot stomping cheers, here's a link to another page on my website:http://www.cocojams.com/content/foot-stomping-cheers-0
* I'm particularly talking about the first "Bring It On" and "Bring It On, All or Nothing" (movie #3) because I know those movies better than the other movies in that series.
Anonymous — July 21, 2011
Maybe this goes without saying, but in the first "Bring It On" film, the cheers performed by the (predominantly, but not exclusively, white) team are -explicitly- copied from African-American cheerleaders.
UpstompJunkie — July 21, 2011
As a former CIAA and "Stomp&Shake" Cheerleader I have to say that the style is a great style for crowd motivation. If 1-2-3-4, Go-Fight-Win is not working for your crowd you know what, its time to think of something else.
These women work hard at what they do and if a stomp and shake gets your crowd in the game then i think you should do it. But know. Fine line between sexy and slutty. Be aware of how it will look to your audiance an have respect for them.
upstompjunkie — July 21, 2011
upstompjunkie — July 21, 2011
West Mecklenburg High School Cheerleaders - Charlotte NC
http://youtu.be/IW1qQ-zCVKI
Liz Scott — July 21, 2011
i like the stamp and shake version of cheering better mostly because there isn't any flying involved. My little sister, has always been very good at gymnastics and cheering for her age has always been on a team where she in the youngest and smallest member of the team. since, she is so small she is usually the one who gets tossed around and i ALWAYS get scared for her safety when they do because i think "what if thy don't catch her?"
Anonymous — July 21, 2011
With all the challenges going on in THIS country we get articles about cheerleading. LOL!!!
Hollis — July 21, 2011
Tangential, but interesting:
Though cheerleading is still portrayed in popular culture as an 'elite' activity in high school society, and it apparently was considered to be so when my parents were growing up, when I was in school, and in the -admittedly very affluent- schools I've seen since then (both as a volunteer and as a parent), cheerleading is apparently now an activity for less privileged students.
Am — July 21, 2011
I find some of those dances (especially the Work it one) to be reminicent of the All Blacks' Haka ritual. In a feminist perspective, I find it interesting to have a different proposition of what female cheerleading can represent - something not so much associated with agreeableness and physical perfection than with strength and impressiveness.
C — July 22, 2011
I went to an all-white rural school and cheerleading was just a way to put yourself in front of a crowd in a short skirt and get attention. No one took it seriously and it was clearly only for "pretty girls."
I'm fascinated by Stomp and Shake and the way that these cheerleaders are *actually* cheering and leading. It's awesome. It reminds me a bit of the distinctive marching style used by bands from historically black colleges and it makes me wonder if those bands have ever taken any flak for "ruining" marching band. I'm sure they have.
Newurbanfyi - Race and the Changing Shape of Cheerleading — July 22, 2011
[...] From the Society Pages: [...]
Cocojams Jambalayah — July 22, 2011
[My apologies for the length of this comment. But I wanted to share these thoughts which I believe are pertinent to the subject of this post.)
There's something about the late 1970s. The late 1970s was when Hip-Hop was created. That's the same period of time that Stomp & Shake cheerleading began. It's also the same time that the chanting and movement art of stepping became more popular with Black Greek lettered university based fraternities and sororities (although Black fraternities & sororities created stepping in the early 20th century). Stepping chants have the same braggadocio and/or confrontational spirit as stomp n shake chants. And obviously "stomping" is just another way of saying “stepping”.
Here’s a video which showcases one style of stepping:
http://www.youtube.com/watch?v=r7ErwbvUnu0
Alpha Kappa Alpha 1st Place Winners for Chicago Sprite Step Off (2010)
Perhaps the connection between the late 1970s and the emergence of these African American art forms has something to do with "critical mass". The 1970s was the time when Washington D.C. became "Chocolate City" (It's population was over 70% Black (and now D.C. is reported to be less than 50% Black). Remember that Virginia (and therefore the Washington D.C. region) is one of the main locations for Stomp N Shake cheerleading (both university and high school). The other "main location" is North Carolina. There are other areas in the USA where stomp n shake cheerleading is done, although that term may not be known or used. But Virginia and North Carolina (or North Carolina and Virginia) are where that form of cheerleading seems to have developed and is seems to be most prevalent.
Washington D.C. is also the birthplace (in the mid 1960s) of Go Go music, a sub-genre of Funk music. Go Go music was most popular in the mid to late 1970s. From http://en.wikipedia.org/wiki/Go-go : “Go-go is a blend of funk, rhythm and blues, and early hip-hop, with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion.”
-snip-
It’s my position that Go Go music was very instrumental (pardon the unintended
pun) in the development of stepping, and stomp n shake cheerleading.
With regard to critical mass, in the 1970s-more African American students were attending colleges and universities than previously. Therefore, more African Americans pledged university based fraternities or sororities. In so doing, the percussive, choreographed art of stepping became much more well known to university students and non-university Black folks. The African American style of high stepping marching bands also flourished in the 1970s, again probably because of the increased number of African American students in HBCU (Historically Black Colleges and Universities). Furthermore, the earliest example of a foot stomping cheer that I have collected (in my 10 years of research) happens to be from a 1976 field recording of African American school girls in Washington D.C. ("foot stomping cheer" is my term for "cheerleader chants" that have a distinctive group/alternating soloist structure and are chanted by two or more girls (usually an informal group of girls ages 6-12 years old) while performing syncopated, choreographed bass sounding foot stomps, (individual) hand clapping & body patting routines. The
"Shabooya Roll Call" cheer that was featured in the 2006 Bring It On-All Or Nothing movie (and which was lifted from African American communities and previously featured in the 1996 Spike Lee movie Get On The Bus) is an exaggerated example of a foot stomping cheer and not a stomp n shake cheer.
htp://www.youtube.com/watch?v=naw2tty2yic
Shabooya !! {Dance on duh Table}
-snip-
Ah, the 1970s! Iremember them well.
Bel — July 22, 2011
I'd just like to point out that actual competitive cheerleaders are very seldom what we see on TV - they're athletes, and built as such.
Race and the Changing Shape of Cheerleading ? Sociological Images | inifimabigec — July 22, 2011
[...] Source: http://thesocietypages.org/socimages/2011/07/21/race-and-the-changing-shape-of-cheerleading/ [...]
John Hensley — July 22, 2011
None of the example routines really support the claim that "Stomp n Shake cheerleaders rarely smile." They're smiling, but it's not the forced beauty-pageant smile of pom-pom squads. They look like they're actually enjoying the routine.
Cocojams Jambalayah — July 22, 2011
John Hensley, the point that I was trying to make was that the image of the bubbly, perky, alway smiling cheerleader is the exact opposite of the image of stomp n shake cheerleaders.
In contrast to that image of mainstream cheerleaders, stomp n shake cheerleaders want to be viewed as "hard" (tough) and intimidating in their words and actions. This image is supposed to be conveyed in the words of their chants & in their routines. Some key examples in the routines are the use of the "don't go there" /stop hand gesture, the leaning forward (as though you're getting in someone's face in an arguement) the moving forward aggressive stances, and the cheerleaders' balled up fists. Furthermore, Stomp n Shake cheerleaders often put on (I say put on because a lot of this is a dramatic act) either an expressionless (stone face) look or a scowling look that African Americans refer to as "grittin". The cheerleader's facial expression, their body language, movements, and the words of the chants are supposed to clearly convey the message that these cheerleaders are all about "serious business". That doesn't mean that they don't really enjoy what they do. But I imagine that mainstream cheerleaders also enjoy what they do, even though the expection for them is to be always smiling. That said, I agree with you that the always smiling decree for mainstream cheerleaders can come across as fake.
Probably the video example and words to the cheer in this post & comment thread which best conveys the image of the tough/we mean business stomp n shake cheerleaders is Winston-Salem State University's cheer "You Get No Respect In Here". Another video example of that street tough image is
http://www.youtube.com/watch?v=Pl6Gji_re0g&feature=relatedNCCU (North Carolina Central University) -You Ain't Bad
The words to that cheer are a good example of the aggressively bragging spirit of many stomp n shake cheers:"You ain't bad, you ain't tough, the eagles will rock your stuff".
Another NCCU video on YouTube is titled "Thug Passion". It's unlikely that any mainstream cheerleader video would have that title.
Notmy Realname — July 23, 2011
This is really great.
I do the gym every day and am gonna try to work some of this into my cardio workout.
Yeah, I'm a guy butt, I do the gym every day and appreciate these women as ATHLETES.
Yeah, they hot chicks too.
upstompjunkie — July 23, 2011
You have to have to be excellent at traditional cheerleading in order to do stomp and Shake. The motions, beats, stomps and shakes are very very precise and styled. Its not B.E.T Video stripper shaking.
upstompjunkie — July 23, 2011
Hampton Universtity V/S Norfolk State University
http://youtu.be/kmY9ofX260c
North Carolina Central University - Precision and Confidence not matched.
http://youtu.be/o24GnkiD7n4
http://youtu.be/l8hs6QqiVn4
http://youtu.be/6mcKtECw94M
upstompjunkie — July 23, 2011
Olympic High School Cheerleaders - Charlotte NChttp://youtu.be/zSjZrMqrtDQWords:We are the trojans and we are h-o-t- hot we keep it goin and we just dont stop. We are so fresh, So Smooth, You can't catch these moves. Cause were just to hot. Cause were bad, and watch us as we "ROCK"! (rock, rock, rock, rock) "ROCK"! Trojans Stay Hot. So Hot!
Race and the Changing Shape of Cheerleading ? Sociological Images | olasofifyd — July 23, 2011
[...] Source: http://thesocietypages.org/socimages/2011/07/21/race-and-the-changing-shape-of-cheerleading/ [...]
upstompjunkie — July 23, 2011
Olympic High School Cheerleaders -Charlotte NC
http://youtu.be/zSjZrMqrtDQ
Anonymous — July 25, 2011
Great article! I'm going to throw my experiences in, especially on the weight comments: I think a lot of men (specifically white men) and some women are conditioned to think that cheerleaders are simply more accessible models or porn stars. Basically, they're there for men to look at, and have no other purpose. While cheerleading is a very aesthetic sport, it wasn't until going to (a predominantly white) college that I was faced with the "cheerleaders must all be 125 pounds or less" idea. I was a cheerleader, on a predominantly white team, and while I can't say there was a lack of thin girls, heavier girls were never excluded. In fact, they were actively recruited (which may be problematic itself, but moving on) because in high school cheerleading, even a predominantly white high school that itself had an unusual problem with body image, because people of all sizes were necessary to the "stunting" part: heavier girls as bass, tall girls as backspots, small thin girls as flyers. But I guess the idea that cheerleaders are exclusively male fetish fuel has worked it's way into that culture too; many heavy girls (or even not so heavy girls) who were otherwise interested refused to try out because they assumed they were too big and would be made fun of by the students. The idea that "cheerleader" equals "stick thin, big boobed, traditionally attractive, almost definitely white bimbo" is pretty ridiculous if you know much about any type of involved cheerleading, but it's pervasive to say the least.
Top 10 Awesome Dogs » Blog Archive » Race and the Changing Shape of Cheerleading — July 26, 2011
[...] From the Society Pages: [...]
Xlalaamberx — July 28, 2011
This is not cheerleading. I am sorry they should just be a step team and include a chant. I have been cheerleading for ten years and this is just making the sport look bad. But relating to your story many of the black team mates that I have had are very talented. They have wonderful tumbling, and jumps. I have also seen a few all black all-star squads who perform amazing!!!
ungdomssvin — December 1, 2011
i don't get it. perhaps it's just because i'm not from usa and therefore have practically no insight into the complexity of cheerleading(!), but i really don't get this...
watching/reading this article gives me the distinct feeling that this is just another genre within cheerleading - which i consider to be a highly sexualized, gender-oppressive activity. this still looks pretty discriminating to me, regarding gender and body.
aren't these women still showing off their bodies in minimal clothing for the entertainment of the audience while they wait for the male athletes to do their thing? and don't their bodies in a very curious way look "the same" within the team, standardized, even though they might be slightly less skinny than the pom-pom-cheerleaders? does that not support a steretypical female body-image too? is that okay just because this dance incorporates movements and attitude coming from a non-white dance-culture/-history and therefore not familiar to traditional cheerleading? and speaking of that, doesn't anybody else see this as a perhaps subtle but still persistent way of categorizing and stereotyping black culture as being aggressive (oh, and thus even contributing to the classic stereotype of black people possessing a sexualized aggression/aggressive sexuality)? like i said, maybe i just don't get it. please explain to a poor ill-informed european how this form of cheering is any less discriminating than the other?
e jerry powell — July 10, 2015
Looking at a very specific example, Winston-Salem State University, there seems to be a "tiering" of female body types (the men on the squad tend to be mostly slender, but even that isn't uniform, as the number of men on the squad varies widely from year to year). Body types mostly vary within different spirit squads: the female cheerleaders tend to be typically petite or thin for the most part, where the women on the dance squads with the bend are indeed "thicker" on average. WSSU incorporates a great deal of gymnastics and elements of traditional cheer stunts than the examples given here.
Episode 145 – Bring it ON – FAKE GEEK GIRLS — December 7, 2020
[…] Race and the Changing Shape of Cheerleading by Azizi Powell […]
What is an HBCU? NC’s historic Black colleges & universities – NewsDeal — August 8, 2023
[…] Cheer: Stomp and Shake cheer originated in North Carolina and Virginia. It combines traditional cheerleading with African […]
Armand DuFrene — October 25, 2023
Thank you Black people for spreading this “cheer” style of arrogant, pompous, aggressive posturing and highly confrontational taunting that promotes violence and features vulgar body movements mimicking those of female apes in heat and seeking to be mounted for purpose of impregnating.
Jesus C
And they are proud of this. Proud of what is arguably the lowest culture in the entire history of cultures.