{"id":2916,"date":"2010-08-28T02:29:09","date_gmt":"2010-08-28T07:29:09","guid":{"rendered":"http:\/\/thesocietypages.org\/thickculture\/?p=2916"},"modified":"2010-08-28T02:29:09","modified_gmt":"2010-08-28T07:29:09","slug":"can-social-scientists-remove-their-flesh","status":"publish","type":"post","link":"https:\/\/thesocietypages.org\/thickculture\/2010\/08\/28\/can-social-scientists-remove-their-flesh\/","title":{"rendered":"Can Social Scientists &#8220;Remove Their Flesh&#8221;?"},"content":{"rendered":"<p><a href=\"http:\/\/donmilleris.com\/2010\/07\/21\/on-writing-i-am-a-skeleton-with-a-penis-at-a-typewriter\/\">Donald Miller<\/a> introduces me to my favorite poem for the moment by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Billy_Collings\">Billy Collins<\/a>.  As a social scientist who formerly wrote poetry, I sometimes find academic writing stultifying.  You spend must of your graduate and pre-tenure life writing for others, even while you are supposed to be &#8220;finding your own voice.&#8221;  The great joy of academia is when you at last figure out how to research and write in a way that is methodologically sound while also being courageous, personal and pure.  <\/p>\n<blockquote><p><strong>Purity<br \/>\n<\/strong><br \/>\nMy favorite time to write is in the late afternoon,<br \/>\nweekdays, particularly Wednesdays.<br \/>\nThis is how I go about it:<br \/>\nI take a fresh pot of tea into my study and close the door.<br \/>\nThen I remove my clothes and leave them in a pile<br \/>\nas if I had melted to death and my legacy consisted of only<br \/>\na white shirt, a pair of pants, and a pot of cold tea.<br \/>\nThen I remove my flesh and hang it over a chair.<br \/>\nI slide it off my bones like a silken garment.<br \/>\nI do this so that what I write will be pure,<br \/>\nCompletely rinsed of the carnal,<br \/>\nuncontaminated by the preoccupations of the body.<br \/>\nFinally I remove each of my organs and arrange them<br \/>\non a small table near the window.<br \/>\nI do not want to hear their ancient rhythms<br \/>\nwhen I am trying to tap out my own drumbeat.<br \/>\nNow I sit down at the desk, ready to begin.<br \/>\nI am entirely pure: nothing but a skeleton at a typewriter.<br \/>\nI should mention that sometimes I leave my penis on.<br \/>\nI find it difficult to ignore the temptation.<br \/>\nThen I am a skeleton with a penis at a typewriter.<br \/>\nIn this condition I write extraordinary love poems,<br \/>\nmost of them exploiting the connection between sex<br \/>\nand death.<br \/>\nI am concentration itself: I exist in a universe<br \/>\nwhere there is nothing but sex, death and typewriting.<br \/>\nAfter a spell of this I remove my penis too.<br \/>\nThen I am all skull and bones typing into the afternoon.<br \/>\nJust the absolute essentials, no flounces.<br \/>\nNow I write only about death, most classical of themes<br \/>\nin language light as the air between my ribs.<br \/>\nAfterward, I reward myself by going for a drive at sunset.<br \/>\nI replace my organs and slip back into my flesh<br \/>\nAnd clothes. Then I back the car out of the garage<br \/>\nAnd speed through woods on winding country roads,<br \/>\nPassing stone walls, farmhouses, and frozen ponds,<br \/>\nAll perfectly arranged like words in a famous sonnet.<\/p><\/blockquote>\n<p>What do you think?  Does this poem apply in any way to academic writing?  Or is this simply an illustration of effective fiction\/literary writing?  I personally think that social scientists can &#8220;remove their flesh&#8221; via the questions they ask, the conclusions they draw, and the way they seek to apply the knowledge they create.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Donald Miller introduces me to my favorite poem for the moment by Billy Collins. As a social scientist who formerly wrote poetry, I sometimes find academic writing stultifying. You spend must of your graduate and pre-tenure life writing for others, even while you are supposed to be &#8220;finding your own voice.&#8221; The great joy of [&hellip;]<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[8986,8985],"class_list":["post-2916","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-academic-writing","tag-billy-collins"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/posts\/2916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/users\/129"}],"replies":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/comments?post=2916"}],"version-history":[{"count":1,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/posts\/2916\/revisions"}],"predecessor-version":[{"id":2917,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/posts\/2916\/revisions\/2917"}],"wp:attachment":[{"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/media?parent=2916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/categories?post=2916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesocietypages.org\/thickculture\/wp-json\/wp\/v2\/tags?post=2916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}