{"id":72547,"date":"2018-10-18T11:25:31","date_gmt":"2018-10-18T16:25:31","guid":{"rendered":"https:\/\/thesocietypages.org\/socimages\/?p=72547"},"modified":"2018-10-19T10:09:51","modified_gmt":"2018-10-19T15:09:51","slug":"horror-films-are-our-collective-nightmares","status":"publish","type":"post","link":"https:\/\/thesocietypages.org\/socimages\/2018\/10\/18\/horror-films-are-our-collective-nightmares\/","title":{"rendered":"Horror Films Are Our Collective Nightmares"},"content":{"rendered":"

Sociology reveals the invisible in our world. Sociologists explore the parts of our society that remain “in the dark,” and this has a lot in common with the horror genre. Both sociologists and horror fans find value in delving into the qualities and behaviors of people that others would rather not address. Both focus on things we don\u2019t want to confront. More than many other genres, horror films are rife with sociological implications.<\/span><\/p>\n

We are sociologists who host the\u00a0Collective Nightmares<\/i><\/span>\u00a0podcast<\/span><\/a>. Our podcast examines horror films from a sociological perspective. We focus on issues such as the representation of individuals of different genders, sexualities, and racial\/ethnic backgrounds as well as the ideological messages of the film narratives.<\/span><\/p>\n

Horror movies are a great teaching tool for undergraduate classes. For example, two recent films,\u00a0Summer of \u201984<\/i><\/span><\/a>\u00a0and\u00a0T<\/i>he First Purge,<\/i><\/span><\/a>\u00a0are a good fit for sociology courses focusing on gender, sexuality, deviance, and social problems. We’ve used discussion of horror films in our classes with great success – and what better time than Halloween to inspire students to think sociologically about horror?!<\/span><\/p>\n

Summer of ’84 (2018)<\/h3>\n

Summer of ’84<\/i>\u00a0models itself on popular media of the 1980s in look, tone, and story (The Goonies<\/i><\/span><\/a>\u00a0(1985),\u00a0Explorers<\/i><\/span><\/a>\u00a0(1985),\u00a0Stand By Me<\/i><\/span><\/a>\u00a0(1986), etc.). Our lead protagonist, an upper-middle class, white, heterosexual, boy, Davey, played by\u00a0Graham Verchere<\/span><\/a>, suspects his neighbor of being a serial killer. He convinces his friends to help him spy and investigate. Hijinks and horror ensue.<\/span><\/p>\n

\"\"<\/a>
A Reagan Bush ’84 campaign sign in a neighborhood yard, signaling the political era of the film.<\/figcaption><\/figure>\n

In our discussion of\u00a0Summer of \u201884<\/i><\/a>, we examine the representation of young women in adolescent boy-centric summer adventure movies. We also discuss the ubiquity of troublesome, but \u201coh so palatable\u201d tropes. These include the representation of women, people of color, and political ideology that, when couched in a nostalgic 1980\u2019s setting (which we both grew up smack in the middle of) can feel homey. The cultural climate of our youth seems to have clouded our ability to see the way\u00a0Summer of \u201984\u00a0<\/i>depicted first and foremost women, but also racial inequity and the political climate of the 1980\u2019s.<\/span><\/p>\n

To address these ideas in your classroom, consider a discussion centered on the following argument, which we make in the podcast:\u00a0Summer of \u201884<\/i>\u00a0presented women largely as sexual currency for young men’s bonding.<\/span><\/p>\n

\"\"<\/a>
Davey and his friends in their clubhouse discussing women while looking at an adult magazine.<\/figcaption><\/figure>\n

Horror is a genre that relies on stigmatized topics and transgressing boundaries, and it therefore has unique potential to challenge or reinforce common conceptions of normalcy. One of the ways the core group of boys are cast as normal, good, and moral, in contrast to the suspicious neighbor, is via their hegemonic heterosexuality. This is largely done by showing them discussing women as potential sexual trophies, engaging the male gaze toward adult magazines, and taking advantage of Davey’s vantage point to watch his neighbor Nikki, played by\u00a0Tiera Skovbye<\/span><\/a>, undressing. <\/span><\/p>\n

Nikki is relegated to the role of\u00a0 <\/span>\u201clove interest” as a willing participant in these exchanges. She takes pride in her ability to give the boys status through her flirtations, exalting them as her only true friends. She finds their covert attempts to see her naked as flattering, rather than a stark invasion of privacy. For a deeper discussion, we take this argument a step further and ask ourselves why we, both trained sociologists (one of whom specializes in gender) found the film enjoyable in spite of these deeply problematic behaviors<\/span>.<\/span>\u00a0What does that say about the pervasiveness of these gender ideologies in our society?<\/span><\/p>\n

The First Purge (2018)<\/span><\/h3>\n
\"\"<\/a>
The annual purge announcement from\u00a0The Purge: Election Year\u00a0(2016)<\/figcaption><\/figure>\n
\"\"<\/a>
Staten Island residents rallying against the proposal to enact The Purge in their neighborhood.<\/figcaption><\/figure>\n

The concept of\u00a0The Purge<\/i><\/span><\/a>\u00a0(2013)<\/i>\u00a0film and\u00a0now TV series<\/span><\/a>\u00a0is that once a year in the U.S. for 12 hours, all crime, including murder, is legal. The most recent film in the series, The First Purge<\/i>, arrived in theaters this summer. In the film, the right-wing New Founding Fathers of America political party conducts an experiment on Staten Island, a borough of primarily poor people of color. This experiment is a trial run of the Purge concept that is rolled out nationally in the other films.<\/span><\/p>\n

This premise offers director\u00a0Gerard McMurray<\/span><\/a>\u00a0an allegory to explore a host of sociological issues relevant to current U.S. society. The film works as a basis for a discussion of class inequality, racial injustices, gendered violence, and social control. In our discussion of the film<\/a>, we address deviance, racial stereotypes, anomie, solidarity, and the social psychological influences on behavior, especially the internalization of norms.<\/span><\/p>\n

Though the horror genre is notorious for being particularly white-dominated,\u00a0The First Purge\u00a0<\/i>is directed by a Black man (Gerard McMurray) and the primary stars of the film are people of color (Y\u2019lan Noel<\/span><\/a>,\u00a0Lex Scott Davis<\/span><\/a>,\u00a0Joivan Wade<\/span><\/a>). While critical and thought-provoking in many ways, the film is also disappointing when it comes to portrayals of gender and sexuality. Questions for class discussion could include how social structure influences individual agency within the film’s narrative. How does the film perpetuate and challenge race, gender, and racial stereotypes? What is the role of intersectionality in these stereotypes?<\/span><\/p>\n

In preparation for Halloween, we will soon have a follow-up post detailing which of our prior podcasts are relevant to different sociology courses. We will also have an example assignment to share that instructors can adapt to their own needs\/classes to help you discuss horror films with your students.<\/span><\/p>\n

Marshall Smith<\/strong> earned his PhD in sociology from the University of Colorado at Boulder in 2011 focusing on gender, sexuality, youth, and media. He currently teaches sociology classes at CU Boulder for the Farrand Residential Academic Program.<\/span>\u00a0<\/span><\/em><\/p>\n

Laura Patterson<\/strong> earned her PhD from the University of Colorado at Boulder in 2011, focusing on environmental issues and the impacts of HIV\/AIDS in rural South Africa.\u00a0 She\u2019s currently a research consultant with a Colorado-based pregnancy prevention program and other federally-funded evaluation efforts, in addition to teaching at CU Boulder and Adams State University.<\/span><\/em><\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

Sociology reveals the invisible in our world. Sociologists explore the parts of our society that remain “in the dark,” and this has a lot in common with the horror genre. Both sociologists and horror fans find value in delving into the qualities and behaviors of people that others would rather not address. Both focus on […]<\/p>\n","protected":false},"author":1851,"featured_media":72553,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-72547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/thesocietypages.org\/socimages\/files\/2018\/10\/Coll-Night-Full-Quote-StarFest-WP-Header-e1539663940391.png","_links":{"self":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/72547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/users\/1851"}],"replies":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/comments?post=72547"}],"version-history":[{"count":4,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/72547\/revisions"}],"predecessor-version":[{"id":72562,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/72547\/revisions\/72562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/media\/72553"}],"wp:attachment":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/media?parent=72547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/categories?post=72547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/tags?post=72547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}