{"id":68341,"date":"2015-12-29T08:00:05","date_gmt":"2015-12-29T13:00:05","guid":{"rendered":"http:\/\/thesocietypages.org\/socimages\/?p=68341"},"modified":"2015-12-29T21:14:20","modified_gmt":"2015-12-30T02:14:20","slug":"is-beibers-what-do-you-mean-just-as-bad-as-thickes-blurred-lines","status":"publish","type":"post","link":"https:\/\/thesocietypages.org\/socimages\/2015\/12\/29\/is-beibers-what-do-you-mean-just-as-bad-as-thickes-blurred-lines\/","title":{"rendered":"Is Bieber&#8217;s What Do You Mean? just as bad as Thicke&#8217;s Blurred Lines?"},"content":{"rendered":"<p><a href=\"https:\/\/thesocietypages.org\/socimages\/files\/2015\/01\/2-1.png\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-68482\" src=\"https:\/\/thesocietypages.org\/socimages\/files\/2015\/01\/2-1-500x143.png\" alt=\"2 (1)\" width=\"500\" height=\"143\" srcset=\"https:\/\/thesocietypages.org\/socimages\/files\/2015\/01\/2-1-500x143.png 500w, https:\/\/thesocietypages.org\/socimages\/files\/2015\/01\/2-1.png 605w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>Robin Thicke\u2019s song, \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Blurred_Lines\">Blurred Lines<\/a>,\u201d achieved international recognition in 2013. But the lyrics were also heavily criticized as promoting sexual violence by celebrating \u201cblurred lines\u201d around sexual consent. Indeed, the song and video prompted an <a href=\"https:\/\/thesocietypages.org\/socimages\/2013\/12\/30\/from-the-mouths-of-rapists-the-lyrics-of-robin-thickes-blurred-lines\/\">online photo essay<\/a> in which women and men are depicted holding up signs with words they heard from their own rapists\u00a0\u2014 some of which were almost direct quotes from Thicke\u2019s song. The song received a great deal of negative and positive press all at the same time.<\/p>\n<p>It\u2019s not a new argument to suggest that many elements of what feminist scholars refer to as \u201crape culture\u201d are <a href=\"https:\/\/www.pinterest.com\/socimages\/rape-culture-trigger-warning\/\" target=\"_blank\">embedded in seemingly pleasurable elements of pop culture<\/a>, like songs, movies, and television shows. And Robin Thicke\u2019s song served as an example to many of how we not only tolerate rape culture,\u00a0but celebrate it and render it \u201csexy.\u201d<\/p>\n<p>Recently, Rebecca Traister discussed just how much rape culture even informs what we think of as \u201cgood sex\u201d in her piece \u201c<a href=\"http:\/\/nymag.com\/thecut\/2015\/10\/why-consensual-sex-can-still-be-bad.html%3Fmid=fb-share-thecut\">The Game is Rigged<\/a>.\u201d In it, Traister challenges the notion that all consensual sex is good and shows just how messy the debate about what qualifies as \u201cconsensual\u201d really is. In many ways, our national discussion around sexual assault and consent is taking up themes raised by feminists in the 1980s about\u00a0<a href=\"http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674896468\">what actually qualifies as consent<\/a> in a society in which violence against women is considered sexy.<\/p>\n<p>Compared with \u201cBlurred Lines,\u201d Justin Bieber\u2019s newly released hit single, \u201c<a href=\"https:\/\/www.youtube.com\/watch%3Fv=DK_0jXPuIr0\">What Do You Mean?<\/a>\u201d has been subject to less critique, though it reproduces the notion that women do not actually know what they want and that they are notoriously bad and communicating their desires (sexual and otherwise). In the song, Bieber asks the woman with whom he\u2019s interacting:<\/p>\n<blockquote><p>What do you mean?<br \/>\nOhh ohh ohh<br \/>\nWhen you nod your head yes<br \/>\nBut you wanna say no<br \/>\nWhat do you mean?<\/p><\/blockquote>\n<p>The lack of clear consent isn\u2019t just present in the song; it is what provides the sexual tension. It\u2019s part of what is intended to make the song \u201csexy.\u201d<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DK_0jXPuIr0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Sexualizing women\u2019s sexual indecision is an important part of the way rape culture works. It is one way that conversations about consent often over-simplify a process that is and should be much more complex. The song itself presents Bieber nagging the woman to whom he\u2019s singing to make a decision about their relationship. But there are many elements suggesting that the decision she\u2019s being asked to make is more immediate as well \u2014 not only about the larger relationship, but about a sexual interaction in the near future. Throughout the song, the click of a stopwatch can be heard as a beat against which Bieber presses the woman to make a decision while berating her for the mixed signals she has been sending him.<\/p>\n<p>Bieber is presented as the \u201cgood guy\u201d throughout the song by attempting to really decipher what the woman\u00a0<em>actually <\/em>means. Indeed, this is another element of rape culture: the way in which we are encouraged to see average, everyday guys as <a href=\"http:\/\/gas.sagepub.com\/content\/early\/2015\/10\/26\/0891243215612707.extract\" target=\"_blank\">\u201cnot-rapists,\u201d<\/a> because rapists are the bad guys who attack women from bushes (at worst) or simply get them drunk at a party (at best).<\/p>\n<p>The controversy over the ad in Bloomingdale\u2019s 2015 holiday catalog urging readers to <a href=\"http:\/\/msmagazine.com\/blog\/2015\/11\/11\/bloomingdales-issues-apology-for-printing-date-rape-y-ad\/\" target=\"_blank\">\u201cspike your best friend\u2019s eggnog when they\u2019re not looking\u201d<\/a> shows that this kind of rape culture is also casually promoted in popular culture as well.\u00a0 But, the larger discourse that Bieber\u2019s song plays a role in promoting is the notion that women do not know what they mean or want. Bieber plays the role of someone simultaneously pressuring her for sexual advance (\u201cSaid we\u2019re running out of time\u201d), helping her work through her feelings (\u201cWhat do you mean?\u201d), and demanding results (\u201cBetter make up your mind\u201d). And, like the Bloomingdale\u2019s advertisement, <em>this<\/em> is not sexy.<\/p>\n<p>Indeed, the music video takes this a step further. Bieber is shown at the beginning paying John Leguizamo on a street corner and asking him to make sure \u201cshe doesn\u2019t get hurt.\u201d We later find out that John was paid to orchestrate a kidnapping of both Justin and the woman. Both are taken by men in masks, driven to a warehouse in the trunk of a car, and tied up. Justin is able to free them, but they are still in a room with their kidnappers.<\/p>\n<p>They back up to a door that leads outside the building and see that they are one of the top floors. Justin turns to the woman, holds out his hand and asks, \u201cDo you trust me?\u201d She takes his hand and they both jump out of the building. They jump and fall to the ground, landing on a parachute pillow only to discover that the whole thing was a trick. The kidnapping was actually an orchestrated ruse to bring her to a party that they entered by leaping from the building away from the men who\u2019d taken them. The men in masks all reveal themselves to be smiling beneath. She smiles at Justin, recognizing that it was all a trick, grabs his face, kisses him and they dance the night away in the underground club.<\/p>\n<p>Even though the song is about feeling like a woman really can\u2019t make up her mind about Justin, their relationship, and sexual intimacy, the woman in the video is not depicted this way at all. She appears sexually interested in Justin from the moment the two meet in the video and not bothered by his questions and demands at all. Though it is worth mentioning that he is terrorizing her in the name of romance, indeed the terror itself is a sign of how much he loves her \u2014 also a part of rape culture. This visual display alongside the lyrics works in ways that obscure the content of the lyrics, content that works against much of what we are shown visually.<\/p>\n<p>Part of what makes rape culture so insidious is that violence against women is rendered pleasurable and even desirable. Thicke and Bieber\u2019s songs are catchy, fun, and beg to be danced to. The women in Thicke\u2019s video also appear to be having fun strutting around nude while the men sing. The woman in Bieber\u2019s video is being kidnapped and terrified for sport, sure, but it\u2019s because he wants to show his love for her. She\u2019s shown realizing and appreciating this at the conclusion of the video.<\/p>\n<p>Rape culture hides the ways that sexual violence is enacted upon women\u2019s bodies every day. It obscures the ways that men work to minimize women\u2019s control over their own bodies. It conceals the ways that sexual violence stems not just from dangerous, deviant others, but the normal everydayness of heterosexual interactions. And all of this works to make sexualized power arrangements more challenging to identify as problematic, which is precisely what makes confronting rape culture so challenging.<\/p>\n<p><em>Originally posted at <a href=\"https:\/\/thesocietypages.org\/feminist\/2015\/11\/12\/pop-music-rape-culture-and-the-sexualization-of-blurred-lines\/\" target=\"_blank\">Feminist Reflections<\/a> and <a href=\"https:\/\/inequalitybyinteriordesign.wordpress.com\/2015\/11\/12\/pop-music-rape-culture-and-the-sexualization-of-blurred-lines\/\" target=\"_blank\">Inequality by (Interior) Design<\/a>.<\/em><\/p>\n<p><em><a href=\"http:\/\/people.virginia.edu\/~tsb5k\/\" target=\"_blank\">Tristan Bridges<\/a>\u00a0is a sociologist at the College at Brockport (SUNY) and\u00a0CJ Pascoe is a sociologist at the University of Oregon. Pascoe\u00a0is the author of <\/em><a href=\"http:\/\/www.ucpress.edu\/book.php?isbn=9780520271487\" target=\"_blank\">Dude, You&#8217;re a Fag:\u00a0 Masculinity and Sexuality in High School<\/a><em>, and together they are the editors of<\/em> <a href=\"https:\/\/inequalitybyinteriordesign.wordpress.com\/\" target=\"_blank\">Exploring Masculinities: Identity, Inequality, Continuity and Change<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robin Thicke\u2019s song, \u201cBlurred Lines,\u201d achieved international recognition in 2013. But the lyrics were also heavily criticized as promoting sexual violence by celebrating \u201cblurred lines\u201d around sexual consent. Indeed, the song and video prompted an online photo essay in which women and men are depicted holding up signs with words they heard from their own [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":68483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[15,387,329,55,2098,23680,2090,283,120,133],"class_list":["post-68341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-culture","tag-dating","tag-emotion","tag-gender","tag-gender-prejudicediscrimination","tag-gender-sexism","tag-gender-violence","tag-prejudicediscrimination","tag-sex","tag-violence"],"jetpack_featured_media_url":"https:\/\/thesocietypages.org\/socimages\/files\/2015\/01\/212.png","_links":{"self":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/68341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/comments?post=68341"}],"version-history":[{"count":4,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/68341\/revisions"}],"predecessor-version":[{"id":68570,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/68341\/revisions\/68570"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/media\/68483"}],"wp:attachment":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/media?parent=68341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/categories?post=68341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/tags?post=68341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}