{"id":28767,"date":"2010-11-30T10:04:45","date_gmt":"2010-11-30T15:04:45","guid":{"rendered":"http:\/\/thesocietypages.org\/socimages\/?p=28767"},"modified":"2013-12-02T23:12:17","modified_gmt":"2013-12-03T04:12:17","slug":"the-political-use-of-public-spaces-how-are-soldiers-dying","status":"publish","type":"post","link":"https:\/\/thesocietypages.org\/socimages\/2010\/11\/30\/the-political-use-of-public-spaces-how-are-soldiers-dying\/","title":{"rendered":"Engaged Public Space: How Are Soldiers Dying?"},"content":{"rendered":"<p>Jose Marichal at <a href=\"https:\/\/thesocietypages.org\/thickculture\/2010\/10\/07\/engaged-public-space-and-shameless-plugs\/\" target=\"_blank\">Thick Culture<\/a> put up another great example of what he calls &#8220;engaged public space,&#8221; or the quiet but political use of public spaces to inform and incite.\u00a0 Writes Marichal:<\/p>\n<blockquote><p>This tally of military suicides is outside the studio of Brooklyn artist Sebastian Errasuriz. Its power comes from its simplicity.<\/p><\/blockquote>\n<p><a href=\"https:\/\/thesocietypages.org\/socimages\/files\/2010\/11\/post_full_1286409726american-kills.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-28768\" alt=\"\" src=\"https:\/\/thesocietypages.org\/socimages\/files\/2010\/11\/post_full_1286409726american-kills.jpg\" width=\"420\" height=\"477\" srcset=\"https:\/\/thesocietypages.org\/socimages\/files\/2010\/11\/post_full_1286409726american-kills.jpg 451w, https:\/\/thesocietypages.org\/socimages\/files\/2010\/11\/post_full_1286409726american-kills-440x500.jpg 440w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/a><\/p>\n<p>See also our post on <a href=\"https:\/\/thesocietypages.org\/socimages\/2010\/09\/22\/gentle-public-activism-magnussons-i-75-project\/\" target=\"_self\">political (versus historical) roadside markers<\/a>.<\/p>\n<span class=\"ft_signature\"><em><a href=\"http:\/\/lisa-wade.com\/\">Lisa Wade, PhD<\/a> is an Associate Professor at Tulane University. She is the author of <\/em><a href=\"https:\/\/www.amazon.com\/American-Hookup-New-Culture-Campus\/dp\/039328509X?ie=UTF8&amp;*Version*=1&amp;*entries*=0\">American Hookup<\/a><em>, a book about college sexual culture; a <a href=\"https:\/\/www.amazon.com\/Gender-Interactions-Institutions-Lisa-Wade\/dp\/0393931072?ie=UTF8&amp;*Version*=1&amp;*entries*=0\">textbook about gender<\/a>; and a forthcoming introductory text: <\/em><a href=\"https:\/\/lisa-wade.com\/intro\/\">Terrible Magnificent Sociology<\/a><em>.\u00a0You can follow her on <a href=\"https:\/\/twitter.com\/lisawade\">Twitter<\/a> and <a href=\"https:\/\/www.instagram.com\/lisawadephd\/\">Instagram<\/a>.<\/em><\/span>","protected":false},"excerpt":{"rendered":"<p>Jose Marichal at Thick Culture put up another great example of what he calls &#8220;engaged public space,&#8221; or the quiet but political use of public spaces to inform and incite.\u00a0 Writes Marichal: This tally of military suicides is outside the studio of Brooklyn artist Sebastian Errasuriz. Its power comes from its simplicity. See also our [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[12508,8070,233,85,309],"class_list":["post-28767","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-activismsocial-movements","tag-artliterature","tag-death","tag-politics","tag-warmilitary"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/28767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/comments?post=28767"}],"version-history":[{"count":11,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/28767\/revisions"}],"predecessor-version":[{"id":59515,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/posts\/28767\/revisions\/59515"}],"wp:attachment":[{"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/media?parent=28767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/categories?post=28767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesocietypages.org\/socimages\/wp-json\/wp\/v2\/tags?post=28767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}