Masculinity and Fidelity in Pop Music

Originally posted at the Gender & Society blog. Two songs that seemed like they were on the radio every time I tuned into a pop station last summer were Omi’s single, “Cheerleader” (originally released in 2015) and Andy Grammar’s song, “Honey, I’m good” (originally released in 2014). They’re both songs written for mass consumption. Between … Continue reading Masculinity and Fidelity in Pop Music