CHGS Director Alejandro Baer has written about the analogies drawn between refugees fleeing Nazi Germany in 1938 and the current global refugee crisis. The ease in which comparisons are made between those who fled World War II and those fleeing the atrocities committed by ISIS and other groups is made stronger by the widely circulated images of refugees we see on a near-daily basis.
Lucien Philipe Moretti, “Father’s Barber Shop,” c. 1973, on display in Wilson Library at UMN
Displaced: The Semiotics of Identity, is an ambitious exhibition of art and historical artifacts that explores diverse aspects of the displacement of people and things, and its many repercussions. On display at the Wilson Library at the University of Minnesota, this sprawling exhibit inhabits walls throughout the first and the fourth floor, as well as having an online component. The exhibit’s theme is to explore the meaning made of a person’s or object’s identity in different spaces and times. The topic is in-and-of-itself huge, but the process whereby the show developed is why it is so ambitious: Displaced was curated by students.
The Center for Holocaust and Genocide Studies at the University of Minnesota-Twin Cities promotes academic research, education and public awareness on the Holocaust, other genocides and current forms of mass violence. It was established in 1997 by Dr. Stephen Feinstein as an interdisciplinary research center. Read more…
