Twitter

Last week I went down to Zuccotti Park out of an overwhelming desire to be a part of something intensely important. One of my professors  compared the occupation of Wall Street to People’s Park in Berkley, California. He also sees strong connections to the ongoing hacktivist activities in Spain. OccupyWallst.org draws their tactics explicitly form the Arab Spring. I have waited so long to write something about my own experiences because, frankly, it almost feels too personal. So, if you’ll indulge me, this post is going to be a little different from the ones I’ve written in the past.

While the major news outlets try desperately to shoehorn OWS into existing frames, smaller outlets have provided excellent commentary and insight. Jenny Davis was the first on this blog to write about the movement’s use of social media. Since her insightful post, social media has proven to be an effective tool in revealing police brutality and even possible entrapment by the NYPD. The various Twitter backchannels have been instrumental in organizing and publicizing the organization – as well as the results- of major protests. Nathan has also done an excellent job of discussing the relationship of online and offline action. And yesterday’s post by Sarah Wanenchak describes exactly my feelings on the confluence of various forms of technology. There truly is no easy way to describe the feeling you get when you hear the people’s mic for the first time. It is a little difficult to master, but a truly powerful tool.

Having participated in more...

Mass collective action is in the air, on the ground, on the web; indeed, there exists today an atmosphere conducive for revolutions, flash mobs, protests, uprisings, riots, and any other way humans coalesce physically and digitally to change the normal operation of society. [Photos of protests around the globe from just the past 30 days].

Some gatherings have clear goals (e.g., ousting Mubarak), however. there is also the sense that massive gatherings are increasingly inevitable today even when a reason for them is not explicit (e.g., the ongoing debate over the reasons for the UK Riots or the current #occupy protests). For some this is terrifying and for others it is exhilarating. And still others might think I am greatly overstating the amount of protest actually happening. True, we do not yet know if this second decade of the 21^st Century will come to be known for massive uprisings. But if it is, I think it will have much to do with social media effectively allowing for the merging of atoms and bits, of the on and offline; linking the potential of occupying physical space with the ability of social media to provide the average person with information and an audience.

For example, the current #occupy protests across the United States more...

This is the first of a two-part series dedicated to answering the question “Do we need a new World’s Fair?” It is an honest question that I do not have an answer to. What I aim to do here is share my thoughts on the subject and present historical data on what these sorts of events have done in the past. In the first part, I explore what previous World Fairs have accomplished and what we must certainly avoid. The second part will investigate what a new 21st century fair might look like, and how it would help our economy. Part 1 is here.

Yesterday we looked at the last few World Fairs that were held in the United States. Those  20th century fairs demonstrated technologies that today we take for granted as common-place. Everything from Juicy Fruit gum to fluorescent lighting has been introduced to the world through these massive fairs. World Expos still take place, but are now found in China, Japan and South Korea. The 2012 expo will be held in Seoul, South Korea. The latest World’s Fair, Expo 2010, was held in Shanghai, China and set historic records as the largest and most well-attended expo. But the success of the Shanghai Expo doesn’t quite translate to America’s shores. As The Atlantic’s Adam Minter wrote last year:

To American ears, the concept of a World’s Fair sounds archaic, and when applied to Shanghai, a contemporary symbol of all that is new, vibrant, and even threatening, it’s disconcerting. But in Shanghai, where the future is an obsession, this reported $46 billion hat-tip to the past makes perfect sense: just as New York once announced its global pre-eminence via World’s Fairs in 1939 and, again, in 1964, the organizers of Expo 2010 view the six month event as nothing less than Shanghai’s coronation as the next great world city. more...

My attention was directed today (via Twitter, appropriately), to this post about the competing ASA Bingo Cards.  I don’t have a lot to say about the deeper meaning of “gentle ribbing” or negativity, whatever you want to call it, in the original card.  However, I do think that the “chronically hip grad student” square was not just, as Nathan Jurgenson asserted, a mainstream culture-embedded dig at hipsters, but also an indication of a general discomfort among less technologically savvy sociologists at the increasing use of technology to augment professional scholarly activities, often though not always by colleagues younger than themselves.

In particular, I suspect that the characterization of Twitter as “like passing notes during a talk, only if those notes were posted on a giant whiteboard behind the speaker so that everybody but her could read them” is quite accurate in terms of how the unfamiliar (and vaguely suspicious) think about Twitter.  Twitter users think they’re better than us, just like those iPad-using hipster grad students, and they’re trash talking about it where we can’t see them. While it makes sense, I think it’s a very misguided analogy.

The critical difference between notes, or for that matter late-night trash talk at the hotel bar, and Twitter is that Twitter creates more...

Here are some summary statistics for the American Sociological Association annual meetings held this past week in Las Vegas. These statistics begin August 1st through the 25th.

TwapperKeeper archive URL: <http://twapperkeeper.com/hashtag/asa2011>

Total tweets: 3475
Total twitterers: 559
Total hashtags tweeted: 344
Total URLs tweeted: 336 more...

Like many others, I learned about the recent East Coast earthquake via Twitter. In fact, it has been demonstrated that the news traveled faster on Twitter than did the actual waves of the quake. For instance, many in New York City found about about the earthquake on Twitter from friends in DC before feeling the rumbling themselves.

See this cool video made by Eric Fischer and follow the quake-tweets represented by green dots travel north from the epicenter in Virginia up through and past New York City:

Twitter has even capitalized on this by making a commercial: more...

The 2011 American Sociological Association Meetings are about to start this week in Las Vegas, Nevada.

As the conference gets underway, the volume of tweets containing the #ASA2011 hashtag is rising.

Using NodeXL, I collected a set of tweets with the #ASA2011 tag and mapped the connections among the people who tweeted that term.

These are the connections among the Twitter users who recently tweeted the word ASA2011 when queried on August 15, 2011 more...

Chris Baraniuk, who writes one of my favorite blogs, the Machine Starts, is experiencing the current riots in London first hand (they’ve spread to other cites). His account of both the rioting mobs of destruction as well as those mobs trying to clean up the aftermath imply the ever complex pathways in which what I have called “augmented reality” takes form. [I lay out the idea here, and expand on it here]

We are witnessing both the destructive and the constructive “mobs” taking form as “augmented” entities. The rioters emerged in physical space and likely used digital communications to better organize. The “riot cleanup” response came at augmentation from the reverse path, organizing digitally to come together and clean up physical space. Both “mobs” flow quite naturally back and forth across atoms and bits creating an overall situation where, as what so often occurs, the on and offline merge together into an augmented experience.

The rioting mob first realized itself in physical meat-space more...

The recent and popular Hipstamatic war photos depict contemporary soldiers, battlefields and civilian turmoil as reminiscent of wars long since passed. War photos move us by depicting human drama taken to its extreme, and these images, shot with a smartphone and “filtered” to look old, create a sense of simulated nostalgia, further tugging at our collective heart strings. And I think that these photos reveal much more.

Hipstamatic war photographs ran on the front page of the New York Times [the full set] last November, and, of course, fake-vintage photos of everyday life are filling our Facebook, Tumblr and Twitter streams. I recently analyzed this trend ina long essay called The Faux-Vintage Photo, which is generating a terrific response. I argue that we like faux-vintage photographs because they provide a “nostalgia for the present”; our lives in the present can be seen as like the past: more important and real in a grasp for authenticity.

If faux-vintage photography is rooted in authenticity, then what is more real than war? If the proliferation of Hipstamatic photographs has anything to do with a reaction to our increasingly plastic, simulated, Disneyfied and McDonaldized worlds, then what is more gritty than Afghanistan in conflict? In a moment where there is a shortage of and a demand for authenticity (the gentrification of inner-cities, “decay porn” and so on), war may serve as the last and perhaps ultimate bastion of authenticity. However, as I will argue below, war itself is in a crisis of authenticity, creating rich potential for its faux-vintage documentation. more...

I have been thinking through ideas on this blog for my dissertation project about how we document ourselves on social media. I recently posted some thoughts on rethinking privacy and publicity and I posted an earlier long essay on the rise of faux-vintage Hipstamatic and Instagram photos. There, I discussed the “camera eye” as a metaphor for how we are being trained to view our present as always its potential documentation in the form of a tweet, photo, status update, etc. (what I call “documentary vision”). The photographer knows well that after taking many pictures one’s eye becomes like the viewfinder: always viewing the world through the logic of the camera mechanism via framing, lighting, depth of field, focus, movement and so on. Even without the camera in hand the world becomes transformed into the status of the potential-photograph. And with social media we have become like the photographer: our brains always looking for moments where the ephemeral blur of lived experience might best be translated into its documented form.

I would like to expand on this point by going back a little further in the history of documentation technologies to the 17^th century Claude glass (pictured above) to provide insight into how we position ourselves to the world around us in the age of social media. more...