pegida-anti-immigrantThe presence of white nationalism has been well explored in the run-up to this election, with the alt-right breaking onto the global stage of mainstream media publications. Yet there has been little consideration of the theory of ‘white genocide’ – a recent George Washington study on the Twitter lives of white nationalism and ISIS found that in the case of both Nazis and other white nationalists, white genocide was the 10th most popular hashtag. Whilst it seems unusual for white nationalists and neo-Nazis to place themselves in the position of weakness, the concept of white genocide is not new. Its dissemination, however, reveals the disturbing dangers of the narrative conventions of the hashtag. more...

Science from Tenor

On the second day of Rosh Hashanah, the rabbi at my synagogue gave a sermon about four themes, all of which he felt needed addressing when there was a larger crowd than usual (though, it should be noted, the sanctuary was sparsely filled, especially compared to the SRO crowd the day before): racism, sexism, anti-semitism, and “the war on science.” As he recited off his list, the first three items made perfect sense to me; I was even proud to hear him cover current events like the Black Lives Matter movement and Donald Trump’s misogyny and how they are understood within Jewish tradition (hint: the first one’s good, the second one’s bad). That fourth item, though, piqued my curiosity a bit.

Since when did a war on science begin? Is it like the ill-fated War on Drugs? Or the ill-fated War on Terror? Or the ill-fated War on Poverty?


Swarm of Birds

It feels good / To know that you really care
It feels good / To know that I can relax when I’m with you
It feels good / To know that I can be by your side
– “Feels Good” – TONY! TONI! TONE! 

Some time ago, absentmindedly tweeting about the woeful state of higher education, I received a notification that one of my tweets was liked. This being somewhat rare, I excitedly went to check out who it was from, only to find that it was one of the institutions I was directly critiquing. If they had actually read the tweets I’m sure they wouldn’t have actually ‘liked’ them, so what gives?

This isn’t the first time something like this has happened to me. Periodically, as I’m sure many of us do, I get likes, follows, and retweets that seem incongruous with the content of my posts. Some are a result of Twitter users actively seeking to aggregate info, gain followers, and increase their social media presence. Others are fully automated Twitter bots.

Twitter bots, for the uninitiated, are pieces of software that use automated scripts to crawl the Twitterverse in search of particular words or phrases, to follow, like, or retweet others. In 2014 Twitter revealed that as many as 8.5% of its active accounts were likely bots. Beyond mere annoyance at the lack of a human interlocutor behind a ‘like’ or ‘follow,’ however, why care about the presence of Twitter bots or the use of algorithms to harness the power of social media?



The case of sociologist Zandria Robinson, formerly of the University of Memphis and now teaching at Rhodes College, has a lot to say about the affordances of Twitter. But more than this, it says a lot about the intersection of communication technologies and relations of power.

Following the Charleston shooting, Robinson tapped out several 140 character snippets rooted in critical race theory. Critical race theory recognizes racism as interwoven into the very fabric of social life, locates racism within culture and institutions, and insists upon naming the oppressor (white people). more...

Twitter and Dove have teamed up in a new campaign to combat criticisms of women’s bodies on social media. The #SpeakBeautiful campaign, which kicked off with a short video (shown above) during the pre-show of this year’s Academy Awards, cites the staggering statistic that women produced over 5 million negative body image Tweets last year. The campaign implores women to stop this, to focus on what is beautiful about each of us, and bring our collective beauty to the fore. Set to musical crescendo and the image of falling dominos, this message is both powerful and persuasive. more...

A Budnitz Bike in its natural habitat.
A Budnitz Bike in its natural habitat. Source.

Paul Budnitz describes himself as a “serial entrepreneur” having created other companies that make artisanal toys and luxury bicycles. He’s also the creator/founder/president/charismatic leader of Ello. And when a social network launches with a manifesto that proudly proclaims “You are not a product”, there’s more on the line than embedded video support. Despite the radical overtures of the initial launch, we shouldn’t expect any more from Ello than we would from a luxury bicycle. more...


Imagine you live at the end of a cul-de-sac in a subdevelopment that is only accessible by a single gate that leads out to a large, high-speed arterial road.  Your friends, your job, your kids’ school are all outside of this development which means life is lived through and on the road that connects your subdevelopment to the rest of the world. Now imagine that, without warning or any kind of democratic process, the company that maintains that road (private companies are subcontracted to do regular maintenance on public roads all the time) decides to add trees on either side of the road to reduce car speed. It’s a relatively benign design intervention and it works. In fact the trees work so well that the company’s engineers publish in a few journals which directly benefits the company financially, through prominence within the truly boring world of road maintenance. When the residents get wind of this experiment, and demand to know why they weren’t even notified, the owner of the road maintenance company says, “if you don’t like it use a different road.” That mind-bending response actually makes more sense than what has been coming out of OKCupid and Facebook these last few weeks. more...

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Concepts like “the male gaze” and “controlling images” are Gender Studies 101 material: they’re the basic terms in which many feminists understand the media’s oppression of white women (in the case of the male gaze) and black women (in the case of controlling images). The gaze and controlling images are how white supremacist patriarchy subject women to its control.

But I think contemporary social media and big-data political economies are using different devices to control women, especially black women. Social media and big data facilitate a specific form of sexist racism, one that controls women through racialized discourses of toxicity and unhealthy behavior patterns. Instead of turning women into objects and/or erasing their agency, social media and big data let non-white women do and say whatever they want, because their so-called “aggressive bullying” produces the damage against which white women demonstrate their resilience. A similar claim has been (in)famously leveled against “feminism,” especially “intersectional feminism”: it vampirically drains the lifeblood of the progressive, radical left.

What’s specific to the construction of WOC, particularly black women, as “toxic”? Or feminism itself (often represented by ‘intersectional’/WOC feminism) as ‘vampiric’? What about social media, and perhaps even to Twitter, makes the unruliness/threat posed by WOC to white women/white feminist culture industry function in a very particular way, i.e., as toxicity and vampirism? How is the construction of women on social media as toxic/vampiric related to economies of viral upworthiness?



Like many Americans, I spent Sunday evening watching the Super Bowl. This entailed tasty snacks, a comfy couch, and lots of head shaking because, well, the Denver Broncos. It also involved Facebook and Twitter. The day of, day before, and day after were full of commentary, predictions, snarkiness, and declarations of various sorts. Indeed, Sunday’s Super Bowl, like all media events, incorporated multiple media.  One item, within one piece of this media ecology, keenly sparked my interest: The Twitter feed of @YesYoureRacist. more...


Hello, Cyborgology…it’s been a while. I’ve missed you, but I haven’t quite known what to say. Which is weird, right? Strangely enough, I’ve got half a dozen half-finished posts on my computer—twenty-thousand someodd words of awkward silence waiting to be wrapped up and brought into the world.

Writer’s block happens to the best of us, or so I’m told. What’s been strange for me is looking back and realizing that the last thing I posted was my piece from the beginning of #ir14, the 14th Annual Conference of the Association of Internet Researchers. I say “strange” because I had an amazing experience at #ir14, and left it feeling so excited about my field and my work and what I imagine to be possible. And yet, in the two months since, something’s been off. I’ve managed to submit to a couple of important abstracts, and I continued sitting in on a really cool seminar, and I’ve plunged into the work of helping to organize this year’s Theorizing the Web (a conference about which I’m passionate, to say the least). But my words went somewhere, have been gone.

I realized recently, however, that it’s not about some kind of post-#ir14 crash. It’s actually about what happened after.