With the 50th anniversary of the original series and impending debut of Star Trek: Discovery later this year, it seems like an ideal time to look back at how this franchise—which is so near and dear me and many of my fellow Cyborgologists—has imagined technology.
Those who grew up in the era of the recent J.J Abrams “reboot” series of action films, could be forgiven for thinking of the Star Trek universe is little more than a thin narrative strand binding together adrenaline hits in yet another forgettable instantiation of the timeless male fantasy of blowing shit up in space. But, in its prime, Star Trek’s cerebral nature and its relentless interrogation of moral and social values set it apart from other successful 20th Century space dramas like Star Wars or the original Battlestar Galactica series.
The original Star Trek series was notably progressive in employing women writers (primarily D.C. Fontana) and having a racially diverse cast, and it famously featured television’s first interracial kiss (which, speaking to the cerebral nature of the show, took place on a planet whose inhabitants where trying to enact the ideas of Plato’s Republic). Later series would push the envelope on media representation by featuring Black (DS9) and women (Voyager) captains. This opened the way to more explicit reflections of race and gender politics by the show’s characters.
Most significant, though, is the way that politics were baked into the setting of the Star Trek universe from the beginning. Creator Gene Roddenberry imagined that, with the elimination of material scarcity (and money along with it), 24th Century Earth would become a paradise. Having everything, humans would collectively turn away from the goal of accumulating wealth and toward the mutually intertwined goals of interplanetary exploration and self-realization. more...