social theory

(Or: How we’ve come to be micro-celebrities online)

Facebook’s recent introduction of “frictionless sharing” is the newest development in a growing trend: data is being increasingly produced passively as individuals conduct their day-to-day activities. This is a trend that has grown both on and offline. We will focus on the former here; especially “frictionless” sharing that involves syncing Facebook with other sites or apps. Once synced, much of what a user listens to, reads or otherwise accesses are automatically and immediately published on Facebook without any further action or approval.  Users may not even need to “opt into” frictionless sharing because many services are changing their default setting to automatically push content to Facebook. In short, we can say that users play a passive role in this process.

Contrast this to more active sharing: when we “like” or “+1” something (by clicking the eponymous buttons that have spread throughout the Web) it requires the user to make a conscious and affirmative action to share something with others in their network. Nathan Jurgenson (one of this post’s co-authors) previously described these two models as types of “documentary vision:” We actively document ourselves and our world around us as if we have a camera in our hand (“liking”, status updates, photos, etc.), or we can passively allow ourselves to be documented, curating our behaviors along the way (e.g., reading a magazine article so that you can present yourself as the type of person who “likes” that sort of magazine) much like a celebrity facing a crowd of paparazzi photographers.

Let’s make another layer of complexity to this documentary model more...

Larry Sanger and Evgeny Morozov have both critiqued the lack of rigor in modern technology writing.

The title of this post is an homage to two recent essays, the first being Larry Sanger’s “Is There a New Geek Anti-Intellectualism?” and the second Evgeny Morozov’s “The Internet Intellectual”, a recent scathing review of Jeff Jarvis’ latest book.

Larry Sanger’s critique of “geek” culture as anti-intellectual is a powerful read (even though I wrote a sort-of critique of Sanger’s post here; and he replied to me here). Sanger’s fundamental point is that modern geek culture is characterized by an anti-intellectual rejection of experts and I want to bring in Morozov’s review to highlight a slightly different point: the techno-experts embraced are anti-intellectual themselves.

My goal in this short piece is to encourage the reader to take a look at these two essays in tandem to suggest a further conversation about the need for public intellectuals, the role of academics in framing theories of new technologies and what the consequences are when we leave this discussion to be dominated by business folks.

To be read as a pair:

Is There a New Geek Anti-Intellectualism?, by Larry Sanger.

The Internet Intellectual, by Evengy Morozov.

To be honest, I tried to dislike Morozov’s review more...

laptops at the #occupy protests

Mass collective action is in the air, on the ground, on the web; indeed, there exists today an atmosphere conducive for revolutions, flash mobs, protests, uprisings, riots, and any other way humans coalesce physically and digitally to change the normal operation of society. [Photos of protests around the globe from just the past 30 days].

Some gatherings have clear goals (e.g., ousting Mubarak), however. there is also the sense that massive gatherings are increasingly inevitable today even when a reason for them is not explicit (e.g., the ongoing debate over the reasons for the UK Riots or the current #occupy protests). For some this is terrifying and for others it is exhilarating. And still others might think I am greatly overstating the amount of protest actually happening. True, we do not yet know if this second decade of the 21st Century will come to be known for massive uprisings. But if it is, I think it will have much to do with social media effectively allowing for the merging of atoms and bits, of the on and offline; linking the potential of occupying physical space with the ability of social media to provide the average person with information and an audience.

For example, the current #occupy protests across the United States more...

Today we have a guest post from Distinguished University Professor and social theorist George Ritzer. This text is only part of the talk Dr. Ritzer will deliver in Las Vegas on Friday, August 19thas part of the Consumer Society Research Network conference. Ritzer’s work on the technologies of consumption is in full force in this essay. The technologies of consumption in the form of ever more spectacular “cathedrals” of consumption are coming to look more and more like “dinosaurs.” This essay to provides an important backdrop of the current economic situation in Las Vegas, one in which Ritzer argues mirrors larger trends in consumerism and globalization.

There is, at least from my point of view, no better place to discuss the crisis and contradictions in consumption in the US, especially in its cathedrals of consumption, than in Las Vegas, the city devoted to, and built on, consumption and defined globally by its iconic cathedrals of consumption; the major daftar idn poker casino-hotels on the Strip. It is here that we witnessed what was arguably the greatest consumer-driven expansion in the US in the run up to the Great Recession and, as a result of the latter, perhaps the greatest economic setbacks. Unemployment in Las Vegas rose as high as 15% and is still over 12%. That was due to online game such as fluffy favourites slots, many people turn to play at home than going out in land-based casino. New construction is virtually non-existent. The foreclosure rate, while slightly down from 2009, remains the highest, and by a wide margin, of all the metropolitan areas in the US. Gaming revenue dropped by $2 billion at the depth of the recession and is still down about $1.5 billion from the peak. The largest casino hotel conglomerates- MGM and Caesars- continue to report huge losses largely because of debt incurred during the Great Recession. Upon reviewing hows the world of land-base casino stands nowadays, it was devastated I can merely say that the heat is on slot this very day and becoming more phenomenal. Mirroring the global economic shift to the Far East, Las Vegas is no longer the gambling capital of the world and has been surpassed by both Macau and Singapore. There are a lot of online casinos available out there. So you may have the freedowm to choose the mobile casino that you like the most. You can join many online casino at the same time then you can change to play different games in different online casino if you aren’t enjoying one of them or its bonuses aren’t advantageous for your style of play. Of course, top online casino malaysia is the best for you which it offers a lot of different types of games and promotions as well. For those gamblers who doesn’t like crowds and smoky environment, online mobile casino is the best choice for you! You can start playing immediately without waiting for others. The most popular games are ready for you when you’re ready to play too at anytime! more...

I have been thinking through ideas on this blog for my dissertation project about how we document ourselves on social media. I recently posted some thoughts on rethinking privacy and publicity and I posted an earlier long essay on the rise of faux-vintage Hipstamatic and Instagram photos. There, I discussed the “camera eye” as a metaphor for how we are being trained to view our present as always its potential documentation in the form of a tweet, photo, status update, etc. (what I call “documentary vision”). The photographer knows well that after taking many pictures one’s eye becomes like the viewfinder: always viewing the world through the logic of the camera mechanism via framing, lighting, depth of field, focus, movement and so on. Even without the camera in hand the world becomes transformed into the status of the potential-photograph. And with social media we have become like the photographer: our brains always looking for moments where the ephemeral blur of lived experience might best be translated into its documented form.

I would like to expand on this point by going back a little further in the history of documentation technologies to the 17th century Claude glass (pictured above) to provide insight into how we position ourselves to the world around us in the age of social media. more...

As many of you already know, the Cyborgology editors decided to throw a conference called Theorizing the Web. The conference will be in College Park, MD (just outside of Washington, D.C.) on April 9th. Today we are excited to announce the program for the conference and attach a flier that we hope you all can distribute to those who you think might be interested.

As you will see, the response was terrific. We built 14 panels out of the 56 papers we accepted (from the over 100 submissions). There will be three invited panels (on feminist activism, race, and methods). There will be two symposia (one on the role of social media in the Arab uprisings and another on social media and street art). There will be two plenaries (one by Saskia Sassen and another by George Ritzer). And we are excited to have danah boyd deliver our keynote.

If that was not enough, we have plenty of art-related surprises in store for those who attend. We have invited artists of all types to display and perform art specifically tailored to the themes of the conference. This will be one busy carnivalesque day for those who love technology and/or theory!

The program is found here: http://www.cyborgology.org/theorizingtheweb/program.html

Last, a flier for the conference [.pdf here]. Please distribute widely!

TtW2011 Flyer