sexuality

Findings from a recent study out of Stanford University Business School by Yilun Wang and Michal Kosinski indicate that AI can correctly identify sexual preference based on images of a person’s face. The study used 35,000 images from a popular U.S. dating site to test the accuracy of algorithms in determining self-identified sexual orientation. Their sample images include cis-white people who identify as either heterosexual or homosexual. The researchers’ algorithm correctly assessed the sexual identity of men 81% of the time and women 74%. When the software had access to multiple images of each face, accuracy increased to 91% for images of men and 84% for images of women. In contrast, humans correctly discerned men’s sexual identity 61% of the time and for women, only 54%.

The authors of the study note that algorithmic detection was based on “gender atypical” expressions and “grooming” practices along with fixed facial features, such as forehead size and nose length. Homosexual-identified men appeared more feminized than their heterosexual counterparts, while lesbian women appeared more masculine. Wang and Kosinski argue that their findings show “strong support” for prenatal hormone exposure which predisposes people to same-sex attraction and has clear markers in both physiology and behavior. According to the authors’ analysis and subsequent media coverage, people with same-sex attraction were “born that way” and the essential nature of sexuality was revealed through a sophisticated technological apparatus.

While the authors demonstrate an impressive show of programming, they employ bad science, faulty philosophy, and irresponsible politics. This is because the study and its surrounding commentary maintain two lines of essentialism, and both are wrong. more...

On May 13, 2016 the Obama administration issued a letter of guidance concerning the protection of gender identity in school housing, restrooms, and locker room facilities under Title IX of the Education Amendments of 1972. The letter was largely seen as a reaction to a March 2016 law passed in North Carolina, HB 2 – Public Facilities Privacy and Security Act, which limited public restroom use to one’s assigned at birth gender. On August 21, 2016, however, a Texas U.S. District judge blocked the federal government from implementing that directive, instead arguing that Title IX aimed to “protect students’ personal privacy, or discussion of their personal privacy, while in the presence of members of the opposite biological sex.” The district court applied a similar logic to HB 2 in arguing that gender identity was strictly “biological” (e.g., what one’s birth certificate says).

The district court ruling, in line with several others this year, relies on and perpetuates a number of transphobic beliefs which seem apropos to mention here, namely: a normalized definition of biological sex, the notion of trans bodies as illegible, impure, or incomplete, the forced hypervisibility of trans bodies through constant surveillance, the public fixation on genitalia as a ‘true’ indicator of gender identity, and the displacement/occlusion of responsibility for anti-trans violence. It is, in particular, the contemporary mobilization of a politics of shame, manifest through the aforementioned practices, however, that I would like to hone in on.

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In 1953, Hugh Hefner invited men between the ages of “18 and 80” to enjoy their journalism with a side of sex. It was Playboy’s inaugural issue, featuring Marylyn Monroe as the centerfold, and it launched an institution that reached behind drugstore counters, onto reality TV, and under dad’s mattresses.  It was racy and cutting edge and ultimately, iconic. Posing for Playboy was a daring declaration of success among American actresses and the cause of suspension for a Baylor University student [i]. But edges move, and today, Playboy vestiges can  be found on the Food Network.

In August, Playboy stopped showing nude images on their website. The New York Times reports that viewership subsequently increased from 4 million to 16 million. That’s fourfold growth!!   In what can only be described as good business sense, the company announced that in March, they will stop including nude women in their magazine as well. Putting clothes on appears surprisingly profitable. more...

Penny Harrigan is perfectly average and she’s never had an orgasm. She is the leading lady in Chuck Palahniuk’s latest book Beautiful You, in which C. Linus Maxwell, CEO of MicroDataCom releases a line of sex toys so potent that women literally recede from society, preferring to stay home to masturbate incessantly. Remember the 1998 episode of “Sex and the City” in which Charlotte became addicted to her rabbit vibrator? It’s like that, but global. The book is a quirky cross between a motivational anecdote about a woman’s journey to sexual empowerment, and a grim critique of dystopian industrialized society, just with painful details and boring writing.

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One of these days I’ll find something to cite on the topic of Early Internet Adolescence that isn’t my own experience, but here goes: I like to joke that the Internet and I went through puberty at about the same time. As a result, I spent my teenage years on the cusp of being what we now think of as “connected”—I journaled on paper but wrote poetry on computers (also napkins); I wrote letter-length notes during class but sent email during my free periods; in general, I communicated with friends and family (as well as myself) through an array of both analog and digital media. Though sometimes I hung out talking to strangers in AOL chat rooms (especially before I had friends who, like me, didn’t have a curfew), my digitally mediated interactions were a lot like my telephone-mediated interactions in that they occurred primarily with people I already knew from in-person contexts.

Digitally mediated interaction was new and exciting (especially to a shy kid who already fancied herself a writer), but from the very beginning, it was just another piece of the life I was already living. It didn’t make me a new or different person (in contrast, sometimes I felt more free to be myself via email), and nor did my friends interact with me through chat or email in ways that were incongruous with the ways they interacted with me in person. So what were those interactions like, especially as my friends and I tried to navigate the complicated social- and emotional politics of attraction in the context of a small high school? This was back in the pre-SMS era, mind you, so to hear The Today Show’s Matt Lauer tell it last month, I should have been receiving graceful, articulate, hand-written notes from classmates who fancied me, and perhaps responding with notes of my own if the fledgling twitterpation was mutual.

Oddly enough, this is not what I remember happening.  more...

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). See the conference website for information as well as event registration.

At this year’s Theorizing the Web, we are pleased to announce a lunch time short-film screening of the techno-queer-romantic-comedy “Over&Out” (2012). The film runs less than 30 minutes. Register here for free lunch & a movie.

We will also have the film’s writer, Kelsey Brannan, available all day for questions, comments, and/or chit-chat after the screening. Brannan, who wrote the film while getting her bachelor’s from UC Santa Barbara, is currently getting her master’s in Culture, Communications, and Technology from Georgetown University. In her own words more...

“The internet is for porn.” Given that, pornography addiction and internet addiction  frequently show up together in the same discussion. The two have some important features in common being medicalized descriptions of certain sets of behaviors: the problematization of pornography addiction rests in part on the idea that unhealthy levels of consumptions of  porn precludes healthy, fulfilling relationships with “real people”. Jenny Davis’s post earlier this week on the “problem with internet addiction” highlights the same issue: the idea that digital interaction is somehow a zero-sum game, wherein more of the “virtual” means less of the “real”, instead of merely a part of the whole of augmented social interaction:

If we understand the internet as a means of sociality, a venue for business communications, an outlet for creativity, a source of news gathering and a space of recreation, then indeed, an addiction to internet technologies would be an addiction everyday life.

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As Langdon Winner aptly points out, artifacts have politics. They have politics built into them, are used with political intention, and interpreted through political lenses. Often times, however, the politics of an artifact are hidden from view, disguised, or misleading.  As per thecloverbeautyclinic.com ,people often deconstruct the political meanings and implications of different kinds of artifacts. Today, I want to deconstruct two artifacts that operate with the potential for, and under the guise of, technologically facilitated feminist liberation. Specifically, I look at the Fuck Skinny Bitches internet memes, and the now vastly present and prevalent female-coded masturbation devices (i.e. vibrators and dildos)[i]. I argue that these artifacts, rather than dissolving hierarchical gendered boundaries of bodily control and sexual pleasure, surreptitiously trace over these boundaries with invisible ink, only to be revealed under the light of critical sociological analysis.

Recently, we have seen in influx of internet memes that attempt to provide a feminist rejection of hegemonic standards of the beautiful body. These memes contrast images of curvaceous women to very slender women and include text that preferences the larger body/bodies. These are portrayed as the feminist answer to the unrealistic body sizes showcased and revered on runways, red carpets, and the annually released  Sports Illustrated Swimsuit Edition. I call these Fuck Skinny Bitches memes. A couple of examples are pictured below. more...

Since you are probably going to spend today arguing about Occupy Wall Street with your conservative family members and helping your parents with computer questions we figured you would appreciate some slightly ligher fare: internet cooking shows. But because we are social scientists, we can’t be satisfied with uncritical review. Therefore, I want to discuss how these cooking shows interact with, perform, reify, and probelmitize constructions of gender and nationality. The three shows I want to cover (I’m gonna have to pass on this and this. There’s a great article at dailydot.com that lists most internet cooking shows.) are Epic Meal Time, Regular Ordinary Swedish Meal Time, and My Drunk Kitchen. Full disclosure: I have a profound weakness for all of these shows, with increasing affinity in the order I just presented them. In case you’re unfamiliar with these shows, I’ll briefly introduce them and then get into the theory. [Images after the break might be considered NSFW.] more...

There are currently several debates going around the web about Steven Greenstreet’s “Hot Chicks of Occupy Wall Street” video and tumblr, his rape jokes posted on Facebook, and the rights of women (and men) to claim offense at such behavior. Now I want to contribute something more to the debate than simply rehashing on our rights to privacy in the public realm (both in the digital public space-in the case of Greenstreet’s Facebook comments and in the material public space-in terms of privacy while marching in the streets of #Occupy). I want to talk about the manic pixie dreamgirl.

What does the “hot chicks of occupy” have to do with the manic pixie dreamgirl? And what is the manic pixie dreamgirl trope? I think this short Feminist Frequency video encapsulates the trope quite well, as well as its connection to Greenstreet’s objectification of women at #Occupy. more...