#occupywallst

 

On the anniversary of the Occupy movement, an anonymous saboteur released a secret video from a private Mitt Romney Fundraiser back in May, potentially replacing “99%” with “47%” as the new progressive rallying cry.

I know I ended my post last week with a promise for continuation, but that will have to wait (next week, I promise). Today, I want to talk about privacy, sousveillance, but mostly, context collapse in light of Monday’s events.

In case anyone missed it, here is what happened: An attendant at a small, private, high-dollar Mitt Romney fundraiser secretly taped Romney’s speech and released the tape to the mainstream media. On this tape, Romney makes several politically damning statements, most notably, referring to 47% of American citizens as “victims” who will always depend on the government and about whom it is not his job to worry. Here is a quick snippet of the transcript (see full video below): more...

“Those who make revolutions half way only dig their own graves.”

“Power to the imagination.”

“I don’t like to write on walls.”

-Graffiti in May of 1968 Paris, France. 

I was gonna write something about how I appreciate Procatinator more than everyone else, but I can’t bring myself to do it. Not today anyway. Remember when the United States had this popular uprising and everyone was talking about it and the political establishment was actually afraid of what it could accomplish?  When hundreds of thousands of Americans were exposed to political organizing and direct action for the first time? That started a year ago today, and while the summer did not see massive protests, the Fall promises a new start. A resurgence built upon… arbitrary calendar dates, I suppose. Truthfully, I see no reason why Zuccotti park should be re-occupied, nor should anyone feel the need to act out of a fear of “losing momentum.” Momentum is important for steering large ships, but direct action is all about swimming against the tide. Anarchist movements (and Occupy undeniably fits this category) are by their very definition: voluntary, small, functional, and temporary. We don’t need another occupation of Zuccotti Park. We need something new. more...

Photo by David Shankbone, September 30th, NYC

Two days ago, Nathan Jurgenson wrote on what has become one of the central questions around Occupy Wall Street: Now that the encampments are closing up and the winter is coming on, can Occupy survive? The crucial point that Nathan makes is that we need to think about Occupy not just in terms of space but in terms of time – that permanence has been a part of what’s given the movement so much symbolic and discursive power. Nathan brings up an additional point, to which I want to respond here: that the role of physical permanence that the encampments represented was powerful because it resulted in a form of cognitive permanence in the minds of everyone who saw them (and heard them; the auditory side of Occupy is also vital to pay close attention to).

While I clearly agree with Nathan that the physical permanence that tents represent has been what’s given Occupy a lot of its power, I think we can glean enough evidence from how things have proceeded so far to at least make an educated guess at an answer to his question. For me, the answer is yes: I expect that Occupy will survive the winter and emerge in spring, albeit – like a bear emerging from hibernation – perhaps in somewhat of a different shape. There are several reasons why I come down on this side of things.

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When the occupiers in Zuccotti Park began setting up tents, it was an inherently practical move. After cold, uncomfortable nights on tarps and huddled into sleeping bags (a situation imposed by a no-tent policy in the park, which was eventually not enforced), tents were a welcome way to make an occupied space more of a home, and closer to familiar conceptions of an established community.

But we need to understand tents as more than just tents.

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Bruno Latour. French Theorist and Main Architect of Actor Network Theory Photo Credit: Denis Rouvre on TheHindu.com

There are many theories that seek to clarify the relationship between our offline existence and whatever it is we are doing online. I say “whatever” not to be flippant, but because there is a great deal of debate about the ontological, conceptual,and hermeneutic ramifications of online activity. How much of ourselves is represented in our Skyrim characters? Is retweeting an #ows rally location a political act? How is access to the Internet related to free speech? These are questions that some of the greatest minds of our day are contemplating. I know some equally smart people that would throw up their hands in frustration at even considering these topics as worthy of research and critical analysis. Regardless of whether or not you think it is worth pondering these questions, people all over the world are engaging in something when they post a Facebook status or check in to a coffee shop on Foursquare. In his Defending and Clarifying the Term Augmented Reality, Nathan described how our relationship to these sorts of digital Information and Communication Technologies (ICTs) fits in with our historial relationship to technology: “technology has always augmented reality, be it in pre-electronic times (e.g., architecture or language as technologies) or how those offline are still impacted by the online (e.g., third-world victims of our e-waste or the fact that your Facebook presence influences your behavior even when logged off).” I have argued elsewhere that, even if ICTs mark a fundamental shift in our relationship to technology, it is only another wave in a constantly evolving relationship to our own understanding of technological progress. I am going through this (hyperlinked) summary of many of this blog’s larger arguments because 1) we have been growing in readership, and 2) we are embarking on a new, ongoing, project to situate Augmented Reality (AR) amongst other theories of society’s relationship to technology. Today I want to introduce Actor Network Theory (ANT). more...

With police dismantling Zuccotti Park and other #Occupy encampments throughout the country and impending Winter weather, pundits and activist alike are asking: Does the #Occupy movement have a future? To survive, #Occupy must begin—and, in fact, has already begun—a tactical shift. However, before I attempt to discuss #Occupy’s future, let me first be clear: The #Occupy movement is already a success. Recent months have witnessed a radical shift in mainstream political discourse, where concerns over America’s widening income and wealth gaps now have near equal footing with the deficit-reduction agenda. It has become common knowledge that the top 1% receive roughly a fifth of America’s collective income and control a third of the wealth. More Americans view Occupy Wall Street favorably (35%) than Wall Street (16%), government (21%), or the Tea Party (21%); and, though the country is gripped by a state of general cynicism, more people hold unfavorable impressions of big business (71%), government (71%), and the Tea Party (50%), than of #Occupy Wall Street (40%). Put simply, #Occupy is the most popular (and least unpopular) thing we’ve got. more...

The difficulties we face in getting a wifi signal underneath these trees, tells us something important about our relationship to technology.

Commentary about the Internet and the various communication services it provides, regularly fall into utopian or distopian visions of radically new worlds. The utopias tell of a future in which we are all continually connected in a seamless egalitarian web of techno-democracy. The distopian warnings describe overstimulated zombies shuffling from computer screen to smartphone, hermetically sealed in the echo chamber of their choosing. These predictions are equally unlikely to occur any time in the near future, and for one simple reason- Its really hard (and expensive) to get a stable internet connection in a park. more...

The Human Microphone was created by Occupy Wall Street as a way to get around New York City’s ban on amplified sound in Zuccotti Park. In other words, it is a tool–and a form of non-digital technology–designed to facilitate communication and discussion in large crowds. But like any form of technology, its use isn’t confined to what it was originally created to do.

This is Karl Rove being “mic-checked” while delivering a speech at Johns Hopkins on November 14th. It starts about 1:48 in (be aware, there’s a huge jump in volume at that point).

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Manic Pixie Dreamgirls in Hollywood Films

A couple weeks back I posted about Steven Greenstreet’s video titled “The Hot Chicks of Occupy Wall St,” linking it to an emerging media trope called the “Manic Pixie Dreamgirl.” The phrase, coined by Nathan Rabin in his review of the 2005 film Elizabethtown, has quickly become a powerful reminder of the androcentric manner in which female characters are so often constructed in media texts.

I also connected the media trope to an emerging cultural stereotype about progressive young women. I argued that the manic pixie dreamgirl trope is largely a stereotype about young, progressive, non-conformist women who speak out of turn, defy normative conventions in self-presentation and behavior, and largely serve as “inspiration” for (white) male leads to step forward and grab life by the horns, assuming their rightful place as heirs to power. more...

There are currently several debates going around the web about Steven Greenstreet’s “Hot Chicks of Occupy Wall Street” video and tumblr, his rape jokes posted on Facebook, and the rights of women (and men) to claim offense at such behavior. Now I want to contribute something more to the debate than simply rehashing on our rights to privacy in the public realm (both in the digital public space-in the case of Greenstreet’s Facebook comments and in the material public space-in terms of privacy while marching in the streets of #Occupy). I want to talk about the manic pixie dreamgirl.

What does the “hot chicks of occupy” have to do with the manic pixie dreamgirl? And what is the manic pixie dreamgirl trope? I think this short Feminist Frequency video encapsulates the trope quite well, as well as its connection to Greenstreet’s objectification of women at #Occupy. more...