Mary Elizabeth Williams

"Real Men Don't Buy Girls" Campaign, Eva Longoria, Ashton, & Demi

In December, I blogged about the cartoon-childhood violence meme that morphed from something else and was being criticized for being another example of “one-click activism.” There were interesting comments that are definitely food for thought.

Celebrity Causes & Controversial Issues

While the crowd can start a viral meme, celebrities can use social media to promote their cause to their followers. The idea of increasing awareness for causes can be tricky, particularly when there are “sides”. I don’t think anyone is countering Sarah McLachlan’s pleas to stop animal cruelty, but issues like Jenny McCarthy’s advocacy surrounding better knowledge surrounding childhood vaccination and autism does. She’s facing a backlash, particularly in light of the fraudulent Wakefield study. Mary Elizabeth Williams in Salon.com bashes her as a misguided mom, acting as if she’s railing against a mountain range of “science”, but, let me be frank here. The journalism of Mary Elizabeth Williams doesn’t scream health sciences expert, plus, it seems like she doesn’t even read what she links to. She cherrypicked a quote by McCarthy on the Oprah site, but conveniently left this out::

“I am all for [vaccines], but there needs to be a safer vaccine schedule. There needs to be something done. The fact that the [Centers for Disease Control and Prevention] acts as if these vaccines are one size fits all is just crazy to me…People need to start listening to what the moms have been saying.”

This is hardly the ravings of a lunatic. Plus, the problems with the “science” that Williams cites is that they do not prove that a vaccine-autism link does not exist. It may well be more complex than the studies are allowing for, with certain, very specific subpopulations at risk.

Is Bad PR Better than No PR?

So, this week, power couple Demi & Ashton started a campaign to fight sex trafficking, “Real Men Don’t Buy Girls”. The ads have people scratching their heads.

YouTube Preview Image
YouTube Preview Image

I get the execution of the ads, but I think it’s a bad one. It’s using hyperbole and humour to make a point, while riffing on the Old Spice “Your Man…” campaign. The idea is that “real men” do certain things and don’t “buy girls”, so be a real man and don’t buy girls.

Jezebel took the trafficking ads to task, but included a quote by Helen A.S. Popkin didn’t sit right::

“One might argue that faux-zany vignettes in which Jamie Foxx opens a beer bottle with a remote and Bradley Cooper eats cereal bachelor-style are as effective at wiping out underage sex trafficking as posting the color of your bra in your Facebook status is at eradicating breast cancer. The video campaign just costs way more money.”

Popkin’s post is chock full of snarky cleverness and deconstructs the false syllogism, apparently unaware that effective advertising or campaigns need not be logical. Let me see, “the war on terror = the war in Iraq, hence…,” oh, nevermind. Popkin’s use of a Facebook meme example points to a recurring theme that people resent what they feel is tantamount to doing nothing. This may well be the case, but it doesn’t mean it’s always the case and I think it’s short-sighted to see anything having the appearance of an “identity” campaign, where a user identifies with a cause ostensibly to raise awareness as doing nothing. The challenge is to leverage the identity and awareness into action. Here’s a better critique of the ads on bumpshack.

Demi Moore isn’t concerned about the backlash::

“People’s criticism has created even more conversation…While we didn’t want to offend anybody and it’s certainly not our intention to make light of any issue we take very seriously, we see that it’s actually doing what we intended.”

The question I have is what exactly is the intent? Well, Demi and Ashton have a foundation and you can donate to fund more multifaceted campaigns to promote…awareness, as well as demand reduction strategies. They also have a page listing what you can do to help, including flagging/reporting ads on Craigslist.

Well, nevertheless, it’s a good cause, right? Not everyone thinks so. Melissa Gira Grant is calling Demi and Ashton out on their publicity stunt, providing links to organizations working on providing support for those in the sex trade. I must admit that I’m a bit troubled by D&A’s attempts to curb a serious problem, but the execution is just symptomatic of the entire approach. It reeks of paternalism and focuses on “girls” being trafficked, feeding into a saviour theme of philanthropy. Moreover, as it stands, their foundation’s initiatives are paper thin and does smack of a publicity stunt, given how there are many existing organizations doing work in the sex trafficking arena. Finally, the approach is hostile to sex work outside of trafficking by advocating vigilanteism on the Internet, smacking of Amber Lyon’s “investigative journalism” on the matter for CNN.

I think this is less about social media and “one-click activism” as it is about misguided celebrity ventures. While some might piss and moan that the use of social media in getting the word out doesn’t amount to a hill of beans, but I would argue that there’s a danger of celebrity use of social media that can result in misguided actions.

 

 

 

 

Office Space scene "The Going Away Present" of printer destruction
Office Space scene "The Going Away Present" of printer destruction

Over on OpenSalon, Mary Elizabeth Williams did a post on author’s social media e-sponses to negative reviews .  At first, I was amused by the spirited rejoinders.  Williams cites Ayelet Waldman’s response to Jill Lepore’s review of Bad Mother in the New Yorker, was allegedly a succinct “The book is a feminist polemic, you ignorant twat.” My favorite was Alain de Botton’s response to Caleb Crain’s review in the New York Times on the latter’s blog::

“Caleb, you make it sound on your blog that your review is somehow a sane and fair assessment. In my eyes, and all those who have read it with anything like impartiality, it is a review driven by an almost manic desire to bad-mouth and perversely depreciate anything of value. The accusations you level at me are simply extraordinary. I genuinely hope that you will find yourself on the receiving end of such a daft review some time very soon – so that you can grow up and start to take some responsibility for your work as a reviewer. You have now killed my book in the United States, nothing short of that. So that’s two years of work down the drain in one miserable 900 word review. You present yourself as ‘nice’ in this blog (so much talk about your boyfriend, the dog etc). It’s only fair for your readers (nice people like Joe Linker and trusting souls like PAB) to get a whiff that the truth may be more complex. I will hate you till the day I die and wish you nothing but ill will in every career move you make. I will be watching with interest and schadenfreude.” [Emphasis added]

I chose to show the full comment, not just the last sentences in bold that many are quoting, since I wanted to provide context and show that it wasn’t just a two-line virulent jab.  Some might call this churlish, but I saw it as a writer showing he has the chops as a writer to defend his book against criticism.

I do understand why Williams offers her advice of being careful about ranting at critics.  Such angry behaviour can make can one seem shrill and immature, although I do enjoy the sheer drama of it all.  Publishing, as it stands today, is hypercompetitive and there are influential gatekeepers like critics.  I wonder if these interactions in social media are showing how the “authority” of the critic is being decentered.  Social media allow for dialogues and will expectations shift, in that critics will have to justify their reviews to authors and audiences alike.  Interestingly, Caleb Crain chose not to respond to Alain de Botton’s comment, only offering an unsatisfying::

“Folks: Thanks for all your comments. A broad range of opinions have been expressed, and I’m going to close comments on this post now. all best wishes, Caleb”

That said, I wonder what the future of publishing and criticism are, given Web 2.0 and beyond.  The critic serves a winnowing function, granting {or taking away} legitimacy and status.  Will this function be replaced by an increasingly intelligent Web 3.0 with “crowdsourced” reviews?  What are the implications for acadème and peer-review journals?  Will the “wisdom of the crowd” topple the institutional fiefdoms controlling knowledge?

I know critiquing work can be tough.  While not that in-depth, the act of reviewing Soderburgh’s The Girlfriend Experience was illuminating for me, particularly after seeing how many reviewers were taking the easy road.  I’ve done peer-review for over 15 years now and have been through the double-blind review process, as well.  I’ve always tried to be constructive with my reviews, even with what I see is a flawed manuscript, offering citations and {hopefully} theoretical or methodological insights.  I’ve read that Will Ferrell is very constructive as a colleague, often taking the time to help others work through something not working with their comedy, and I’m trying to pattern myself after this.  My take is that if you can’t be constructive and if you tear something down without backing it up, you better be prepared to fight it out and social media is the perfect venue for this.

Song:: There Is Nothing Wrong With Hating Rock Critics (Cd) – Of Montreal

 

Video:: Office Space “The Going Away Present”

Twitterversion:: Authors using #socialmedia to lash out at negative reviews. #Fail or #Web2.0 decentering of critics as #gatekeepers in publishing? @Prof_K