The New School held a conference last week that may be of interest to many Sociology Lens readers, so I have decided to devote this week’s entry to sharing some notes from the conference.
The implosion of work and play was the most recurrent theme in the panels that I attended. The term “playbor” was frequently used to describe the product of this implosion. Panelists generally seemed to assume that playbor was a relatively new and increasingly prevalent phenomenon. However, one dissenter, an artist named Stephanie Rothenberg, argued that play and productivity have coincided from the earliest days of capitalism. She explained that hobbies (e.g., collecting, handicraft, parlor room singsong, gardening, and animal raising) are voluntary forms of play that produce objects with no intent to exchange them on the market. These activities often have significant social aspects and some hobbies, like music or quilting, are even done collaboratively. Given the resemblance to hobbies, Rothenberg urges that we view playbor as the latest instantiation of a historical trend, rather than newly emerging paradigm. In fact she claims that online environments like Second Life mimic the world so hyperbolically that they offer an unprecedented opportunity for us to turn a critical eye on ourselves. In our distanced view of these “simulacrums,” we find our own distanced reflections.