Sociology Lens

The New York Times recently ran a story about how “The Web Means the End of Forgetting.” It describes a digital age in which our careless mass exhibitionism creates digital documents that will live on forever. The article is chock full of scary stories about how ill-advised status updates can ruin your future life.

These sorts of scare-tactic stories serve a purpose: they provide caution and give pause regarding how we craft our digital personas. Those most vulnerable should be especially careful (e.g., a closeted teen with bigoted parents; a woman with an abusive ex-husband). But after that pause, let’s get more realistic by critiquing the sensationalism on the part of the Times article by acknowledging that, with some common sense, the risks for most of us are actually quite small.

1-Digital Content Lives Forever in Obscurity

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Some were surprised to learn that young Facebook users -the folks who are most implicated in the game of “mass exhibitionism” and living in public- are also the ones who are most involved with privacy online. Some have described this as contradictory and counter-intuitive – are kids exhibitionists or not?

The findings are not contradictory and the larger point goes well beyond kids, but indicates a general rule of privacy and publicity: the degree to which one is involved in the game of living in public is the degree to which one is concerned with both revealing and concealing.

facebook as fandance: a game of reveal and conceal

Living in public was once reserved for celebrities of one sort or another. Their publicity also implied close attention paid to privacy (images of Michael Jackson hiding himself in various ways spring to mind). Today, living in public has been democratized. Many of us use Facebook and other technologies to document our selves, ideas, travels, friendships and so on. Many of our friends and peers are doing the same. As all of this is woven into everyday life, a new set of cultural norms emerge.

And those most involved with social media are trying to navigate these norms as best as they can. In short, they want their digital documentation to be successful. Their peers are watching. As they have to learn how to reveal successfully, it follows that they are also very interested in when not reveal, or when to conceal altogether. Of course the exhibitionists are the most concerned with privacy.

Privacy and publicity imply each other, and are increasingly interwoven and blurred together in everyday life. My favorite metaphore for this is borrowed from social media researcher Marc Smith who describes this as a fandance; a game of reveal and conceal.

All of this comes on the heels of the major privacy fiasco Facebook is currently weathering. While I am typically hard on Facebook CEO Mark Zuckerberg, he seems to get it. As quoted in the recent Time magazine cover story:

What people want isn’t complete privacy. It isn’t that they want secrecy. It’s that they want control over what they share and what they don’t.

Here, he’s dead-on. The people that want to live in public also want to control their publicity. Unfortunately, Facebook’s record has fallen pathetically short in living up to Zuckerberg’s rhetoric. ~nathanjurgenson.com

Facebook continuously rolls back user privacy, the policy itself is increasingly convoluted, and technical hiccups have revealed users’ information – so, shouldn’t we be experiencing Facebook fatigue by now? (as PJ Rey predicted)

Sure, techno-pundits are crying foul, but Facebook users are not leaving the service in large numbers, and other technologies of narcissism -such as Formspring- continue to march along. Why?

While we know well how to become scared about decreasing privacy -and rightly so- we have only begun to articulate what increasing publicity means. I have described the will to document ourselves across the web as a new sort of “mass exhibitionism.” And while we all care deeply about privacy, this cultural impulse to live in public often wins out (often to the detriment of those most vulnerable).

Take, for example, the most recent social networking phenom, Formspring, where users answer questions about themselves that are often asked anonymously. The site has taken a dark turn. Rampant with verbal attacks, the site has already been connected to a suicide. Danah boyd often uses her expertise to dispel social media fear-mongering, so it says something when she describes the site this way:

“While teens have always asked each other crass and mean-spirited questions, this has become so pervasive on Formspring so as to define what participation there means.”

She goes on to ask,

“[w]hat is it about today’s cultural dynamics that encourages teens to not only act tough when they’re attacked but to actively share the attacks of others as a marker of toughness pride?”

I believe the answer to this question is that mass exhibitionism is simply a more powerful cultural force than even preserving oneself from cyber-attacks. Why?

The logic is just the same as what advertisers have long since come to terms with: bad publicity is better than no publicity at all.

To document oneself online is to exist. We create ourselves as product becuase what is worse than being made fun of is to not exist to begin with. Bad mass exhibitionism has come to seem better than no exhibitionism at all. ~nathanjurgenson.com

The new norms of exhibitionism and copious self-documentation have been regular talking points on Sociology Lens over the past year.  Consider Nathan Jurgenson’s posts, our digital culture of narcissism and facebook, youtube, twitter: mass exhibitionism online, as well as my own recent post, The Queer Politics of Chatroulette.

It now seems truer than ever for many social media users (particularly, teenagers and young adults) that “If you’re not on MySpace [and/or other social media sites], you don’t exist.” Moreover, the pervasiveness of documentation throughout virtually every aspect of our daily lives has led us to start living for the documents, rather than the documents simply reflecting some aspect of our lives.  Today, we must always behave as if our actions will be preserved forever and for all to see (because, most likely, they will).  In the world of social media, there is no longer a “back stage” as Goffman once observed.  As far as we know, there is always an audience watching our every move with rapt attention, ready to applaud or jeer at any second.

I argue that we should view this “will to document” (as Jurgenson has described it) as a new kind of habitus.  Habitus (according to Bourdieu) means simply “dispositions [that are] acquired through experience.”  It explains behavior that is neither hard-wired into our biology, nor simply a manifestation of conscious and rational decision-making.  Success in this hyper-surveilled, hyper-documented world is wholly dependent on acquiring a set of practices that produce both a highly-visible and favorable image of oneself. (more…)

by nathan jurgenson

I’ve written many posts on this blog about the implosion of the spheres of production and consumption indicating the rise of prosumption. This trend has exploded online with the rise of user-generated content. We both produce and consume the content on Facebook, MySpace, Wikipedia, YouTube and so on. And it is from this lens that I describe Apple’s latest creation announced yesterday: the iPad. The observation I want to make is that the iPad is not indicative of prosumption, but rather places a wedge between production and consumption.

From the perspective of the user the iPad is made for consuming content. While future apps might focus on the production of content, the very construction of the device dissuades these activities. Not ideal for typing, and most notably missing a camera, the device is limited in the ways in which users create content. Further, the device, much like Apple’s other devices, is far less customizable than the netbooks Apple is attempting to displace (which often use the endlessly customizable Linux OS).

Instead, the iPad is focused on an enhanced passive consumption experience (and advertised as such, opposed to their earlier focus: can’t resist). Unlike netbooks, the iPad is primarily an entertainment device. Instead of giving users new ways to produce media content, the focus is on making more spectacular and profitable the experience of consuming old media content -music and movies via the iTunes store, books via the new iBookstore and news via Apple’s partnership with the New York Times.

Thus, the story of the iPad’s first 24hours, for me, is the degree to which the tasks of producing and consuming content have been again split into two camps. The few produce it -flashy, glittering and spectacular- and the many consume it as experience. And, of course, for a price.

Does this serve as a rebuttal to an argument that the trend towards the merging of the spheres of production and consumption into prosumption is inevitable? Or is prosumption indeed the trend for a future Apple seems not to grasp? Or will the applications developed for the device overcome its limitations? ~nathan

Read More: Times Topics: the iPad

Read More: Read More: The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption

by nathan jurgenson

There has been recent news coverage on the relationship between social status and social networking site usage. CNN asked “Does your social class determine your online social network?”

“Is there a class divide online? Research suggests yes. A recent study by market research firm Nielsen Claritas found that people in more affluent demographics are 25 percent more likely to be found friending on Facebook, while the less affluent are 37 percent more likely to connect on MySpace.”

And NPR reports that “Facebook, MySpace Divide Along Social Lines.”

“Social media researcher danah boyd [has] spoken to teens all over the country about their use of social media. She thinks the online social world is dividing up — just like the real world — into neighborhoods.”

I choose these quotes purposely to illustrate that CNN decided to report on this issue when a market research firm found what was already known to social scientists, such as danah boyd or Eszter Hargittai. NPR correctly focuses on boyd’s research, however, their story comes after CNN’s, and well after social scientists identified the trend.

Beyond this point, an argument that I previously made on this blog is that we are seeing a more post-structural, new-media, digital divide. In addition to the problematic of access to the internet, there is the issue of how different groups learn to use the web. Boyd states in the NPR story,

“Young people — and for the most part adults as well — don’t really interact online with strangers. They talk to people they already know. You have environments in which people are divided by race, divided by class, divided by lifestyle. When they go online they are going to interact in the same way.”

Thus, the wealthy are more likely to network with others of higher status, creating a situation where digital socialization mirrors, perpetuates and solidifies old status hierarchies. Following sociologist Pierre Bourdieu, it might be the case that those of high status are learning to network with each other, making themselves distinct in the way they use new media. Does this serve as a counter-argument to those that proclaim the democratizing potential of the internet? ~nathan

Facebook, MySpace Divide Along Social Lines

The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption

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by nathan jurgenson

Tim O’Reilly coined the phrase “Web 2.0”, and while the term has been differently used, I have boiled it down to the recent explosion of user-generated content (thus the focus on prosumption). This past summer, O’Reilly has declared another new era, what he calls “Web Squared”:

“There’s [...] a qualitative change happening as the Web becomes more closely integrated with the real world via sensor-based smart phone applications. Web Squared is another way of saying “Web meets World.”

We can boil this phrase (if one wants to even preserve it) down to a fundamentally important trend: the increased blurring of the digital and material worlds. This trend has been discussed in some of my previous posts on “geotagging” and “location awareness”. These tools, often used via “smart”, GPS-enabled mobile phones, track and display users’ geographic locations in many different ways, such as on one’s Facebook or Twitter accounts. I have argued that (1-macro) these technologies are the further intrusion of capitalism into increasingly intimate aspects of our selves and lives, and (2-micro) the documentation of one’s location is a new task of performing the self and identity, fueling the ‘digital culture of narcissism’.

In addition to “geotagging” and “location awareness”, another important trend is that of “augmented reality”: the merging of material reality with digital information, as well as the augmentation of digitality with materiality (note that this later trend is not focused on by either O’Reilly or the Wikipedia article). Google’s Street View gives us this implosion (real-time versions of this already exist [video]) and Google’s Picasa can now recognize billions of people’s faces and tag them automatically. Video games have been trending towards the addition of materiality, most dramatically when the Nintendo Wii took the market by storm by making the digital game play less about pushing buttons, and more about traditional material-world movements. Sony has announced that it will also release a “motion controller” for the Playstation 3 system and Microsoft is creating a motion controller for the Xbox 360 that will also incorporate a camera, depth sensor and a microphone, creating a video game experience where one does not have to push any buttons at all.

This speaks to a fundamental way of conceptualizing and theorizing the Internet specifically, and spaces and places generally: that digital and material realities dialectically co-construct each other. For example, social networking sites (e.g., MySpace, Facebook) are not separate from the physical world, but rather they have everything to do with it, and the physical world has much to do with digital socializing. No longer can we think of a “real” world opposed to being “online”. Instead, we need to think with a paradigm that centers on the implosion of the worlds of bits and atoms into the augmented reality that has seemingly become ascendant. ~nathan

The ‘Web Squared’ Era

The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption

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by nathan jurgenson

For many (especially youths and young adults), attempting to quit or never start Facebook is a difficult challenge. We are compelled to document ourselves and our lives online partly because services like Facebook have many benefits, such as keeping up with friends, scheduling gatherings (e.g., protests) and so on. Additionally, and to the point of this post, the digital documentation of ourselves also means that we exist. There is a common adage that if something is not on Google, it does not exist. As the world is increasingly digital, this becomes increasingly true. Especially for individuals. One adolescent told her mother, “If you’re not on MySpace, you don’t exist.”

Christopher Lasch’s Culture of Narcissism argues that we are increasingly afraid of being nothing or unimportant so we develop narcissistic impulses to become real. The explosion of new ways to document ourselves online allows new outlets for importance, existence and perhaps even immortality that living only in the material world does not permit. The simple logic is that increased digital documentation of ourselves means increased digital existence. More than just social networking sites, we document ourselves on Twitter, YouTube, Flickr, and even increasingly with services that track, geographically, where one is at all times, often via one’s smart phone (e.g., Loopt, Fire Eagle, Google Latitude, etc).

So what?

In this world where we can document our lives endlessly, we might become fixated on our every behavior. How it will appear to others, how it will help us with our jobs, friends, relationships, etc. Simply, self-presentation is a strategic game. Erving Goffman discussed this using a dramaturgical model where we are like actors on a stage performing ourselves. The new technologies described here mean that more and more areas of our life become part of this perforce because new parts of our lives are now able to be documented (e.g., our every-moment geographic locations). More and more areas of our life are lived subservient to the performance and identity we want to convey.

In this way, a hyper-fixatedness on our own subjectivity to create its own digital simulation (e.g., Facebook) can, to some degree, dictate how we live, becoming like characters on a “reality” show always performing for the camera, seduced by the importance and immortality that digital existence promises. ~nathan

Where Are You? Show ‘Em With Google Latitude

The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption

by nathan jurgenson

The very idea of Wikipedia -the open-source encyclopedia that anyone with an internet connection can edit- has sparked many discussions about knowledge construction, such as the politics behind truth, the social construction of knowledge, the tyranny of epistemic expertism or populism, and so on. In these discussions, the Encyclopedia Britannica is often posed as the antithesis to Wikipedia. So it came as big news earlier this year that the Encyclopedia Britannica, the model of old-school expertism, is going to begin to allow user-generated content.

Users will be able to write new content, which then goes to one of the thousands of paid Britannica editors to accept/edit/reject. Ideally, Britannica wants new edits to appear on their site within twenty minutes and are planned to be incorporated into subsequent print editions.

Outside of the debates regarding knowledge production mentioned above, there is another point to be made here: Britannica is a for-profit model in contrast to the not-for-profit status of Wikipedia. There has been no indication on the part of Britannica to pay users who make good edits. The underlying point is much the same as can be made regarding “our” free labor that we donate to Facebook: that, simply, Britannica is trying to improve its costly operation and its profit-potential with unpaid user-labor. Britannica has, in part, “crowdsourced” production to its consumers, highlighting the highly efficient business model of turning consumers into unpaid “prosumers” (those that consume that which they produce). A further discussion might begin with asking how has Jimmy Wales and Wikipedia also profited from the prosumer business model (for example, by “branding” the Wikipedia name)? This will be a topic for a later post. ~nathan

Read More: Britannica reaches out to the web

The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption