Tag Archives: music

Woody Guthrie Turns 100: The Folk Icon, His Music, and Social Movements

Woody Guthrie, with his guitar and iconic sticker reading “This machine kills fascists.” Source: Wikimedia Commons.

Two days ago marked what would have been the centennial birthday of iconic folk artist Woody Guthrie (1912-1967), perhaps best known today for his classic “This Land is Your Land.” His biography is a fascinating (and short) read and provides some context for the scathing social commentary in many of his 100+ songs. Much of his music is raw, simple, and emotionally charged – just a man and his guitar. But it was also forged in his own contentious politics and experiences traveling the country in the 1930s – a time when economic and environmental disasters (the Great Depression and Dust Bowl, respectively) ravaged the country making breadlines, Hoovervilles, and civic unrest easier to find than a decent job. Guthrie’s music may reflect that era but many of his songs, especially the anthems he wrote in support of the labor movement and other protest music, remain well-recognized and relevant today.

As sociologist William F. Danaher (2010) shows, music can be a key component of social movements that “[provide] a means for solidarity around shared causes and resistance from those who prefer the status quo.” Danaher reviews the literature and identifies four ways that music may aid a movement: fostering collective identity, staking out space (which may be physical or social), invoking emotion, and acting as a cultural resource. For brevity’s sake I focus only on the first two, but encourage readers to look through the article. Nevertheless, taking a closer look at just a few of the songs in Guthrie’s catalog lends support not only to Danaher’s argument but also Guthrie’s legacy as a musician and activist.

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The new "old" music industry

Musical+notesby bmckernan

A recent article in the NY Times highlights a potential major shift currently ensuing within the music industry. As the article reports, while in the past most musicians depended on the support of a major record label if they ever hoped of gaining access to a large audience and becoming financially successful, today many artists have the potential to achieve the same goals independently courtesy of digitalization and online distribution. If this trend continues, it may be possible that we will witness the music industry return to what Raymond Williams referred to as an “artisanal” cultural industry system.

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