For many (especially youths and young adults), attempting to quit or never start Facebook is a difficult challenge. We are compelled to document ourselves and our lives online partly because services like Facebook have many benefits, such as keeping up with friends, scheduling gatherings (e.g., protests) and so on. Additionally, and to the point of this post, the digital documentation of ourselves also means that we exist. There is a common adage that if something is not on Google, it does not exist. As the world is increasingly digital, this becomes increasingly true. Especially for individuals. One adolescent told her mother, “If you’re not on MySpace, you don’t exist.”
Christopher Lasch’s Culture of Narcissism argues that we are increasingly afraid of being nothing or unimportant so we develop narcissistic impulses to become real. The explosion of new ways to document ourselves online allows new outlets for importance, existence and perhaps even immortality that living only in the material world does not permit. The simple logic is that increased digital documentation of ourselves means increased digital existence. More than just social networking sites, we document ourselves on Twitter, YouTube, Flickr, and even increasingly with services that track, geographically, where one is at all times, often via one’s smart phone (e.g., Loopt, Fire Eagle, Google Latitude, etc).
So what?
In this world where we can document our lives endlessly, we might become fixated on our every behavior. How it will appear to others, how it will help us with our jobs, friends, relationships, etc. Simply, self-presentation is a strategic game. Erving Goffman discussed this using a dramaturgical model where we are like actors on a stage performing ourselves. The new technologies described here mean that more and more areas of our life become part of this perforce because new parts of our lives are now able to be documented (e.g., our every-moment geographic locations). More and more areas of our life are lived subservient to the performance and identity we want to convey.
In this way, a hyper-fixatedness on our own subjectivity to create its own digital simulation (e.g., Facebook) can, to some degree, dictate how we live, becoming like characters on a “reality” show always performing for the camera, seduced by the importance and immortality that digital existence promises. ~nathan
Where Are You? Show ‘Em With Google Latitude
The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co-production, Co-creation and Prosumption












The British and Greek negotiations over the ownership of art pieces from the Parthenon (also known as the Elgin Marbles) illustrates the interconnection of culture and politics. Claims of authenticity, rightful ownership, display and the handling of artistic pieces are always essentially political. Ministers of Culture are appointed by heads of state, certain kinds of art are recognized as “national treasures” while others are banned or ignored for subversive contents. The recent dispute (see article below) over the Elgin Marbles are ultimately questions of history and politics rather than artistic preservation and authenticity.











Last Friday the Chinese government tightened its censorship of the internet search engine, 
by bmckernan
by smteixeirapoit












During this “
Going further, one might wonder if we are seeing a further lightening towards a “weightless capitalism”. Facebook is valued at
The playing out of class bias in the national debate over immigration reveals the paradoxical nature of the American Dream and the ways in which it is invoked. Recent media coverage of the legal obstacles to obtain H1-B visas for highly skilled workers (see article below) highlights the class component of immigration. On the one side we have educated immigrants singing the praises of the American Dream, of the opportunities which drew them to this country. On the other hand we have the discourse of exceptionalism surrounding such visa requests. Couched in terms of the promise such excellent workers hold and the assets they will be to the United States, ultimately this is about hand-picking future American citizens based on racial, ethnic, and class criterion. Does anyone mention the incredible contributions (possible and future) that working class Mexicans make? In essence, we can not draw on notions of an American Dream to simultaneously encourage exceptionalism and deny entrance to those who have the most to gain from such ideology. Veit Bader’s work on the ethics of immigration offers important insights into these contradictions that lie at the heart of immigration debates. Framed within the context of normative criterion of citizenship, belonging, and universal rights, Bader offers important insights into the philosophical dilemmas that ultimately anchor issues of immigration, migration, and citizenship.




























