Sociological Images

The splashy introduction of the new LEGO friends line earlier this year stirred up a lot of controversy. My goal with this set of posts is to provide some historical perspective for the valid concerns raised in this heated debate. 

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1989-2003: Gender Ahoy!

I discussed the introduction of LEGOs the invention of gendered minifigs, and early efforts to market separately to girls and boys in Part I of this series, covering 1932 to 1988.  The segregation of LEGO into feminine and masculine sets would escalate beginning in 1989.  That year the LEGO group introduced gender to the minifig in a big way with the new Pirates theme. The masculine figs sported copious facial hair and the lone feminine pirate had lipstick and a curved shirt that implied a busty chest.

This pioneering pirate was the first in a long line of token females in otherwise male-dominated action-centric themes. The imbalanced ratio of masculine to feminine minifigs persists today, though it has lessened over time. I have seen several different numbers for this ratio, so I decided to do my own count. I gave TLG the benefit of the doubt and counted as gender neutral any minifigs lacking definitely masculine (facial hair) or feminine (lipstick, eyelashes, cleveage) traits, even when LEGO marketing materials clearly delineate them as male or female.

The following graphs represent masculine minifigs in blue, feminine minifigs in red, and gender neutral minifigs in gray. I have also calculated the masculine to feminine ratio (m/f ratio). Ideally this should be 1, indicating that there are equal number of masculine and feminine figures. This chart shows the aggreagate across all themes for the five key years between 1989 and 1999. The m/f ratio for this data is 3.74 (which is a lot better than the initial 13.5 it starts at in 1989, but not exactly something to celebrate).

The trend to unrepresent feminine figures in the main LEGO product line is mirrored by a tendency to overrepresent them in the “girls only” lines. LEGO released four major “girls only” themes through this time period: Paradisa, Belville, Scala Dolls, and Clikits.  Here’s a quick run down of the “girls only” themes:

• Paradisa deserves props for using standard minifigs, but the building experience is simplified compared to other LEGO sets released the same year  (compare the Sand Dollar Cafe with Wolf Pack Tower). Also it represents men as active job holders (butlers, chefs, ice cream men, and life guards) while the women mostly relax, surf, and go horseback riding.

• Belville is the longest running “girls only” theme and also the pinkest and most gender stereotype reinforcing. The classic LEGO building experience is barely present; the sets favor gigantic pre-fabricated “walls” and floors, and the completed “houses” and “horse stables” don’t even look like their real-life counterparts. The figures are completely out of scale with minifgs, so while it is possible to use pieces from Belville in LEGOLAND and vice versa, it is unrealistic.

• Scala Dolls was essentially LEGO barbie. Here’s the dreamhouse. It has even less construction play than Belville.

• The Clikits jewelry line featured pieces that are barely compatible with regular LEGO bricks (some people might not even think to try.) The line also contained some Bratz-esque characters.

The message that these themes send to children about gender is clear — certain things are for girls only. Namely: fairy tales, equestrianism, the color pink, vanity, and being a homemaker. Boys shouldn’t want these things and the girls that don’t are lesser for it.

The chart below aggregates figures from the first three of those lines across all years they existed (since Clickits was a jewelry line, it didn’t really feature figures).  Beyond the inversely unbalanced the m/f ratio of 0.18 (roughly one masculine figure for every five feminine figures), it is also important to note that the percentage of neutral figs is incredibly low, so playing with these sets reinforces the either/or of gender roles:

Lest you think girls get all the special treatment, fear not, boys get their share of “boys only” themes. We’ve already discussed Trains and Technic which have long, proud, histories and exist in a blue and black anti-Belville realm (Technic even had Belville-sized masculine articulated figures for a while). In 1998 the ill-fated Znap bucked the trend of “boys only” themes being for advanced builders. It was simple to put together (like K’nex), but never caught on despite being viral. 1998 also saw the creation of a Technic subtheme with even more testosterone than usual: Competition. 2001 saw TLG try to bridge the gap between DUPLO and SYSTEM (for boys) with Jack Stone. 2001 was also the launch of TLG’s attempt to get in to the action figure market: Bionicle. This is arguably a gender-neutral theme, but considering that TLG forgot to include girl’s names for an online character creator for Bionicle’s successor, it’s clear that TLG does not think boys and girls can enjoy the same toys.

As a final note on this era, observe this graph of the m/f ratio on minifigs over time. Notice how it is on the decline (towards gender balance) before sharply increasing in the early 2000s? We’ll explore the reasons for that in the next installment.

Read Part III of A Historical Perspective on the LEGO Gender Gap.

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David Pickett is a social media marketer by day and a LEGO animator by night.  He is fanatical about LEGO and proud to be a nerd. Read more from David at Thinking Brickly.

The splashy introduction of the new LEGO friends line earlier this year stirred up a lot of controversy. My goal with this set of posts is to provide some historical perspective for the valid concerns raised in this heated debate. 

1932-1977: The Brick Era

The LEGO Group started as a family business with the motto “only the best is good enough.” The company produced primarily wooden toys for the first two decades of its existence. It wasn’t until 1958 that the iconic LEGO brick was patented as we know it today. LEGO bricks were originally marketed as toys for both boys and girls. The 60s saw the introduction of new elements to the LEGO system like wheels, windows and hinges. Marketing images from this era tend to feature boys and girls equally.

In the 70s we encounter the first LEGO theme marketed specifically at girls: Homemaker. The sets aren’t very different from the rest of the products offered at that time (there’s some bricks and you build stuff), but the pictures of smiling girls playing with the sets clearly mark them as “girls only.” Homemaker sets are clearly meant to be furniture for dolls.

Dolls are popular toys, so finding ways to integrate the LEGO experience into this existing model of play was a shrewd business strategy for TLG, but one that nevertheless perpetuated stereotypes.

The 70s also saw TLG experimenting with different types of human-like figures. The first figures (sometimes called maxifigs to contrast with their later mini brethren) were built from regular LEGO bricks and new head pieces. These appeared in a line of sets with the uninspired name “LEGO Building Sets with People.” These line as a whole was marketed at both boys and girls, but some sets were more targeted. Co-existing for a brief period with the maxifig was a proto-minifigure. The minifig we all know and love today was next.

1978-1988: The Golden Era

In 1978 the minifigure first appeared as we know it today and, after an awkward period of co-existence with the maxifigs, the “minifig” became the standard for tiny plastic people. The minifig is now as iconic as the LEGO brick and equally important in defining the LEGO brand, over the years has tried to introduce other types of figures, but none of them have the staying power of the minifig.For the next decade LEGO minifigs existed in a gender neutral utopia. One can argue that the hairstyles are slightly gendered, but keep in mind that unisex hairstyles were all the rage at the time. When people talk about wanting to get back to the “good old days” of LEGO, this is generally the decade they are referring to.

In response to the LEGO Friends launch a lot of people have been passing around these images from an early 80s ad campaign:Even at this time, however, LEGO was promoting gendered play.  The short-lived Scala Jewelry theme, for example was a major deviation from the core LEGO product line. There is virtually no building in these sets, they are completely superficial — a triumph of style over substance.

Contrast this with Technic, which is all substance and no style. These complicated sets (originally called Expert builder sets) are clearly for boys. Boys also seem to have taken over LEGO trains. It’s great that TLG provides a range of products for builders of all skill levels, but why is it that the products for girls are always on the low-skill side of the spectrum and the high-skill side always reserved for boys?

The segregation of LEGO into feminine and masculine sets would escalate in the next 15 yrs, however, and I’ll cover that development in the next installment.

Read Part II of A Historical Perspective on the LEGO Gender Gap.

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David Pickett is a social media marketer by day and a LEGO animator by night.  He is fanatical about LEGO and proud to be a nerd. Read more from David at Thinking Brickly.

Cross-posted at Work That Matters.

Barbie is running for President of The United States of America… again.  She even has a campaign Tumblr. But what is her platform?

Okay, so she’s not taking any strong stands on the GOP’s War on Women’s reproductive rights. But she did come up with a totally awesome nickname for her campaign (“Glam-paign”).

Apparently, however, candidate Barbie will do something no other candidate can: she will bridge the racial divide in America by morphing herself into four different ethnicities!
Yes, I get that this is a toy. And the Miss-America-style platitudes are to be expected from a company that wants to sell to both sides of the political divide. But it’s a shame that girls don’t get a chance to see that women really can change the world.

This week, Malawi swore in Southern Africa’s first female head of state. She wasn’t elected as such, but as Vice President took the position after President Bingu wa Mutharika died in office. (A scenario that could have happened with Sarah Palin, had John McCain won the Presidency.)

Other women currently heading countries are:

• Ellen Johnson Sirleaf: President of Liberia
• Doris Leuthard, Eveline Widmer-Schlumpf, Simonetta Sommaruga: Members of the Swiss Federal Council, Switzerland
• Pratibha Patil: President of India
• Cristina Fernández de Kirchner: President of Argentina
• Dalia Grybauskaitė: President of Lithuania
• Laura Chinchilla: President of Costa Rica
• Dilma Rousseff: President of Brazil
• Atifete Jahjaga: President of Kosovo
• Monique Ohsan Bellepeau: Acting President of Mauritius
• Slavica Đukić Dejanović: Acting President of Serbia
• Angela Merkel – Chancellor of Germany
• Julia Gillard – PM of Australia
• Yingluck Shinawatra – PM of Thailand
• Helle Thorning-Schmidt – PM of Denmark
• Portia Simpson-Miller – PM of Jamaica
• Kamla Persad-Bissessar – PM of Trinidad and Tobago
• Jóhanna Sigurðardóttir – PM of Iceland (Appointed)
• Hasina Wazed – PM of Bangladesh

The United States has yet to elect a woman to the position. And while Canada has had two appointed female Vice-Regents, we have yet to elect a woman to the Prime Minister’s Office. (Kim Campbell was nominated for the position directly by her party.)

So perhaps it’s time for Barbie, who has been in every federal election since 1992, to campaign a little harder. Or for North American countries to catch up with the rest of the world and nominate and elect a woman of substance who isn’t seen as just “another Barbie.”

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Tom Megginson is a Creative Director at Acart Communications, a Social Issues Marketing agency based in Ottawa, Canada.  Tom writes regularly about creative advertising and marketing ethics for the international social advertising blog, Osocio, as well as on his own, Work That Matters.

We’ve enjoyed documenting the recent trend of sexifying toys, including Dora the Explorer, Strawberry Shortcake, Holly Hobbie, Lisa Frank, Trolls, Cabbage Patch Kids, My Little Pony, Rainbow Brite, and Candy Land, and Lego (you can see them all together on our Sexy Toy Make-Overs Pinterest board).

Let’s start with Barbie because given how she’s the quintessential sexy toy, I think it’s surprising that she’s been made over.  I found evidence for the Barbie make-over at Feminist Philosophers.  They put up the image below showing how Barbie’s torso was changed in the 2000s to one that was slimmer and with a more arched back:
Cynical Idealism posted about the Care Bear make-over.  The toys have been made both thinner, more flirty, and less androgynous.

Care Bears Then:
Care Bears Now:

I learned about the Polly Pocket make-over at Feminist Fatale.  Whereas in the 1980s, Polly Pocket looked kind of like an infant and came with various accessories, today’s Polly Pocket is decidedly more Barbie-like.

1980s Polly Pocket:

Today’s Polly Pocket:

(source: Mattel)

So, there you have it! Three more sexy toy make-overs.

After the recent scandal over LEGO Friends, I am excited to report that I am in the process of working with a LEGO “fanatic,” David Pickett, on a series of posts about gender and the history of LEGO.  In the meantime, as a teaser, I wanted to offer you two LEGO ads that were from the same campaign as the one making its semi-viral way around the internet (1980-1982).  As with the original, these are evidence that advertising doesn’t have to reproduce the idea of “opposite sexes”:

Thanks to Moose Greebles and his Photostream.

Twenty-three of you (a record I think) have sent in this clip of a little girl in a toy store critiquing the way the store is divided into pink princesses for girls and superheros for boys.  It’s heartwarming and inspiring to see a child offer a critical analysis of the world she lives in, something that most commentators have observed.

What I, and some of you, noticed was that her own analysis and that of the adult taking the video (presumably her Dad) differ.  And, believe it or not, her analysis is more correct than his.

Rightfully identifying what sociologists call “androcentrism,” she notes that girls like both girl and boy toys, but boys only like boy toys.  She says:

…because girls want superheros and the boys want superheros and the girls want pink stuff and the girls… and the boys want… and the boys don’t want pink stuff… (gently shaking her head back and forth)

Her Dad corrects her, saying “Boys, well, boys want both…”

But her Dad is wrong.  Boys in the U.S. are taught from a very early age to avoid everything associated with girls.  Being called a “girl” is, in itself, an insult to boys.  And the slurs “sissy” and “fag” are reserved for men who act feminine.  So, no, boys (who have learned the rules of how to be a boy) generally reject anything girly.  (Indeed, this was one of the themes of Jimmy Kimmel “bad present” prank played by parents on their kids.)

The girl’s Dad, however, articulates a symmetrical analysis. The idea is that there are gender stereotypes — ones that apply to boys and ones that apply to girls — and that both are inaccurate, unfair, and constraining.  His mistake is in missing the asymmetrical value placed on masculinity and femininity.  Boys and girls are simply not positioned equally in relationship to stereotypes of femininity and masculinity.

I have to admit, it’s pretty neat that she has picked up on this nuance so early. I wish most adults had her insight… and her passion:

Thanks to James, Julie G., Carly M., Brooklin N., BogganStoryTeller, Denise, Allie H., Yvonne R., Mark L., Karim S., Ann K., Lenny M., Isabeau P.-S., Daniel K., Marsha, Jay L., Shayna A.-S., Josh W., Kimberly L., Melissa, Colleen W., Simon G., and Brad for sending in the link!

Cross-posted at Ms.

A few years back we published this fantastic ad for Legos as an example of gender-neutral advertising. It appeared in 1981; during my childhood, I’m happy to say.

The ad offers nice context for the new effort by Lego to capture The Girl Market.  Their new line of Legos, Lego Friends, has gotten a lot of attention already. In the circles I run in, it’s being roundly criticized for reproducing stereotypes of girls and women: domesticity, vanity, materialism, and an obsession with everything being pastel.  Kits include a house, cafe, animal hospital, tree house, beauty salon, and an inventor’s lab.  Choice examples:

The new line also includes a new Lego figurine that is taller, thinner, and more feminine, with boobs.  There is no innovation here; it is the exact same makeover that we’ve seen in recent years with Dora the Explorer, Strawberry Shortcake, Holly Hobbie, Lisa Frank, Trolls, Cabbage Patch Kids, My Little Pony, Rainbow Brite, and Candy Land (or visit our Pinterest collection of Sexy Toy Make-Overs).

Examples of the old “mini-fig” and the new “mini-doll”:

(source)

The company is framing their new line for girls with “science.” Executives are going to great lengths to explain that the line is based on research, using anthropologists who spent time with girls in their homes. The frame gives the company an excuse for reproducing the same old gender stereotypes that we see throughout our culture.  They can shrug their shoulders and say, “Well, what are we to do? This is what girls want.”  In this way they are trying to make it clear that they shouldn’t be held accountable for the messages their products send.

But it’s no accident that girls feel alienated from Lego.

According to Business Week, Lego has spent most of the last decade focusing their products on boys.  They have deliberately designed products that they expect will appeal to boys and included boys almost exclusively in their marketing material. Today Legos are shelved in the boy aisle is most toy stores.

So, basically, what Lego has done over the last few decades is take a truly wonderful gender-neutral toy, infuse it with boyness, and tell every kid who’ll listen that the toy is not-for-girls.  Now, stuck with only 50% of the kid market, they’re going after girls by overcompensating.  And, to top it all off, they’re shaking their heads and doing “science” to try to figure out girls, as if they’re some strange variant of human that regular humans just can’t get their head around.

In fact, girls don’t feel like the toy is for them because Lego has done everything in its power to ensure that they will not.

The market research manager sums up Legos’ impression of what girls want this way: “The greatest concern for girls really was beauty.”  How ironic, because the true beauty of Lego is its ability to inspire creativity, not enable conformity.  They somehow knew that back in 1981.

(An ad that deserves being looked at over and over.)

Thanks to Anjan G., Sangyoub P., Rachel W., Dolores R., Erin B., Christie W., and Paul K. for suggesting that we write about this!