Tag Archives: activism/social movements: resistance

Just for Fun: Suffragist Satire, 1915

Today is the anniversary of the 34th American presidential election.  The year was 1920; it was the first presidential election in which women were allowed their own votes.  This seems like a good day to post a memento from the political battle over women’s suffrage, the right to vote and run for political office.

The fight for suffrage took decades and women were on both sides of the issue.  The document below is a copy of an argument against women’s suffrage — Some Reasons Why We Oppose Votes for Women – printed in 1894.  The National Association Opposed to Women’s Suffrage was led by Josephine Dodge.  (Open and click “full size” to read.)

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Alice Duer Miller was on the other side of the fight.  In 1915, she wrote and circulated a satirical response titled Why We Oppose Votes for Men.  Drawing on parallel logic, she made a case for why it was men, not women, who shouldn’t be voting. (Click for a larger copy.)

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1. Because man’s place is in the army.

2. Because no really manly man wants to settle any question otherwise than by fighting about it.

3. Because if men should adopt peacable methods women will no longer look up to them.

4. Because men will lose their charm if they step out of their natural sphere and interest themselves in other matters than feats of arms, uniforms and drums.

5. Because men are too emotional to vote. Their conduct at baseball games and political conventions shows this, while their innate tendency to appeal to force renders them particularly unfit for the task of government.

It helps to have a sense of humor.

Happy anniversary of the first gender inclusive American presidential election everyone.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Is This #HeForShe Video Helping Feminism?

The United Nations’ #HeForShe campaign had a fantastic launch, with Emma Watson’s impassioned speech deservedly going viral. She stood up and described how everyday sexism continues to discourage girls and women from being strong, physical, and outspoken. And she defended the “feminist” label as a simple demand for sexual equality. But most importantly, she called for solidarity between men and women in achieving it.

And then this video came out:

On the surface, it looks like a group of men from all walks of life answering Ms. Watson’s call. But delve deeper, and it becomes problematic. For me, anyway.

I’m a man, and I consider myself a feminist. But when I think about working towards an end to sexism, the last thing I would do is get a group of men to discuss the issue isolated from women. And yet that’s what this video seems to be trying to do.

It feels like a male encounter group, but obviously highly scripted. The different men describe their commitment to #HeForShe in terms of protective paternalistic stereotypes (“I can’t let my daughters, or my wife, suffer because I didn’t do MY job”) and entitlement (“If we don’t change it, it’s never gonna change.”)

I realize that men have to be part of the solution, but this video feels like it is saying that men ARE the solution. As if a bunch of bros getting together to share their feelings are going to solve sexism, with no reference to how sisters have been doing it for themselves for over 200 years. They don’t need a heroic male takeover of the women’s movement that helps us all feel proud of ourselves because we are “#NotAllMen.” They need real understanding and support.

Am I being too harsh? Maybe. But when the one man says, “Understand that it’s not only speaking out FOR women, but WITH women” to a sausage fest, the irony speaks volumes to me.

I think #HeForShe is a great idea, “a solidarity movement for gender equality that brings together one half of humanity in support of the other of humanity, for the entirety of humanity.”

So why can’t we do it together? Are men considered to be so sexist already that we need to find a “manly” way to be feminist?

Here’s an idea: Talk to women about the issue. But more importantly, listen to them about what they experience. There is far more work for us to do together.

Tom Megginson is a Creative Director at Acart Communications, a Canadian Social Issues Marketing agency. He is a specialist in social marketing, cause marketing, and corporate social responsibility. You can follow Tom at Osocio, where this post originally appeared, and The Ethical Adman Work That Matters.

Reported Sex Offenses Rise in Response to Reform at Occidental College

In 2013, after years of trying to reform the institution from the inside, faculty and students at my college submitted two complaints to the federal government. The combined 330 pages allege sexual harassment, assault, and battery on campus and argue that the college has ignored and silenced victims, mishandled adjudication and, at times, protected men found responsible for assault. We are now under federal investigation.

Forcibly revealing Occidental College’s failings hasn’t been fun for anyone, but it has changed us. It is now easier to report assaults, we are likely more vigilant about recording those reports, and students have more knowledge about their rights. Here is what happened:

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At The Occidental Weekly, Noel Hemphill writes that reports of sexual offenses have skyrocketed. They rose from 12 in 2011 to 64 in 2013. Over half of the cases reported were of incidents that occurred in previous years. That’s normal — victims often take a year or more to decide to come forward — but may also reflect a new desire by survivors to have their experience recorded in official statistics.

These numbers are disturbing, but it is unlikely that they reflect a rise in sexual offenses. Instead, they suggest that survivors of assault are feeling more empowered, have greater faith in their institution, and are pushing for recognition and change.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

In One Year, the % of Americans Who See the Criminal Justice as Racist Rose 9 Points

According to polling by the Public Religion Research Institute, the percent of American who say that the criminal justice system treats black people unfairly rose by 9 percentage points in just one year.  In fact, every category of person polled was more likely to think so in 2014 than in 2013, including Republicans, people over 65, and whites.

The biggest jump was among young people 18-29, 63% of whom believed the criminal justice system was unfair in 2014, compared to 42% in 2016.  The smallest jump was among Democrats — just 3 percentage points — but they mostly thought the system was jacked to begin with.

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America has a history of making changes once police violence is caught on tape and shared widely. One of the first instances was after police attacked peaceful Civil Rights marchers in Selma, Alabama. The television had just become a ubiquitous appliance and the disturbing images of brutality were hard to ignore when they flashed across living rooms.

The death of Mike Brown in Ferguson, MO, and the aftermath is the likely candidate for this change. If you do a quick Google Image search for the word “ferguson,” the dominant visual story of that conflict seems solidly on the side of the protesters, not the police.

Click to see these images larger and judge for yourself:

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H/t @seanmcelwee.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Racial Disparity in Imprisonment Inspire Whites to be “Tough on Crime”

“Advocates might want to try different language (or a different approach) in their campaign to reform the criminal justice system,” writes Jamelle Bouie for Slate. He drew his conclusion after summarizing a new pair of studies, by psychologists Rebecca Hetey and Jennifer Eberhardt, looking at the relationship between being “tough on crime” and the association of criminality with blackness.

In the first study, 62 White men and women were interrupted as they got off a commuter train and invited to chat about the three strikes law in California. Before being presented with an anti-three strikes petition, they were shown a video that flashed 80 mugshots. In one condition, 25% of the photos were of black people and, in another, 45% of the photos were.

Among the subjects in the first “less black” condition, more than half signed the petition to make the law less strict, but only 28% in the “more black” condition signed it.

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A second study in New York City about the stop-and-frisk policy had a similar finding:

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The results suggest that white Americans are more comfortable with punitive and harsh policing and sentencing when they imagine that the people being policed and put in prison are black. The second study suggested that this was mediated by fear; the idea of black criminals inspires higher anxiety than that of white criminals, pressing white people to want stronger law enforcement.

So, as Bouie concluded, when prison reformers and anti-racists point out the incredible and disproportionate harm these policies do to black Americans, it may have the opposite of its intended effect. Hetey and Eberhardt conclude:

Many legal advocates and social activists assume that bombarding the public with images and statistics documenting the plight of minorities will motivate people to fight inequality. Our results call this assumption into question. We demonstrated that exposure to extreme racial disparities may make the public less, not more, responsive to attempts to lessen the severity of policies that help maintain those disparities.

“Institutional disparities,” they add, “can be self-perpetuating.” Our history of unfairly targeting and punishing black men more than others now convinces white Americans that we must continue to do so.

Cross-posted at Pacific Standard.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

“Tourist, Shame on You”: On Disaster Tourism

Flashback Friday.

When tourists returned to New Orleans after Hurricane Katrina, there was a new site to see: disaster.  Suddenly — in addition to going on a Ghost Tour, visiting the Backstreet Cultural Museum, and lunching at Dooky Chase’s — one could see the devastation heaped upon the Lower Ninth Ward.  Buses full of strangers with cameras were rumbling through the neighborhood as it tried to get back on its feet.

A sociology major at  Michigan State University, Kiara C., sent along this photograph of a homemade sign propped up in the Lower Ninth, shaming visitors for what sociologists call “disaster tourism.”

(Credit: Daniel Terdiman/CNET News.com; found here)

Disaster tourism is criticized for objectifying the suffering of others.  Imagine having lost loved ones and seen your house nearly destroyed. After a year out of town, you’re in your nastiest clothes, mucking sludge out of your house, fearful that the money will run out before you can get the house — the house your grandmother bought and passed down to you through your mother — put back together.

Imagine that — as you push a wheelbarrow out into the sunlight, blink as you adjust to the brightness, and push your hair off your forehead, leaving a smudge of toxic mud — a bus full of cameras flash at you, taking photographs of your trauma, effort, and fear.  And then they take that photo back to their cozy, dry home and show it to their friends, who ooh and aah about how cool it was that they got to see the aftermath of the flood.

The person who made this sign… this is what they may have been feeling.

Originally posted in 2011.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

#IfTheyGunnedMeDown Attacks Portrayals of Black Men Killed by Police

This has been a hard week.  Another young, unarmed black man was killed by police. The Root added Michael Brown’s face to a slideshow of such incidents, started after a black man named Eric Garner died after being put in a chokehold by officers less than one month ago.  This week’s guilty verdict in the trial of the man who shot Renisha McBride left me feeling numb.  Nothing good could come of it, but at least I didn’t feel worse.

The shooting of Michael Brown, however, is still undergoing trial by media and the verdict is swayed by the choices made by producers and directors as to how to portray him. When Marc Duggan was killed by police earlier this year, they often featured pictures in which he looked menacing, including ones that had been cropped in ways that enhanced that impression.

Left: Photo of Duggan frequently used by media; right: uncropped photo in which he holds a plaque commemorating his deceased daughter.

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As the media coverage of Brown’s death heated up, the image that first circulated of Brown was this:

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Reports state that this was his current Facebook profile picture, with the implication that media actors just picked the first or most prominent picture they saw.  Or, even, that somehow it’s Brown’s fault that this is the image they used.

Using the image above, though, is not neutrality.  At best, it’s laziness; they simply decided not to make a conscious, careful choice.  It’s their job to pick a photograph and I don’t know exactly what the guidelines are but “pick the first one you see” or “whatever his Facebook profile pic was on the day he died” is probably not among them.

There are consequential choices to be made.  As an example, here are two photos that have circulated since criticism of his portrayal began — the top more obviously sympathetic and the bottom more neutral:

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Commenting on this phenomenon, Twitter user @CJ_musick_lawya released two photos of himself, hashtagged with #iftheygunnedmedown, and asked readers which photo they thought media actors would choose.

Top: Wearing a cap and gown with former President Clinton; bottom: in sunglasses posing with a bottle and a microphone.

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The juxtaposition brilliantly revealed how easy it is to demonize a person, especially if they are a member of a social group stereotyped as violence-prone, and how important representation is.  It caught on and the imagery was repeated to powerful effect. A summary at The Root featured examples like these:

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The New York Times reports that the hashtag has been used more than 168,000 times as of  August 12th.  I want to believe that conversations like these will educate and put pressure on those with the power to represent black men and all marginalized peoples to make more responsible and thoughtful decisions.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

“Trophy Scarves”: Race, Gender, and the Woman-as-Prop Trope (NSFW)

At the end of last year, Robin Thicke took a lot of heat for both the lyrics of his song, Blurred Lines, and the accompanying video.  The latter is a transparent  instance of a very common strategy for making men look cool: surround them with beautiful and preferably naked women.

It seems especially effective if the men in question act unimpressed and unaffected by, or even disinterested in, the women around them. It’s as if they are trying to say, “I am so accustomed to having access to beautiful, naked women, I don’t even notice that they’re there anymore.”  Or, to be more vulgar about it, “I get so much pussy, I’ve become immune.”

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The video for Blurred Lines was particularly egregious, but we see this all the time.  Here’s a couple more examples, featuring R. Kelly and Robert Pattinson in Details:

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This is all to introduce a satirical series of photographs featuring performance artist Nate Hill who, on the mission page of his “trophy scarves” website (NSFW), writes: “I wear white women for status and power.”  And, so, he does.  Here are some maybe safe-for-work-ish examples:
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There are more, definitely NSFW examples, at his site (and thanks to German C. for sending the link).

Hill brilliantly combines a tradition of conspicuous consumption – think mink stoles – with a contemporary matrix of domination in which white women are status symbols for men of all races. It’s not irrelevant that he’s African-American and the women he chooses are white and, yes, it is about power. We know it is because women do it too and, when they do, they use women below them in the racial hierarchy.  Remember Gwen Stefani’s harajuku girls?  And consider this FHM Philippines cover:

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I’m amazed at the ubiquitousness of this type of imagery and our willingness  to take it for granted that this is just what our visual landscape looks like.  It’s social inequality unapologetically laid bare.  We’re used to it.

Somebody — lots of somebodies, I guess — sat around the room and thought, “Yeah, there’s nothing pathetic or problematic about a music video in which absolutely nothing happens except naked women are used to prop up our singer’s masculinity.”  The optimist in me wants to think that it’s far too obvious, so much so that the producers and participants would be embarrassed by it. Or, at least, there’d be a modicum of sensitivity to the decades of feminist activism around the sexual objectification of women.

The cynic in me recognizes that white supremacy and the dehumanization of women are alive and well.  I’m glad Hill is here to help me laugh about it, even if nervously. Gallows humor, y’all.  Sometimes it’s all we got.

Cross-posted at Jezebel.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.