Tag Archives: race/ethnicity: Blacks/Africans

New Orleans after Katrina: An Uneven Recovery

To mourn, commemorate, and celebrate the city of New Orleans after Hurricane Katrina.  Photographer Ted Jackson returned to the site of some of his most powerful photographs, re-taking them to reveal the progress, or lack of progress, of the past nine years.

You can see them all at nola.com; I’ve pulled out three that speak to the uneven recovery that I see when I visit.

In this first photo, residents struggle to keep their heads above water by balancing on the porch railing of a home in the Lower 9th Ward, what was once a vibrant working class, almost entirely African American neighborhood. Today, the home remains dilapidated, as did one-in-four homes in New Orleans as of 2010.

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In the first photo of this second set, a man delivers fresh water to people stranded in the BW Cooper Housing Development, better known as the Calliope Projects.  Today, the housing development is awaiting demolition, having been mostly empty since 2005.  Some suspect that closing these buildings was an excuse to make it difficult or impossible for some poor, black residents to return.

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This set of homes is  located in an upper-income part of the city.  The neighborhood, called Lakeview, suffered some of the worst flooding, 8 to 10 feet and more; it has recovered very well.

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Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

New Orleans Voodoo: Before and After Hurricane Katrina

When Hurricane Katrina broke the levees of New Orleans and flooded 85% of the city, 100,000 people were left homeless. Disproportionately, these were the poor and black residents of New Orleans. This same population faced more hurdles to returning than their wealthier and whiter counterparts thanks to the effects of poverty, but also choices made by policymakers and politicians — some would say made deliberately — that reduced the black population of the city.

With them went many of the practitioners of voodoo, a faith with its origins in the merging of West African belief systems and Catholicism.  At Newsweek, Stacey Anderson writes that locals claim that the voodoo community was 2,500 to 3,000 people strong before Katrina, but after that number was reduced to around 300.

The result has been a bridging of different voodoo traditions and communities. Prior to the storm, celebrations and ceremonies were race segregated and those who adhered to Haitian- and New Orleans-style voodoo kept their distance.  After the storm, with their numbers decimated, they could no longer sustain the in-groups and out-groups they once had.  Voodoo practitioners forged bonds across prior divides.

Voodoo Priestess Sallie Ann Glassman performs a ceremony at Bayou St. John (photo by Alfonso Bresciani):

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Voodoo Priestess Miriam Chamani performs a ceremony at the Voodoo Spiritual Temple:

3Cross-posted at Pacific Standard.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

W.E.B. DuBois on the Indifference of White America

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W.E.B. DuBois (1934):

The colored people of America are coming to face the fact quite calmly that most white Americans do not like them, and are planning neither for their survival, nor for their definite future if it involves free, self-assertive modern manhood. This does not mean all Americans. A saving few are worried about the Negro problem; a still larger group are not ill-disposed, but they fear prevailing public opinion. The great mass of Americans are, however, merely representatives of average humanity. They muddle along with their own affairs and scarcely can be expected to take seriously the affairs of strangers or people whom they partly fear and partly despise.

For many years it was the theory of most Negro leaders that this attitude was the insensibility of ignorance and inexperience, that white America did not know of or realize the continuing plight of the Negro.  Accordingly, for the last two decades, we have striven by book and periodical, by speech and appeal, by various dramatic methods of agitation, to put the essential facts before the American people.  Today there can be no doubt that Americans know the facts; and yet they remain for the most part indifferent and unmoved.

- From “A Negro Nation Within a Nation.

Borrowed from an essay by Tressie McMillan Cottom. Photo from ibtimes.com.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Tuskegee Syphilis Study Recruitment Letter

Flashback Friday.

The Tuskegee Syphilis Experiment is one of the most famous examples of unethical research. The study, funded by the federal government from 1932-1972, looked at the effects of untreated syphilis. In order to do this, a number of Black men in Alabama who had syphilis were misinformed about their illness. They were told they had “bad blood” (which was sometimes a euphemism for syphilis, though not always) and that the government was offering special free treatments for the condition. Here is an example of a letter sent out to the men to recruit them for more examinations:

The “special free treatment” was, in fact, nothing of the sort. The researchers conducted various examinations, including spinal taps, not to treat syphilis but just to see what its effects were. In fact, by the 1950s it was well established that a shot of penicillin would fully cure early-stage syphilis. Not only were the men not offered this life-saving treatment, the researchers conspired to be sure they didn’t find out about it, getting local doctors to agree that if any of the study subjects came in they wouldn’t tell them they had syphilis or that a cure was available.

The abusive nature of this study is obvious (letting men die slow deaths that could have been easily prevented, just for the sake of scientific curiosity) and shows the ways that racism can influence researchers’ evaluations of what is acceptable risk and whose lives matter. The Tuskegee experiment was a major cause for the emergence of human subjects protection requirements and oversight of federally-funded research once the study was exposed in the early 1970s. Some scholars argue that knowledge of the Tuskegee study increased African Americans’ distrust of the medical community, a suspicion that lingers to this day.

In 1997 President Clinton officially apologized for the experiment.

Originally posted in 2009.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

#IfTheyGunnedMeDown Attacks Portrayals of Black Men Killed by Police

This has been a hard week.  Another young, unarmed black man was killed by police. The Root added Michael Brown’s face to a slideshow of such incidents, started after a black man named Eric Garner died after being put in a chokehold by officers less than one month ago.  This week’s guilty verdict in the trial of the man who shot Renisha McBride left me feeling numb.  Nothing good could come of it, but at least I didn’t feel worse.

The shooting of Michael Brown, however, is still undergoing trial by media and the verdict is swayed by the choices made by producers and directors as to how to portray him. When Marc Duggan was killed by police earlier this year, they often featured pictures in which he looked menacing, including ones that had been cropped in ways that enhanced that impression.

Left: Photo of Duggan frequently used by media; right: uncropped photo in which he holds a plaque commemorating his deceased daughter.

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As the media coverage of Brown’s death heated up, the image that first circulated of Brown was this:

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Reports state that this was his current Facebook profile picture, with the implication that media actors just picked the first or most prominent picture they saw.  Or, even, that somehow it’s Brown’s fault that this is the image they used.

Using the image above, though, is not neutrality.  At best, it’s laziness; they simply decided not to make a conscious, careful choice.  It’s their job to pick a photograph and I don’t know exactly what the guidelines are but “pick the first one you see” or “whatever his Facebook profile pic was on the day he died” is probably not among them.

There are consequential choices to be made.  As an example, here are two photos that have circulated since criticism of his portrayal began — the top more obviously sympathetic and the bottom more neutral:

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Commenting on this phenomenon, Twitter user @CJ_musick_lawya released two photos of himself, hashtagged with #iftheygunnedmedown, and asked readers which photo they thought media actors would choose.

Top: Wearing a cap and gown with former President Clinton; bottom: in sunglasses posing with a bottle and a microphone.

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The juxtaposition brilliantly revealed how easy it is to demonize a person, especially if they are a member of a social group stereotyped as violence-prone, and how important representation is.  It caught on and the imagery was repeated to powerful effect. A summary at The Root featured examples like these:

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The New York Times reports that the hashtag has been used more than 168,000 times as of  August 12th.  I want to believe that conversations like these will educate and put pressure on those with the power to represent black men and all marginalized peoples to make more responsible and thoughtful decisions.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

“Black and White Twins” and the Social Construction of Race

Flashback Friday.

This remarkable newspaper article illustrates how skin color (which is real) gets translated into categorical racial categories (which are not).  The children in the images below — Kian and Remee Hodgson – are fraternal twins born to two bi-racial parents:

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The story attempts to explain the biology:

Skin colour is believed to be determined by up to seven different genes working together. If a woman is of mixed race, her eggs will usually contain a mixture of genes coding for both black and white skin. Similarly, a man of mixed race will have a variety of different genes in his sperm. When these eggs and sperm come together, they will create a baby of mixed race.  But, very occasionally, the egg or sperm might contain genes coding for one skin colour. If both the egg and sperm contain all white genes, the baby will be white. And if both contain just the versions necessary for black skin, the baby will be black.

Fair enough.

But then the journalist makes a logical leap from biological determinants of skin color to racial categories. Referring now to genes for skin color as “black” and “white” genes, she writes: “Baby Kian must have inherited the black genes from both sides of the family, whilst Remee inherited the white ones.”  And, of course, while both children are, technically, mixed race*, the headline to the story, “Black and White Twins,” presents them as separate races.

We’re so committed to racial differences that the mother actually speaks about their similarities as if it is surprising that twins of different “races” could possibly have anything in common.  She says:

There are some similarities between them. They both love apples and grapes, and their favourite television programme is Teletubbies.”

This is also a nice example of a U.S.-specific racial logic. This might not have been a story in Brazil at all, where racial categories are determined more by color alone and less by who your parents are.  It is not uncommon there to have siblings of various racial designations.

The twins, by the way, are seven now.

* Of course, identifying them as mixed race also re-inscribes racial categories in that you must believe in two or more racial categories to believe that it is possible to mix them.

Originally posted in 2008.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Modern Politics, the Slave Economy, and Geological Time

Flashback Friday.

I have borrowed the information and images below from Jeff Fecke at Alas A Blog.  His discussion, if you’re interested, is more in depth.

There is a winding line of counties stretching from Louisiana to South Carolina, a set of states that largely voted for McCain in 2008, that went for Obama.  The map below shows how counties voted in blue and red and you can clearly see this interesting pattern.

 

These counties went overwhelmingly for Obama in part because there is large black population.  Often called the “Black Belt,” these counties more so than the surrounding ones were at one time home to cotton plantations and, after slavery was ended, many of the freed slaves stayed.  This image nicely demonstrates the relationship between the blue counties and cotton production in 1860:

 

But why was there cotton production there and not elsewhere?  The answer to this question is a geological one and it takes us all the way back to 65 million years ago when the seas were higher and much of the southern United States was under water.  This image illustrates the shape of the land mass during that time:

I’ll let Jeff take it from here:

Along the ancient coastline, life thrived, as usually does. It especially thrived in the delta region, the Bay of Tennessee, if you will. Here life reproduced, ate, excreted, lived, and died. On the shallow ocean floor, organic debris settled, slowly building a rich layer of nutritious debris. Eventually, the debris would rise as the sea departed, becoming a thick, rich layer of soil that ran from Louisiana to South Carolina.

65 million years later, European settlers in America would discover this soil, which was perfect for growing cotton.

So there you have it: the relationship between today’s political map, the economy, and 65 million years ago.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

“Trophy Scarves”: Race, Gender, and the Woman-as-Prop Trope (NSFW)

At the end of last year, Robin Thicke took a lot of heat for both the lyrics of his song, Blurred Lines, and the accompanying video.  The latter is a transparent  instance of a very common strategy for making men look cool: surround them with beautiful and preferably naked women.

It seems especially effective if the men in question act unimpressed and unaffected by, or even disinterested in, the women around them. It’s as if they are trying to say, “I am so accustomed to having access to beautiful, naked women, I don’t even notice that they’re there anymore.”  Or, to be more vulgar about it, “I get so much pussy, I’ve become immune.”

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The video for Blurred Lines was particularly egregious, but we see this all the time.  Here’s a couple more examples, featuring R. Kelly and Robert Pattinson in Details:

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This is all to introduce a satirical series of photographs featuring performance artist Nate Hill who, on the mission page of his “trophy scarves” website (NSFW), writes: “I wear white women for status and power.”  And, so, he does.  Here are some maybe safe-for-work-ish examples:
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There are more, definitely NSFW examples, at his site (and thanks to German C. for sending the link).

Hill brilliantly combines a tradition of conspicuous consumption – think mink stoles – with a contemporary matrix of domination in which white women are status symbols for men of all races. It’s not irrelevant that he’s African-American and the women he chooses are white and, yes, it is about power. We know it is because women do it too and, when they do, they use women below them in the racial hierarchy.  Remember Gwen Stefani’s harajuku girls?  And consider this FHM Philippines cover:

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I’m amazed at the ubiquitousness of this type of imagery and our willingness  to take it for granted that this is just what our visual landscape looks like.  It’s social inequality unapologetically laid bare.  We’re used to it.

Somebody — lots of somebodies, I guess — sat around the room and thought, “Yeah, there’s nothing pathetic or problematic about a music video in which absolutely nothing happens except naked women are used to prop up our singer’s masculinity.”  The optimist in me wants to think that it’s far too obvious, so much so that the producers and participants would be embarrassed by it. Or, at least, there’d be a modicum of sensitivity to the decades of feminist activism around the sexual objectification of women.

The cynic in me recognizes that white supremacy and the dehumanization of women are alive and well.  I’m glad Hill is here to help me laugh about it, even if nervously. Gallows humor, y’all.  Sometimes it’s all we got.

Cross-posted at Jezebel.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.