According to data presented by Pew Research Center, 51% of the last 20 years of fires at houses of worship were ruled “intentional.” In contrast, 10% of non-residential fires and 5% of residential fires are believed to be arson.

Overall, all types of fire incidents at churches and other houses of worship have been declining, but the proportion that are ruled intentional has been stable. In 1996, a House Judiciary Committee report found that arson attacks disproportionately targeted black churches in the South.

This is your image of the week:5

Play with the interactive data here.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

Social science bloggers have been buzzin’ over whether drag performance is offensive and to whom. I have been researching and doing drag through a queer feminist anthropology lens for two years. I’ve taken an autoethnographic approach in an attempt to fill the scholarly gap where a male-bodied researcher, specifically a queer one, has lacked the enthusiasm to habitually perform as a drag queen. The motivations for this post easily align with my research as I hope to further develop the trending conversations of drag and its meanings.

Is drag offensive? It’s necessary to specify that this conversation is primarily about drag queening men. This is what most people would think of in terms of “drag queen,” a cisman who dresses as a woman on a stage, which I argue is a limiting definition. Five or ten years ago I would not have to specify “drag queening men,” but today there are genderqueer performers, ciswomen, transwomen – all bodies participate in drag as an expression, and not necessarily while cross dressing. Drag queens embody a range of femininities and masculinities (and sometimes species).

So, are drag queening men offensive? I keep in mind the ultimate queer mantra – both/and.

Looking to literature, this is an argument worked out back in the high Butler days. Esther Newton started this dialogue in the ‘70s and it was clearly closed out by Rupp and Taylor (and Shapiro) in the last decade. There are plenty of lit reviews to read on this [tired] subject.

Drag queening implies an individual who performs and embodies femininities for some kind of audience. Historically, and today, the majority of queens are male bodied. Some may continue this femininity off the stage, others do not. Their identities are assumed to be cis men, but this is incredibly complicated by the fluidity of drag bodies and the politics of the “transgender” category.

Regardless, you have male bodies who are distinctly breaking heteronormative ideas of identity and performance. Drag queening is a subversive outlet for male bodies to participate in gender play, oftentimes exploring femininity within themselves that they have been socialized to fear. Doing drag successfully is “working it” — you don’t give a shit about the patriarchy, your parent’s disappointment, getting fired from your job, or who will think you are date-able. It’s breaking out of boxes. Drag is a display of who you are (or just a part of yourself) and telling everyone to deal with it. If you like what you see, feel free to tip a dollar.

Drag claims the labels “offensive” and “radical” because its goal is to disrupt and show the audience that some identities, especially gender, are more fluid and performed than we think. Drag pokes holes into rigid ideas of gender and sexuality that most choose to ignore. Drag queening men are defiant, messy cyborgs, performing fluid and simultaneous contradictions of femininities and masculinities through their bodies. And of course, there is an entire history of drag acting as an important mode of protest, resistance, and survival for the queer community.

At the same time, drag queens are people who live in the same society that we all do. Drag is an institution that still exists — and always will — within the larger social structures. So, drag queens can be racist, transphobic, homophobic, and even more problematic. The best example for this is the drag queening man who takes her microphone privileges too far, such as a joke about a trans audience member’s genitals.

Drag queening men will often claim immunity under the trans umbrella or argue for the sanctity of comedy, but the reality is that drag queening men do have an underlying rhetoric of transphobia. The reminders that they return to presenting as men after the performance (“This is just a job, I don’t want to be a woman!”) are an unneeded distance created by drag queening men who are afraid and feel an attack against their masculinity. The heteropatriarchy suggests that male bodies who express femininity should fit into a more complicit, fictionally ideal “transsexual woman” category where all parts match behaviors. Some drag queening men respond to this pressure with transphobic masculinity, disastrously reinstating the binary they work to dismantle. It’s also in part to the idea that hegemonic forces continually pressure marginalized groups to create an Other, even if they are part of the same “community.”

Similarly, drag queening men still participate in hegemonic masculinity, and so they may make misogynistic jokes or may think domestic abuse makeup is some kind of “high fashion” (which is the WORST). Drag pageantry can be racially segregated and transwomen can be discouraged through the exclusionary bans of hormones and surgeries. Drag queening men can be soaked in privilege — using the T-slur, blackface, or feeling authority over female-bodied audience members. Most drag queening men have the ability to take off their wigs and makeup to “pass” outside queer spaces.

This in no means is an apology toward these actions, but I feel a stress needed to be made that the tradition of drag queening, a male body performing femininities, is not offensive. It stands as a transgressive act of male bodies deviating from and deconstructing the binary of gender. When drag queening men remind an audience they have a penis, it explodes the heteropatriarchy and dislocates gender from the body. For my own purposes in research and performance, drag is a safe place to explore forbidden femininities, freely navigate bodily inscription, and embrace corporeal versatility.

The tradition of drag queening is not an offensive act, but drag performers may abuse privilege and create problematic messages regardless of their intent. The problems of drag as an institution are the pre-existing racist heteropatriarchal structures that impede upon it. These difficulties with drag are the same hegemonic forces which delve deep into our film, art, video games and universities.

In closing, it is impossible to ignore the reality that groups of people think drag is offensive and no feelings should be ignored. I have no answer as to how this claim of offense can be processed besides our scholarly discussions, but I do hope that drag performers take care to be consciously aware of their privileges and prejudices, remembering their duties as queens who take down the heteropatriarchy one lip sync at a time.

Ray Siebenkittel is a student in the anthropology MA program at Louisiana State University in Baton Rouge. They take a feminist anthropologist approach to studying drag performance. You can follow their blog, where this post originally appeared, or meet them on twitter.

2Killing at the hands of an illegal alien spurs furious debate about closing borders and deporting the undocumented. It is the year before a presidential election and candidates denounce undocumented immigrants as the conveyors of Mexican violence into our country.

When Robert J. Sampson, Harvard sociologist and criminologist, wrote about this news, he was not writing about the death of young Kate Steinle in San Francisco in 2015, but about murders in New Jersey in 2007. And he wrote to say that his research and that of others showed that immigrants are less likely than the native-born to commit murder and “that immigration — even if illegal — is associated with lower crime rates….” He had previously made similar claims in The New York Times and had gotten vituperation in response.

Popular skepticism toward Sampson might be expected given the media coverage of sensational crimes like the one on Pier 14 and of Mexico’s drug wars. But behind the headlines, the daily reality on the streets of the U.S. seems to be that immigrants bring less crime. Indeed, scholars like Sampson have suggested that the surge of Latino immigration, documented and not, may partly explain the great drop in violent crime in American cities since the 1980s.

Now, two presidential cycles since the Sampson article, we have new studies and more technically sophisticated ones on the topic. What do they say about the effects of immigration on crime and violence?

Immigration does not increase crime

The research I reviewed – several recent articles (see bibliography here) – is pretty consistent: Immigrants and concentrations of immigrants are associated with lower rates of crime and homicide. To be more cautious: at minimum, there is no connection between immigration and higher rates of crime.

Studies of individuals show that, as two experts summarize, “immigrants are less, not more, crime prone than their native-born counterparts.” Second- and third-generation immigrants start to look more like many-generation Americans in criminality (much as they do in other ways, such as diet and health behaviors). One study suggests that for adolescents the “protective” effect against criminality of being an immigrant may wear off after four years. But newcomers are notably less likely to commit crime than otherwise similar American-born youth.

Neighborhoods with many immigrants are not higher in crime

Many new studies compare neighborhoods, cities, or counties to assess the relationship between local concentrations of immigrants (or of Latinos) and rates of crime or violence. The general conclusion is that the higher these concentrations in a community, the lower the rates. A couple of studies find that the connection depends on the local context. In more impoverished neighborhoods or in cities with historically larger numbers of immigrants or with immigrant political power, additional immigration seems to push crime down yet more.

Complex statistical work suggests that this correlation reflects a causal connection: more immigrants arrive and violent crime fades. Why would that be so?

Sampson and others suggest that Latino immigrants have stronger families and community institutions, such as churches, than do the native-born. These provide more social control over youth. Researchers also propose that immigration has helped economically revitalize many U.S. cities and driven down crime that way, too.

Whatever the explanation, the general pattern is the reverse of the heated rhetoric: Overall, immigration goes with less criminal violence.

Claude Fischer is a sociologist at UC Berkeley and is the author of Made in America: A Social History of American Culture and Character. This post originally appeared at his blog, Made in America, and was re-posted on the Berkeley Blog.

Organizers of Free Pride Glasgow, a Scottish gay pride parade, have “banned” drag queens from the event, citing concerns that men dressing up like women is offensive to trans women. The LGBTQ community is afire about this, citing the long tradition of drag performances in gay communities and the role drag queens have played in the Gay Liberation movement. “hello, ever heard of THE STONEWALL RIOTS?!!!” tweeted one of the stars of RuPaul’s Drag Race.

The organizers of Free Pride Glasgow are standing their ground, stating that they will only allow noncisgender men — men those who do not identify as men — trans women to perform in drag. A facebook comment suggested, and rightly so, that this could get really problematic really fast in practice, asking: “How are you going to moderate who is a trans and who is a cis drag act?”

Well, that’s a can of worms.

I don’t know how this conversation is going to play out and, to be honest, I’m nervous to jump in. But I gotta say that I, for one, really hope we keep talking about this. I don’t think it’s unreasonable to worry about how drag queen performances might make trans women feel. Drag performers generally do an exaggerated performance of femininity and I think it’s okay to ask whether and when this counts as mocking femininity and the people that perform it: trans women, yes, and ciswomen, too.


Sexism matters here and anyone can be sexist, even drag queens. When drag queens trot out some of the worst stereotypes about women, for example –performing characters that are vain, bitchy, selfish, and always PMSing — I see girlface. I see men mocking femininity, not embracing their feminine sides and busting the fiction of masculinity. So, I don’t blame trans women one bit if this makes them uncomfortable; it sure makes me uncomfortable and I’m in a much safer position than they.

So, I don’t know where this conversation is going to go, but I do think we need to have it. It needs to be, though, not about whether drag queens should be banned, but what drag should look like going forward. It should be about both what drag queens bring to the movement — their value in the past and the role they can play now — but also whether and how their performances contribute to a devaluation of femininity that hurts all women, cis, trans, and other.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

“It is fair to say,” writes historian Heather Williams about the Antebellum period in America, “that most white people had been so acculturated to view black people as different from them that they… barely noticed the pain that they experienced.”

She describes, for example, a white woman who, while wrenching enslaved people from their families to found a distant plantation, describes them as “cheerful,” in “high spirits,” and “play[ful] like children.” It simply never occurred to her or many other white people that black people had the same emotions they did, as the reigning belief among whites was that they were incapable of any complex or deep feeling at all.

It must have created such cognitive dissonance, then — such confusion on the part of the white population — when after the end of slavery, black people tried desperately to reunite with their parents, cousins, aunties and uncles, nieces and nephews, spouses, lovers, children, and friends.

And try they did. For decades newly freed black people sought out their loved ones. One strategy was to put ads in the paper. The “Lost Friends” column was one such resource. It ran in the Southwestern Christian Advocate from 1879 until the early 1900s and a collection of those ads — more than 330 from just one year — has been released by the Historic New Orleans Collection. Here is an example:


The ads would have been a serious investment. They cost 50 cents which, at the time, would have been more than a day’s income for most recently freed people.

Williams reports that reunions were rare. She excerpted this success story from the Southwestern in her book, Help Me To Find My People, about enslaved families torn asunder, their desperate search for one another, and the rare stories of reunification.


In the SOUTHWESTERN of March 1st, we published in this column a letter from Charity Thompson, of Hawkins, Texas, making inquiry about her family. She last heard of them in Alabama years ago. The letter, as printed in the paper was read in the First church Houston, and as the reading proceeded a well-known member of the church — Mrs. Dibble — burst into tears and cried out “That is my sister and I have not seen her for thirty three years.” The mother is still living and in a few days the happy family will once more re-united.

I worry that white America still does not see black people as their emotional equals. Psychologists continue to document what is now called a racial empathy gap, both blacks and whites show lesser empathy when they see darker-skinned people experiencing physical or emotional pain. When white people are reminded that black people are disproportionately imprisoned, for example, it increases their support for tougher policing and harsher sentencing. Black prisoners receive presidential pardons at much lower rates than whites. And we think that black people have a higher physical pain threshold than whites.

How many of us tolerate the systematic deprivation and oppression of black people in America today — a people whose families are being torn asunder by death and imprisonment — by simply failing to notice the depths of their pain?

Cross-posted at A Nerd’s Guide to New Orleans.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

Recently there’s been heightened attention to calling out microaggressions and giving trigger warnings. I recently speculated that the loudest voices making these demands come from people in categories that have gained in power but are still not dominant, notably women at elite universities.  What they’re saying in part is, “We don’t have to take this shit anymore.” Or as Bradley Campbell and Jason Manning put it in a recently in The Chronicle:

…offenses against historically disadvantaged social groups have become more taboo precisely because different groups are now more equal than in the past.

It’s nice to have one’s hunches seconded by scholars who have given the issue much more thought.

Campbell and Manning make the context even broader. The new “plague of hypersensitivity” (as sociologist Todd Gitlin called it) isn’t just about a shift in power, but a wider cultural transformation from a “culture of dignity” to a “culture of victimhood.” More specifically, the aspect of culture they are talking about is social control. How do you get other people to stop doing things you don’t want them to do – or not do them in the first place?

In a “culture of honor,” you take direct action against the offender.  Where you stand in society – the rights and privileges that others accord you – is all about personal reputation (at least for men). “One must respond aggressively to insults, aggressions, and challenges or lose honor.” The culture of honor arises where the state is weak or is concerned with justice only for some (the elite). So the person whose reputation and honor are at stake must rely on his own devices (devices like duelling pistols).  Or in his pursuit of personal justice, he may enlist the aid of kin or a personalized state-substitute like Don Corleone.

In more evolved societies with a more extensive state, honor gives way to “dignity.”

The prevailing culture in the modern West is one whose moral code is nearly the exact opposite of that of an honor culture. Rather than honor, a status based primarily on public opinion, people are said to have dignity, a kind of inherent worth that cannot be alienated by others. Dignity exists independently of what others think, so a culture of dignity is one in which public reputation is less important. Insults might provoke offense, but they no longer have the same importance as a way of establishing or destroying a reputation for bravery. It is even commendable to have “thick skin” that allows one to shrug off slights and even serious insults, and in a dignity-based society parents might teach children some version of “sticks and stones may break my bones, but words will never hurt me” – an idea that would be alien in a culture of honor.

The new “culture of victimhood” has a different goal – cultural change. Culture is, after all, a set of ideas that is shared, usually so widely shared as to be taken for granted. The microaggression debate is about insult, and one of the crucial cultural ideas at stake is how the insulted person should react. In the culture of honor, he must seek personal retribution. In doing so, of course, he is admitting that the insult did in fact sting. The culture of dignity also focuses on the character of offended people, but here they must pretend that the insult had no personal impact. They must maintain a Jackie-Robinson-like stoicism even in the face of gross insults and hope that others will rise to their defense. For smaller insults, say Campbell and Manning, the dignity culture “would likely counsel either confronting the offender directly to discuss the issue,” which still keeps things at a personal level, “or better yet, ignoring the remarks altogether.”

In the culture of victimhood, the victim’s goal is to make the personal political.  “It’s not just about me…”  Victims and their supporters are moral entrepreneurs. They want to change the norms so that insults and injustices once deemed minor are now seen as deviant. They want to define deviance up.  That, for example, is the primary point of efforts like the Microaggressions Project, which describes microaggressions in exactly these terms, saying that microaggression “reminds us of the ways in which we and people like us continue to be excluded and oppressed” (my emphasis).


So, what we are seeing may be a conflict between two cultures of social control: dignity and victimhood. It’s not clear how it will develop. I would expect that those who enjoy the benefits of the status quo and none of its drawbacks will be most likely to resist the change demanded by a culture of victimhood. It may depend on whether shifts in the distribution of social power continue to give previously more marginalized groups a louder and louder voice.

Cross-posted at Montclair SocioBlog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

Reddit’s co-founder Steve Huffman, who is currently taking over CEO responsibilities in the wake of Ellen Pao’s resignation, has started doing these Fireside AMAs where he makes some sort of edict and all of the reddit users react and ask clarifying questions. Just today he made an interesting statement about the future of “free speech” in general and certain controversial subreddits in particular. The full statement is here but I want to focus on this specific line where he describes how people were banned in the beginning of Reddit versus the later years when the site became popular:

Occasionally, someone would start spewing hate, and I would ban them. The community rarely questioned me. When they did, they accepted my reasoning: “because I don’t want that content on our site.”

As we grew, I became increasingly uncomfortable projecting my worldview on others. More practically, I didn’t have time to pass judgement on everything, so I decided to judge nothing.

This all comes at the heels of some interesting revelations by former, former Reddit CEO Yishan Wong saying that Ellen Pao was actually the person in the board room championing free speech and it was Huffman, fellow co-founder Alexis Ohanian, and others that really wanted to clamp down on the hate speech. So that’s just a big side dish of delicious schadenfreude that’s fun to nibble on

But those quotes bring up some questions that are absolutely crucial to something Britney Summit-Gil posted here a few days ago, namely that Reddit finds itself in a paradox where revolting against the administration forces users to recognize that “Reddit is less like a community and more like a factory,” and that the free speech they rally around is an anathema to their other great love: the free market.

What structures this contradiction, what sets everyone up at cross-purposes, also has a lot to do with Huffman’s reticence to ban people as the site grew. After all, why would Huffman feel “increasingly uncomfortable” making unilateral banning decisions as the site grew, and why was his default position then be “to judge nothing”? Why does it, all of a sudden, become unfair or inappropriate to craft a community or even a product with the kind of decisiveness that comes with “I just don’t like it”?

The answer to all of this comes out of two philosophic ideas: One is the Enlightenment model of reason that we still use to undergird our concepts of legitimacy and rhetorical persuasiveness. That big decisions that effect lots of people should be argued out and have practical and utilitarian reasons and not be based on the whims of an individual. That’s what kings did and that sort of authority is arbitrary even if the results seem desirable.

The second is relatively more recent but still fundamental to the point of vanishing: the idea of the modern society as being governed by bureaucracies that have written rules that are followed by everyone. The rule of law, not of individuals. Bureaucracies are nice when they work because if you look at the written down rules, you have a fairly good idea of how to behave and what to expect from others. It’s a very enticing prospect that is rarely fully experienced.

Huffman doesn’t say as much but this is essentially how we went from fairly common-sense decisions about good governance to free speech fanaticism: not choosing to ban is the absence of arbitrary authority. When you have a site that lets you vote on things it feels like a decision to stop imposing order from the top is making room for democratic order from below.

But this is closer to the kind of majoritarian tyranny that even the architects of the American constitution were worried about. Voting in the 1700s was something that only aristocrats were qualified to do. Leave it to rabble and you would have chaos. That’s why they built a bicameral legislature that originally featured a senate with members appointed by state governments.

It should also be said that one of the oldest laws in the United States is that Congress can’t make laws that specifically target a single individual or organization. That’s why those efforts to defund Planned Parenthood in 2011 were immediately dismissed as unconstitutional. Laws have to apply to everyone equally.

And so what Huffman is presently faced with is a problem of liberal (lowercase L) and modern state governance. How do you write broad laws that classify r/coontown without just saying “I ban r/coontown”?  Unfortunately, this is also the biggest fuel line to the flames of fear that banning even detestable subreddits are a threat to free speech in general. This is, fundamentally, why it even makes sense to argue that banning an outwardly and explicitly racist subreddit can threaten the integrity of other subreddits either in the present or sometime in the future. Laws apply to everyone equally.

So if Reddit wants to get itself out of this paradox, I say dispense with liberalism all-together. At the very least come up with some sort of aspirational progressive vision of what kind of community you want to have and persuade others that they should work to achieve it. This sort of move is the biggest departure that anarchist political theory takes from mainstream liberalism: that communities can agree on the features of a future utopia and govern in the present as if you are already free to live that future utopia. Organizing humans with blanket laws forces you to explain the obvious, namely that hateful people suck and should be persuaded to act otherwise if they wish to remain part of a community that is meaningful to them.

Right now Huffman and the rest of the Reddit administration have come up with some strange and inelegant ways of dealing with the present problem. They make all these dubious distinctions between action and speech; between inciting harm and just abstracting wishing it on people; and lots of blanket “I know it when I see it” sorts of decency rules. Under liberalism redditors would be right to demand very specific descriptions of the “I know it when I see it” kinds of moments.

But if prominent members were to just be upfront in stating what sort of community they would like to see and then acting as if it already existed, discontents would have to persuade admins that they were acting against their own interests and propose a more compelling way to achieve the stated utopia. If they don’t like the utopia at all, then those people can leave for Voat and new users who like that utopia might come to replace them. At the very least, if Reddit were to take this approach, users might actually start answering the question that is at the heart of the matter but is rarely stated in explicit terms: who gets to be a part of the community?

Cross-posted at Cyborgology.

David Banks is a PhD candidate in Rensselaer Polytechnic Institute’s Science and Technology Studies Department. You can follow him on Twitter and Tumblr.

For many Reddit users, these are dark times indeed. With the banning of r/fatpeoplehate and other subreddits that did not curtail harassment and vote brigading, followed more recently by the sudden dismissal of Reddit employees including Victoria Taylor, many users are criticizing the increase in top-down administrative decisions made under the leadership of interim CEO Ellen Pao.  Alongside these criticisms are accusations that the “PC” culture of safe spaces and “social justice warriors” has eroded the ideological foundations of Reddit culture–freedom of speech, democracy, and the right to be offensive under any circumstances. Meanwhile, Reddit’s biggest competitor is having a hard time keeping their servers functioning with the massive influx of traffic.


The abrupt and unexplained dismissal of Victoria Taylor has become a particularly vivid rallying point for disgruntled users. Many moderators set their subreddits to private or restricted submissions, effectively making Reddit unusable and invisible for a vast majority of visitors. “The Blackout” (aka #TheDarkening) lasted from late Thursday (7/2) until Friday afternoon when most subreddits came back online; it is one of several tactics used so far in the “Reddit Revolt.” At this time a petition calling for Ellen Pao to step down is nearing 200,000 supporters.

One of the more confusing elements of the revolt is the target of redditors’ anger. Who is to blame for this perceived assault on liberty and the free exchange of ideas? For now, two seemingly opposed forces are bearing the brunt of accusation. These are Ellen Pao, under the influence of commercial interests, and social justice activists who criticize Reddit for tolerating and perpetuating hateful discourse. No one is speaking up on the cause of Taylor’s dismissal, which has led to speculation that she was fired for refusing to comply with the increasingly commercial motivations of Reddit admins, that she would not relocate from New York to San Francisco, or that she did not sufficiently manage the controversial Jessie Jackson AMA. Without more information, and in the context of other recent changes to Reddit, users alternate between blaming encroaching corporatism or PC freedom police who are finally ruining the internet.

So, how can these two forces both be responsible for the changes taking place on Reddit, and in other media such as television and gaming? Consider that a cornerstone of the Gamer Gate fiasco has been the assertion that market forces, not SJW activism, should determine the content and character of video games. Opposition to greater inclusivity in games, such as more central female, minority, and queer characters, has often been justified through free market rhetoric; the assertion is that men are the primary consumers of games, and that their demographic preferences do – and should – determine content. Any other force driving game design is perceived as ideologically motivated, propagandizing, and an assault on liberty.

If video game production companies are acquiescing to the demands of activists, they have not been forthcoming about it. Instead, they claim to be adapting to a marketplace in which women, people of color, and LGBTQ individuals occupy an ever increasing consumer base. Perhaps the activist/consumer dichotomy is more distracting than useful, given that the voices most critical of capitalism’s ability to turn identity into a commodity are also the ones advocating to see a bit of themselves in their beloved games. Here again, people are caught between wanting to see their values and identities reflected back at them in the media that they love, and coming to terms with what capitalist logics do to those values and identities.

On its face, the simultaneous blame directed at SJWs and commercialization seems at odds. But given the ability of neoliberal late capitalism to commodify identity and the self, and to turn nearly any element of culture into a profitable enterprise, this muddiness is a logical outcome of the contradictions of capitalism that Marx believed would be its downfall. Instead, neoliberalism and identity politics send capitalism into overdrive as the need to colonize ever expanding markets and commodify even the most absurd abstractions turns anti-capitalist ideology into easily packaged products. Rather than disturbing the supposed working-class false consciousness, the contradiction has accounted for it and marketed it back to the very people it exploits. It’s only a matter of time before Walmart starts selling a t-shirt that reads “Social Justice Warrior!” in yellow glitter.

Also central to the Reddit Revolt are discussions of labor and exploitation. Many on Reddit have remarked on the betrayal of moderators by the admins. Mods develop and manage Reddit content on their own time and for no compensation, a service admins rely on for the site to function and be profitable. In exchange, mods have historically been given relative freedom within the subreddits they moderate. Now that this freedom is being restricted or, as in the case with Victoria Taylor, decisions are made at the admin level without consulting or even informing mods, mods and users are taking the opportunity to air more general grievances, like the lack of investment in the site’s infrastructure.

Here is the centerpiece of the Reddit Revolt paradox: what is a redditor relative to the admins, or to the site itself? Redditors perceive themselves as members of a community, or perhaps as customers of the site. In many instances they even see themselves as workers generating content for the site to the benefit of the admins. But redditors are not customers, nor are they simply workers — they are the product.

To complicate this further, the Reddit Revolt requires all of us to grapple with digital and affective labor, and its tendency to blur the categories of workers, products, and consumers. Ellen Pao’s job is not to make Reddit a happy community, it is to sell the attention of redditors to advertisers. And even as users begin to understand that Reddit is less like a community and more like a factory, they seem less clear on their position within this factory. Redditors are not so much customers engaged in a boycott or even laborers on strike, they are products. As products, the only effective protest movement redditors could possibly engage in would be to remove themselves from the market. Hence, the blackout.

But the fact is, Reddit admins can shoulder the brunt of a couple of blackout days. Given how quickly the front page returned to normal it seems unlikely that any sustained movement will take hold. And while they may make promises to users about changes to come, Reddit admins will continue to do what all successful corporate entities require — turn a profit, often at the expense of those who use, make, or even are the product.

It’s to be expected that redditors feel betrayed by the powers that be for undermining the perceived ethos of Reddit as a community in which ideas — any ideas — can be freely exchanged. But there is perhaps a deeper betrayal that has not been articulated in the dominant narrative of the Reddit Revolt. That is the betrayal of western rationalism itself, and the notion that free markets and free speech are two articulations of a deeper, natural order that ultimately works in favor of the masses. The rhetorical relationship between freedom of expression and freedom of markets performs key ideological work for the perpetuation of an American-flavored narrative that capitalism is the great equalizer. While events like the Citizens United Supreme Court case occasionally highlight the absurdity of this argument, it is pervasive and often unseen. That cornerstone of western rationalism that so many redditors love is playing out in ways that they really really do not love. And the rupture will require more than dank memes and mental gymnastics to reconcile.

Cross-posted at Cyborgology.

Britney Summit-Gil is a graduate student in Communication and Media at Rensselaer Polytechnic Institute. She tweets occasionally at @beersandbooks.