Sociological Images

I was waiting for my connecting flight at Chicago O’Hare, and spotted this advertisement on the opposite side of our gate. Close up on the text:

It reads:

“Chicago is the Potawatomi word for onion field. Apparently, the Potawatomis didn’t have a word for global business center.”

This is an example of the use of Indigenous language and imagery that many people wouldn’t think twice about, or find any inherent issues with. But let’s look at this a little deeper:

• The use of past tense. It’s not “The Potawatomis don’t have a word for…” it’s “The Potawatomis didn’t…” Implying that the Potawatomi no longer exist or are using their language.

• The implication that “Indians” and “Global Business Center” aren’t in congruence. Which is assuming that Natives are static, unchanging, and unable to be modern and contemporary. “Potawatomi” and “Onion Field” are fine together, because American society associates Indians with the natural world, plants, animals, etc. But there is definitely not an association between “Potawatomi” and “Global Business”.

But, in reality, of course Potawotomis still exist today, are still speaking their language, and do have a word for Global Business Center (or multiple words…).

Language is constantly evolving, adapting to new technology (remember when google wasn’t a verb?) and community changes.  I remember reading a long time ago in one of my Native studies classes about the Navajo Nation convening a committee to discuss how one would say things like “computer” or “ipod” in Navajo language, in an effort to preserve language and culture and promote the use of Navajo language among the younger generation.

In fact, here’s an awesome video of a guy describing his ipod in Navajo, complete with concepts like “downloading” (there are subtitles/translations):

To imply that Native peoples wouldn’t have the ability to describe a “Global Business Center” reeks of a colonialist perspective (we must “civilize” the savage! show him the ways of capitalism and personal property, for they know not of society!). Native peoples have been trading and communicating “globally” for centuries, long before the arrival of Europeans.

Thanks, Chicago, for giving me one more reason to strongly dislike your airport, because all the canceled flights, lost luggage, overnights in airport hotels, and 10 hour delays (all true stories) weren’t enough.

(Thanks to Hillary for taking the picture, since my sidekick pales in comparison to the iphone)

—————————

Adrienne Keene is a Cherokee doctoral candidate at the Harvard University Graduate School of Education, where she studies access to higher education for Native (American Indian, Alaska Native, and Native Hawaiian) students, as well as the role of sovereignty and self-determination in Native education. In her free time, she blogs about cultural appropriation and use of Indigenous cultures, traditions, languages, and images in popular culture, advertising, and everyday life at Native Appropriations.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Lindsey H. sent in the most recent cover of People magazine and some thoughts about its cover, featuring Sandra Bullock and a child she just adopted.

Putting aside the whole fashion of celebrities collecting multicultural families through adoption (and Bullock’s most recent white-savior role), Lindsey questioned why the child was naked but for some colorful, organic-looking beads.

[It] instantly evoked notions of this child being tribal and foreign and, extending the stereotype, primitive. Based on the cover, I assumed Sandra Bullock had made her “secret” trip to some random country in the Global South where such dark and beaded people are made so she could rescue one of its many poor or sick or whatever other version of the simplified “happy ending” story that the American public tends to eat up.

But here’s the interesting part. The article summary stated that this baby was adopted from New Orleans. He’s not from one of those mysterious, alien, primitive places that are found in, say, Africa. He’s American, just like me and, I presume, the majority of People readers. So why the necklace, the nakedness? Why the subtle references to a tribal background to which this child doubtfully has any direct connection? Is it because People knows that that’s what its audience expects to see? Would the cover have been as eye-catching or interesting to readers if the baby were dressed? And if Sandra Bullock had adopted a white baby from New Orleans, or from anywhere really, would they have represented him in such a way — naked save for a colorful bead necklace?

Good questions, Lindsey. Readers, what say you?

UPDATE:Readers have noted that the necklace was made by the baby’s step-sister (thanks for the info all!). Whether or not this makes the reading of the image ridiculous not continues to be hotly debated in the comments thread…

Charlotte alerted us to a make-up brand called Primitive that makes and sells natural lips sticks, glosses, and pencils.  Describing their company, they write:

The company is drawing on familiar associations of primitiveness with naturalness.  We were natural “for centuries,” but have now somehow graduated from naturalness, such that we need to make a special effort to recapture the simple, intelligent, real, and honest beauty of our foremothers.

So, Primitive romanticizes our primitive past while making a questionable assertion about the relationship between time and naturalness.  In addition, the names of their products locate primitiveness in some parts of the (modern) globe and not others:

The products are named after places that are, almost exclusively, in Africa, Latin America, Asia, and the South Pacific.  In a previous post I introduced the idea of “anachronistic space.”  I wrote: “Catherine MacKinnon coined the term ‘anachronistic space’ to refer to the idea that different parts of the globe represent different historical periods.”  In this case, Primitive is counting on our associating a (romanticized) primitiveness with only some places and not others.  It’s 2010 in Mali and Morocco.  They don’t represent our own past, they represent unique modernities.  And the places left out of these product names — largely North America and Europe — don’t represent the future.  They are not wholly modern societies that have shed their primitive past; they, just like all societies, are a mixture of old and new stitched together to form the present.

For more instances in which anachronistic space appears, see our posts on representing the fashion of the Surma and Mursi tribes and Wild African Cream.

And for more on the social construction of the modern and the primitive, see these posts: “Africans” as props for white femininity, Union Carbide brings modernity to the world, primitive Australia cures modern ills, women as carries of tradition and progress, representing the Middle East, equating modernity with permissiveness, and civilizing the Pueblos.

Martin M. pointed out some ironic happenings in Peru that illustrate the complexities of trying to deal with long-term stereotypes and prejudice. Back in November 2009, the Peruvian government officially apologized for discrimination against AfroPeruvians. So far so good–a step toward acknowledging that AfroPeruvians have suffered both economically and socially because of social attitudes and government policies.

But, of course, long-held stereotypes aren’t that easy to change. Peruvians of African descent have often been portrayed as backward, uncivilized, and possibly cannibalistic.

Just a few days after the government’s apology and declaration that poor treatment and negative stereotypes of this ethnic group needed to end, the newspaper El Comercio began advertising their new section on healthy eating with a TV commercial that draws on all the old stereotypes. The video is in Spanish, but I’m pretty sure you’ll get the gist of it, and I describe it below:

El comercio- Los canibales from Pao Ugaz on Vimeo.

What’s going on here? The mother is mad, not because her younger son ate someone, but because he ate someone who was too fat, and thus not good for them to eat. They need to eat less fattening people to improve their health. She warns him about his cholesterol. The caption says, “You eat healthy, you are healthy.”

According to Reportaje al Perú, the newspaper pulled the spot after receiving complaints and apologized for it.

As with any society with a history of widespread, blatantly racist stereotypes and discrimination, attempting to heal racial wounds will be a very long, painful, and difficult process. It’s one thing to officially apologize. It’s another to convince citizens that prejudice and discrimination are unacceptable and that everyone must play a part in ending them.

See also: El Correo ridicules Quechua speakers in government.

Larry of The Daily Mirror sent in an article that ran in the Los Angeles Times on January 26, 1920. Here are some screencaps of the most interesting sections:

Not surprisingly, civilization means only one thing: assimilation into Anglo culture. The other option? Extinction. How do we know a tribe isn’t civilized? They still live like their “forefathers” did. It’s a theme we see a lot in terms of Native Americans: in order to be authentic (which in this case means “uncivilized”), they must not change any cultural practices. There is an expectation that “real” Indians are culturally frozen in time, as though their cultural practices and lifestyles had not changed throughout history just like every other group’s has.

And also, I’m pretty sure lots of groups have combined elements of two or more religions “without any difficulty or embarrassment,” but whatever.

I’m sure they were, indeed, of immense interest to artists, scientists, and writers (also, physiognomists). And since they are of interest to them, that should definitely be taken into account when we decide what to do with them. Taos still loves Indian art.

Here we learn that civilization spoils American Indians as useful subjects for artistic and scientific study, and also, Indian art is “well worth preserving”:

The “he” referenced in this next part was Cato Sells, Commissioner of Indian Affairs:

So Native American cultural customs are acceptable only to the degree they are compatible with assimilation. And learning to read and write, use a stove or a sewing machine, mean giving up “the Indian life.” Again, modernity cannot be combined with existing cultural practices.

It’s a great example of how Whites felt entirely comfortable discussing what the future of American Indians should be, either romanticizing them as noble savages or insisting on their cultural backwardness, without any sense that Indians themselves might have any ideas on the issue worth paying attention to.

Christina S. sent along a link to the British commercial below for Twingo. There’s a twist ending, so I’ll let you watch it:

Notice that, at the very end, the narrator refers to how “we live in modern times,” meaning that we drive socially responsible cars and tolerate cross-dressing.

The idea embedded in that commercial is: now that we’re “modern,” there is no more prejudice and intolerance. Or, “modern” people are tolerant of social differences. Things like bias, hate, and discrimination are “in the past,” confined to those who are “traditional” or otherwise somehow regressive.

This makes sense to us (and the commercial, therefore, works) because many of us have a model of history that assumes that everything will, inevitably, always get better… or at least not get worse. This is a linear model where the line for “progress” keeps going higher and higher over time.  However things are today, we assume, things must have been worse before.  Thinking like this makes invisible the possibility that people were more tolerant in the past as well as the possibility that we could become increasingly intolerant in the future.  As I wrote in a previous post about cavemen:

There are serious problems with this idea:  (a)  We may stop working to make society better because we assume it will get better anyway (and certainly never get worse) with or without us.  (b) Instead of thinking about what things like gender equality and subordination might look like, we just assume that equality is, well, what we have now and subordination is what they had then.  This makes it less possible to fight against the subordination that exists now by making it difficult to recognize.

History doesn’t move along in a linear or predictable way.  And it certainly doesn’t produce equality just by plodding along.  We need to do the hard work of figuring out what an egalitarian society looks like and how to get there.  Conflating “modernity” with social tolerance makes it seem as though the work is already finished.

UPDATE! Ashleigh V. sent in another Twingo commercial.  This one conflates modernity with sexual permissiveness:

Sociologist Stephanie Coontz, in her acclaimed, fascinating, and fact-dense book, The Way We Never Were, illustrates the way that what is considered “traditional” must be socially constructed. For example, when people say “traditional marriage,” do they mean marriage between a man and his property? Between a man and more than one woman? Is the ideal age for marriage 13, 20 or 27? Is it for love, political maneuvering, survival, babies, or kitchens?  How you answer these questions depends on when, exactly, in history you’re talking about.  (See here for some humorous takes.)

The point: Since all of history is potentially a source of tradition, identifying any given period of time as The Traditional, and therefore deserving of our nostalgia, is arbitrary.

The Daily Show did a great job of illustrating this idea this week: