Tag Archives: media

Social Networking and the National Movement to “Know Your IX”

I absolutely love this photograph of a collage on the wall of an activist in the rather new national movement to hold colleges and universities accountable for sexual assault.  Referencing Title IX and the “bigger picture,” it documents cross-college efforts to use the amendment to ensure that sex crimes on campuses don’t interfere with women’s rights to equal access to education.

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What is exciting is that this is a national movement. The many college names pinned to the board are just some of the schools that have filed, are filing, or will file Title IX complaints with the Office for Civil Rights. “Oxy” is my school.

I’ve been somewhat involved with Oxy’s role in this movement — the credit goes to Drs. Caroline Heldman and Danielle Dirks and the dozens of survivors who, as part of the coalition, have publicly and confidentially shared their stories — but I’ve had the pleasure of talking to journalists about our case.  Regarding the national movement, they often ask me “Why now?”

Why Now?

This is a tough question to answer and, first and foremost, credit goes to the extraordinary people at the center of this fight, such as Annie Clark, Andrea Pino, Dana Bolger, and Alexandra Brodsky at Know Your IX.  As Margaret Mead famously said:

Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it’s the only thing that ever has.

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Importantly, though, the efforts of this small group have been greatly enhanced by the internet and, specifically, social networking sites.  Students (and sometimes faculty, staff, and administrators) are no longer confronting these issues alone.  They are reaching out across campuses and talking with each other; they are teaching each other how to file federal complaints; they are building and sharing templates; they are sharing stories of institutional foot dragging and spin and developing effective resistance and protest strategies.

For example, Annie Clark, who filed federal complaints against the University of North Carolina, helped Profs. Dirks and Heldman at Occidental College file their complaints: “Over the past few months,” she writes:

I have spent countless hours with them on Skype and the phone in order to share information and help the[m] write their complaints. Yet, six months ago, I had never even heard of Occidental College — and many of the 37 women there who filed had not yet heard about Title IX protection against gender discrimination beyond athletics.

These coalitions are creating both activist networks and fast friends. This is a picture of students at Swarthmore (Swat) showing their love for students at Occidental (Oxy). Both campuses filed Title IX complaints on the same day:

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As Prof. Dirks explains, this collaboration is a big deal:

[L]earning the stories of other survivors who are actively pushing their colleges and universities to create safe and equitable learning environments has opened the floodgates of what students now feel empowered to do.

This is all possible, of course, because the internet is still at least a somewhat democratized technology. You and I are equals on the internet, at least in principle.  So we all have the opportunity to produce content.  In contrast, other forms of media — TV, radio, movies, magazines, books — typically offer us only the opportunity to consume.

The activists in this movement have a platform and a megaphone, then, metaphorically speaking.  The technology — and our regulation of it in ways that preserve its democratic nature — is helping enable this movement.  Just as the TV made a huge difference in shifting popular opinion about the Civil Rights Movement.  Accordingly, we need to remember this when corporations fight to own and control the internet and its distribution.  For reasons like this one, we should be fighting back with the goal of making the internet a public utility.  Democracy depends on it.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Brave’s Merida Gets a Disney Make-Over

Cross-posted at VitaminW.

In 2006, The Walt Disney Company bought the computer-animated feature film powerhouse Pixar.  This makes the lead of their most recent movie, Brave (2012), not just a princess, but a Disney Princess.  Merida is having a royal coronation at the Magic Kingdom this morning.

For her coronation, the princess has gotten a good ol’ Disney makeover. On the left is the new Merida (“after”) and on the right is the old Merida (“before”).  Notice any differences?

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Here are the ones that I see:

  • Sleeker, longer hair with more body
  • Larger eyes and more arched eyebrows
  • Plumper lips
  • A thinner waist
  • More obvious breasts
  • An overall more adult and less adolescent appearance
  • Lighter colored and more ornate gown
  • A lower cut neckline that also shows more shoulder
  • Perhaps most symbolically, her bow and arrows have disappeared in favor of a fashionable belt

We’ll add the new Merida to our always-growing collection of toys and logos that have received sexy make-overs.  You’ll love this Pinterest page, featuring a surprising set of newly sexy characters, including Care Bears, Polly Pockets, Holly Hobbie, Strawberry Shortcake, My Little Pony, Rainbow Brite, Cabbage Patch Kids, Dora the Explorer, and the Trollz.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Law & Order Quotes Actual Rape Survivors, Calls Itself “Fiction”

Cross-posted at The Huffington Post.

This is a new one.

Some of you may know that there is a wave of colleges and universities filing complaints with the Office for Civil Rights, claiming that their institutions are failing to protect women from sexual assault. This (first) wave includes Amherst, Yale, the University of North Carolina, Swarthmore, and Occidental among others.

Well, last night many of the details of the stories of the students whose cases have been mishandled — right down to exact quotes from their lives — found themselves in an episode of Law&Order SVU.  They didn’t ask for permission, offer a “consulting” fee, or even warn them that it was coming.

This just leaves a this-is-so-wrong-I-don’t-even-know icky feeling in the pit of my gut.   I know that Law & Order has been ripping stories from the headlines for three decades, but it stuns me that it can claim to be fiction and not compensate the real women who’s lives are clearly and unequivocally depicted in this show.

Let me put this in stark terms: Law & Order is brazenly capitalizing on the pain and trauma of young women and not only failing to compensate them for stealing their stories, but actually denying that they exist by claiming that the “story is fictional and does not depict any actual person or event.”  Stunning.

Alexandra Brodsky, a survivor who filed the complaints against Yale, told Jezebel:

The SVU episode strikes me as an extreme example of the risk of going public as a survivor: your story is no longer your own.

I’ve not seen a more obvious example of this fact.

The teaser for the episode, plus a list of 15 ways the episode copied real life, collected by Katie J.M. Baker at Jezebel, is after the jump.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Marijuana: A Short History of Changes in Law and Public Opinion

A guiding principle driving the sociological understanding and analysis of deviance is the recognition that behaviors themselves are not inherently deviant; rather it is the social perceptions and reactions to a behavior that makes a particular behavior deviant.  This explains why opinions and attitudes towards different forms of supposedly deviant behaviors regularly change.  A notable change in one type of deviance, using marijuana, is revealed in a report compiled by the Pew Research Center.

According to David F. Musto, a century ago marijuana was an obscure drug used almost exclusively by Hispanics in the Southwest.  Its limited association with this ethnic group is largely why marijuana initially became illegal.  With the onset of the Great Depression, both federal and state governments sought ways to expel nonwhites from the country as their cheap labor was no longer necessary.  Making one of this group’s pastimes illegal was a way to stigmatize Hispanics and rally public support for a population transfer.  With a populace stirred into a moral panic by racism, nativism and propaganda movies like Reefer Madness, there was little resistance to the 1937 Marijuana Tax Act which effectively made cannibas illegal.

In the 1960s marijuana experienced a cultural comeback when it became the drug of choice for baby-boomers who saw the drug as a safer alternative to the alcohol and methamphetamine that plagued their parents’ generation.  Marijuana was even legal for a brief period after the Supreme Court found the 1937 marijuana act unconstitutional.  However, because of widespread concern that drugs were corrupting the moral fabric of America’s youth, in 1970 marijuana was one of many drugs outlawed by President Nixon’s Comprehensive Drug Abuse Prevention and Control Act.  Interestingly, marijuana was the only drug targeted by this act that did not include a medical exception.  In the 1980s, President Reagan increased penalties for breaking drug laws, and subsequently the prison population in the United States swelled to a size seemingly unimaginable in a wealthy democracy.

The graph below from PEW’s report captures how federal action came during times of heightened public support to make marijuana illegal.

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Yet, the graph also captures how in the early 1990s, support for the legalization of marijuana started to increase.  According to the PEW report, around this time California pioneered using the drug for medicinal purposes; seventeen other states (including D.C.) have since followed California’s lead while six other states decriminalized possession of small amounts.  In 2012, citizens in Colorado and Oregon voted to completely legalize marijuana despite federal law.  This relaxing and even elimination of marijuana laws mirrors favorable opinions of marijuana and growing support for its legalization.

It is difficult to tell if legalization, medical or otherwise, drives public opinion or vice-versa.  Regardless, an especially noteworthy finding of the PEW report is that right now, more than half of the United States’ citizens think marijuana should be legal.  Sociologists always take interest when trend lines cross in public opinion polls because the threshold is especially important in a majority-rule democracy; and the PEW report finds for the first time in the history of the poll, a majority of U.S. citizens support marijuana legalization.

This historical research data on opinions about marijuana reveals how definitions of deviance, and in many cases the ways those definitions are incorporated into the legal system, grow out of shared social perceptions.  Although there have been some notable genetic and cultivation advances, marijuana has changed relatively little in the last forty years; yet our perceptions of this drug (and therefore its definitions of use as deviant) regularly evolve and we can expect opinions, and therefore our laws, to further change in the future.

Jason Eastman is an Assistant Professor of Sociology at Coastal Carolina University who researches how culture and identity influence social inequalities.

Animal Abuse, Oil Leaks, and the Freedom of the Press

Cross-posted at PolicyMic and The Huffington Post.

2We all-too-often take for granted that photographs like this one, revealing the impact of an oil pipeline leak on Mayflower, Arkansas, will be able to inform us about the state of the world. In fact, such images are taken by actual human photojournalists whose rights of access are protected by the First Amendment establishing the freedom of the press.

This is a real thorn in the side of both corporations and governments that might prefer to control media’s access to embarrassing or illegal activities.  So, often they try to strong arm journalists, co-opt local officials, or pass (likely illegal) legislation designed to protect them from the free press’ gaze.  Here are two current examples.

First, Mother Jones reports that Exxon officials are making efforts to limit reporter access to the oil pipeline leak in Mayflower, Arkansas.  This is happening in at least two ways.  First, Exxon representatives and local law enforcement are blocking journalists from accessing the spill site, threatening  ”arrest for criminal trespass.”  Second, BoingBoing reports that the Federal Aviation Administration (FAA) has instituted a temporary “no-fly zone” in the area of the spill.  Here’s a screenshot from the FAA’s website:

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Second, in the last two years Americans have shuddered in response to the release of undercover video revealing the abuse of animals on industrial farms and the torture of Tennessee Walking horses.  These have resulted in convictions, but they’ve also raised the hackles of the agricultural industry.  The New York Times reports that, in an effort to limit their risk, they’ve sponsored bills (proposed or enacted in about a dozen state legislatures) making it illegal to videotape animals on their property without their permission and requiring all prospective employees to reveal associations with animal rights groups.

These examples remind us how important it is that journalists have the freedom to do their job.  They also remind us that we must vigilantly protect that freedom.  Corporations, and governments too, have an incentive to limit the freedom of the press.  These are powerful entities, often in cahoots, that can and will ignore the First Amendment when they can get away with it.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Men-are-People and Women-are-Women: The Obituary Edition

“You just have to be cheerful about it and not get upset when you get insulted,” said rocket scientist Yvonne Brill.

She must be chuckling in heaven, because her obituary at the New York Times made the common mistake of making her femaleness and femininity a central part of their retrospective.  After objections, NYT corrected the obit.  Here are the tracked changes, courtesy of NewsDiffs:

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At Feministe, Caperton offers a nice discussion of this phenomenon and draws our attention to the Finkbeiner Test, named after journalist Ann Finkbeiner.  Inspired by the Bechdel Test for movies, the Finkbeiner Test is used to judge whether stories about women focus excessively on the fact that they are women.  To pass the test, the story cannot mention:

  • The fact that she’s a woman
  • Her husband’s job
  • Her child care arrangements
  • How she nurtures her underlings
  • How she was taken aback by the competitiveness in her field
  • How she’s such a role model for other women
  • How she’s the “first woman to…”

Awesome.

We’ve documented lots of instances of the men-are-people and women-are-women phenomenon.  It’s no wonder it shows up in obituaries too.  I’m glad that we’re becoming sensitive enough to the issue to notice it and that institutions like the NYT are responsive enough to change the most egregious examples of it.  Next step: prevention.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

This is What Rape Culture Looks Like

Re-posted to add to the discussion about sexual assault in the aftermath of the Steubenville rape trial, the Senate hearing on rape and harassment in the military, and the controversy at Occidental College.

This screenshot of the front page of The Sun is an excellent example of the eroticization of violence against women and our insistent denial of it:

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The article is a condemnation of a video game in which the goal is to rape a mother and her two daughters (and force them to have abortions if they get pregnant).   They call the game “sick” and “shocking,” but also include a huge picture of the virtual rape victim sexily stripping down to her underwear.  Twisty, at I Blame the Patriarchy, observes that “…in terms of screen real estate, titillating images take up more space on the Sun’s web page than actual copy…”

Notice, also, the “related story” about a girl murdered who had reported rape threats and then, to the right of that, a dating advertisement featuring a couple of girls making bedroom eyes at the viewer.

This is what rape culture looks like: a story about a video game that encourages players to rape and otherwise torture women and girls, alongside titillating images from that very game; a story about a ”girl” who had actually been murdered, alongside a photo of her looking invitingly into the camera; and a dating website.  With this material like this, we learn that sex, violence, and women aren’t separate concepts.  Instead of learning to think about sex, violence, and women, we learn to think about, and fantasize about, sexviolencewomen.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Women in Hollywood: Underrepresented On the Screen and Behind the Scenes

The Geena Davis Institute on Gender in Media has released several research reports detailing gender inequalities in Hollywood, both in front of and behind the camera.

To get a sense of how men and women are portrayed on the large and small screen, researchers analyzed 11,927 speaking parts from three sources: 129 top-grossing family films (rated PG-13 or lower) released from 2006 to 2011, 275 prime-time programs from 2012 (from 10 broadcast and cable channels), and 36 kids’ programs that aired on PBS, Nickelodeon, or Disney in 2011. The analysis indicated that women are underrepresented as characters in speaking roles, as well as narrators:

gender characters

However, gender differences in representation aren’t just about who is on the screen; it matters how they’re depicted, too. Female characters in the sample were more likely to be sexualized, including factors such as sexy clothing, exposed skin, and having their attractiveness specifically referenced by another character:

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Men and women were also depicted differently in the workplace. In the sample, few female characters were presented in high-level positions within their occupations:

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What about behind the scenes? Researchers associated with the institute looked at the gender breakdown of those employed in behind-the-scenes jobs (writers, directors, producers, etc.) in Hollywood as well. Unsurprisingly, the results indicate that women remain significantly underrepresented in these positions.

According to their analysis of the 250 highest-grossing films in the U.S. in 2012, women held just 18% of these positions. In fact, women’s representation in these behind-the-scenes roles has been basically stagnant for over a decade:

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There’s significant variation behind the scenes as well. Women made up a quarter of producers and one in five editors, but only 9% of directors and 2% of cinematographers:

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Women hold a larger proportion of behind-the-scenes roles in broadcast television than in the film industry. Looking at a randomly-selected episode of every drama, comedy, or reality show that aired during prime time in the 2011-2012 season, 26% of these roles went to women:

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Again we see wide variation in the different behind-the-scenes jobs. Women are much more likely to be producers than directors in the sampled episodes, and only 4% of directors of photography were women. And while the percent of female creators and writers for prime time TV shows jumped in 2011-2012, less than a third of either position was held by women:

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For more on representations in Hollywood, see our earlier posts on race and gender in films and Anita Sarkeesian applying the Bechdel test to the 2012 Oscar Best Picture nominees.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.