gender: prejudice/discrimination

Sociologists are interested in the workings of power. How is inequality produced and sustained? What discursive and institutional forces uphold it? How are obvious injustices made invisible or legitimized? Why is it so hard to change hearts, minds, and societies?

How does all this work?

Earlier this month, a sliver of insight was posted. It’s a clip of a speech by Anita Sarkeesian in which she reveals what it’s like for one person to be the target of sustained, online harassment.

In 2009, Sarkeesian launched Feminist Frequency, a series of web logs in which she made feminist arguments about representation of women in pop culture. In 2012, she launched a kickstarter to fund an ambitious plan to analyze the representation of women in video games. This drew the attention of gamers who opposed her project on principle and thus began an onslaught of abuse: daily insults and threats of rape and murder, photoshop harassment, bomb threats, and a video game in which her face can be beaten bloody, just to mention a few examples. Last fall she canceled a speech at Utah State University because someone threatened to commit “the deadliest school shooting in American history” if she went on. It’s been brutal and it’s never stopped.

So, is this power at work? Has she been silenced? And has her larger project – awareness of sexism and misogyny in video games – been harmed?

I’m not sure.

As an individual, Sarkeesian has continued to speak out about the issue, but how she does so and with what frequency has been aggressively curtailed by the harassment. In the four-and-a-half minute clip, with the theme “What I Couldn’t Say,” she talks about how the harassment has changed how she engages with the public. I offer some tidbits below, but here’s the full clip:

She explains:

I rarely feel comfortable speaking spontaneously in public spaces, I’m intentional and careful about the  media interviews I do, I decline  most invitations to be on podcasts or web shows, I carefully consider the wording of every tweet to make sure it is clear and can’t be misconstrued. Over the last several years, I’ve become hypervigilant. My life, my words, and my actions are placed under a magnifying glass. Every day I see my words scrutinized, twisted, and distorted by thousands of men hell bent on destroying and silencing me.

How she gets her message across has been affected as well:

[I cant’ say] anything funny… I almost never make jokes anymore on YouTube… I don’t do it because viewers often interpret humor and sarcasm as ignorance… You would not believe how often jokes are taken as proof that I don’t know what I’m talking about… even when those jokes rely on a deep knowledge of the source material.

And she feels that, above all, she’s not allowed to talk about the harm that her harassers are doing:

I don’t’ get to publicly express sadness, or rage, or exhaustion, or anxiety, or depression… I don’t get to express feelings of fear or how tiring it is to be constantly vigilant of my physical and digital surroundings… In our society, women are not allowed to express feelings without being characterized as hysterical, erratic bitchy, highly emotional, or overly sensitive. Our experiences of insecurity, doubt, anger, or sadness are all policed and often used against us.

A youtube search for the video reveals a slew of anti-Sarkeesian responses were published within days.

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Sarkeesian’s revelations put an inspiring human face on the sacrifice individuals make to fight-the-good-fight, but also reveal that, in some ways, her harassers are winning.

That said, their grotesque display of misogyny has raised Sarkeesian’s profile and drawn attention to and legitimized her project and her message. That original kickstarter? The original call was for $6,000. Her supporters donated almost $159,000. The feminist backlash to the misogynist backlash was swift and monied.

Ever since, the abuse she’s suffered as an individual has made the issue of both sexism in video games and online harassment more visible. Her pain may have been good for the visibility of the movement. I wonder, though, what message it sends to other women and men who want to pursue similar social justice initiatives. It is a cautionary tale that may dampen others’ willingness to fight.

The battle is real. The gamers who oppose Sarkeesian and what she stands for have succeeded in quieting, if not silencing her and have probably discouraged others from entering the fray. But Sarkeesian’s cause and the problem of gamer misogyny is more visible than ever. The fight goes on.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A new study led by philosopher Sarah-Jane Leslie challenges the idea that women are underrepresented in STEM fields. They first note that there are some STEM fields where women do well (they are 54% of molecular biologists, for example) and some humanities fields where they don’t (they are only 31% of philosophers). Something else, they gathered, must be going on.

They had a hunch. They asked 1,820 U.S. academics what it took to be successful in their field. They were particularly interested in answers that suggested hard work and ones that invoked brilliance.

Their results showed a clear relationship between the presence of women in a field and the assumption that success required brilliance.  The downward sloping line represents the proportion of female PhDs in stem fields (top) and social science and humanities fields (bottom) as they become increasingly associated with brilliance:

Interviewed at Huffington Post, Leslie says:

Cultural associations link men, but not women, with raw intellectual brilliance… consider, for example, how difficult it is to think of even a single pop-cultural portrayal of a woman who displays that same special spark of innate, unschooled genius as Sherlock Holmes or Dr. House from the show “House M.D.,” or Will Hunting from the movie “Good Will Hunting.”

In contrast, accomplished women are often portrayed as very hard working (and often having given up on marriage and children, I’ll add). She continues:

In this way, women’s accomplishments are seen as grounded in long hours, poring over books, rather than in some special raw effortless brilliance.

They extended their findings to race, testing whether the relationship held for African Americans, another group often stereotyped as less intelligent, and Asians, a group that attracts the opposite stereotype. As hypothesized, they found the relationship for the first group, but not the second (note the truncated y-axis).

The long term solution to this problem, of course, is to end white and Asian men’s claim on brilliance. In the meantime, the research team suggests, it may be a good idea to stop talking about some fields as if they’re the rightful home of the naturally brilliant and start advocating hard work for everyone.

Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Not surprisingly, the new interactive chart Gendered Language in Teacher Reviews has been the subject of a lot of conversation among sociologists, especially those of us who study gender. For example, it reminded C.J. of an ongoing conversation she and a former Colorado College colleague repeatedly had about teaching evaluations. Comparing his evaluations to C.J.’s, he noted that students would criticize C.J. for the same teaching practices and behaviors that seemed to earn him praise: being tough, while caring about learning.

We’ve long known that student evaluations of teaching are biased. A recent experiment made headlines when Adam Driscoll and Andrea Hunt found that professors teaching online received dramatically different evaluation scores depending upon whether students thought the professor was a man or a woman; students rated male-identified instructors significantly higher than female identified instructors, regardless of the instructor’s actual gender.

Schmidt’s interactive chart provides a bit more information about exactly what students are saying when evaluating their professors in gendered ways. Thus far, most commentaries have focused on the fact that men are more likely to be seen as “geniuses,” “brilliant,” and “funny,” while women, as C.J. discovered, are more likely to be seen as “bossy,” “mean,” “pushy.”

These discrepancies are important, but in this post, we’ve used the tool to shed light on some forms of gendered workplace inequality that have received less attention: (1) comments concerning physical appearance, (2) comments related to messiness and organization, and (3) comments related to emotional (as opposed to intellectual) work performed by professors.

Physical Appearance

The results from Schmidt’s chart are not universally “bad” or “worse” for women. For instance, the results for students referring to professors as “hot” and “attractive” are actually mixed. Further, in some fields of study, women are more likely to receive “positive” appearance-based evaluations while, in other fields, men are more likely to receive these evaluations.

A closer examination, however, reveals an interesting pattern. Here is a list of the fields in which women are more likely to be referred to as “hot” or “attractive”: Criminal Justice, Engineering, Political Science, Business, Computer Science, Physics, Economics, and Accounting. And here is a list of fields in which men are more likely to receive these evaluations: Philosophy, English, Anthropology, Fine Arts, Languages, and Sociology.

Notice anything suspicious? Men are sexualized when they teach in fields culturally associated with “femininity” and women are sexualized when they teach in fields culturally associated with “masculinity.”

Part of this is certainly due to gender segregation in fields of study. There are simply more men in engineering and physics courses. Assuming most students are heterosexual, women teaching in these fields might be more likely to be objectified. Similarly, men teaching in female-dominated fields have a higher likelihood of being evaluated as “hot” because there are more women there to evaluate them. (For more on this, see Philip Cohen’s breakdown of gender segregation in college majors.)

Nonetheless, it is important to note that sexual objectification works differently when it’s aimed at men versus women. Women, but not men, are systematically sexualized in ways that work to symbolically undermine their authority. (This is why “mothers,” “mature,” “boss,” and “teacher” are among men’s top category searches on many online pornography sites.) And, women are more harshly criticized for failing to meet normative appearance expectations. Schmidt’s chart lends support to this interpretation as women professors are also almost universally more likely to be referred to as “ugly,” “hideous,” and “nasty.”

Level of (Dis)Organization

Christin and Kjerstin are beginning a new research project designed to evaluate whether students assess disorganized or “absent-minded” professors (e.g., messy offices, chalk on their clothing, disheveled appearances) differently depending on gender. Schmidt’s interactive chart foreshadows what they might find. Consider the following: women are more likely to be described as “unprepared,” “late,” and “scattered.” These are characteristics we teach little girls to avoid, while urging them to be prepared, organized, and neat. (Case in point: Karin Martin’s research on gender and bodies in preschool shows that boys’ bodies are less disciplined than girls’.)

In short, we hold men and women to different organizational and self-presentation standards. Consequently, women, but not men, are held accountable when they are perceived to be unprepared or messy. Emphasizing this greater scrutiny of women’s organization and professionalism is the finding that women are more likely than men to be described as either “professional” or “unprofessional,” and either “organized” or “disorganized.”

Emotional Labor

Finally, emotional (rather than intellectual) terms are used more often in women’s evaluations than men’s. Whether mean, kind, caring or rude, students are more likely to comment on these qualities when women are the ones doing the teaching. When women professors receive praise for being “caring,” “compassionate,” “nice,” and “understanding,” this is also a not-so-subtle way of telling them that they should exhibit these qualities. Thus, men may receive fewer comments related to this type of emotion work because students do not expect them to be doing it in the first place. But this emotional work isn’t just “more” work, it’s impossible work because of the competence/likeability tradeoff women face.

There are all sorts of things that are left out of this quick and dirty analysis (race, class, course topic, type of institution, etc.), but it does suggest we begin to question the ways teaching evaluations may systematically advantage some over others. Moreover, if certain groups—for instance, women and scholars of color (and female scholars of color)—are more likely to be in jobs at which teaching evaluations matter more for tenure and promotion, then unfair and biased evaluations may exacerbate inequality within the academy.

Cross-posted at Girl w/ Pen.

Girls do more chores than boys and are less likely to get an allowance in exchange for their work. When they do, they are paid less.

Research projects on children’s time use find that boys do 43 to 46 minutes of housework for every hour that girls do. When asked to list the chores they do, girls list 42 percent more chores than boys. Girls are as likely as boys to participate in outside chores and more likely to clean their own rooms, help prepare meals, and care for sibling and pets; the only thing boys report doing more often than girls is basic housecleaning.

Another study by the children’s magazine Highlights confirmed the finding: 73 percent of their girl readers reported being assigned routine chores, compared to 65 percent of their boy readers. Girls spend more time on chores than they do playing; the opposite is true for boys.

Not only are girls more likely to be asked to help out around the house, they are less likely to get paid. The Michigan study found that boys are 15 percent more likely than girls to get an allowance for the chores they do. And when they do get paid, they get a lower wage than their brothers. Male babysitters get paid $0.50 more an hour than females. Girls do 35 percent more work than boys, but bring home only $0.73 cents on boys’ dollar.

The gender pay gap starts early.

Cross-posted at Pacific Standard and Business Insider.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

New Orleans has been celebrating Mardi Gras since the 1730s, but it took a hundred years before we began to see street processions. The first processions included carriages and maskers on horseback. The first floats appeared in 1856 with the formation of the first Mardi Gras krewe: the Mistick Krewe of Comus.

Enslaved and free men of color lit the spectacles with torches. They were called the flambeaux. Eventually, they became a spectacle in themselves, dancing for tips. In the historical engravings below from the 1850s, you can see men carrying torches among the festivities (Wikimedia Commons and the Library of Congress).

Today, there are still flambeaux carriers and they are still mostly black men. The tradition has been passed down through generations. In a video at nola.com, a flambeaux carrier named Herbert Long explains that he’s been carrying flame for 18 years, following “generations of [his] family.” Today they carry kerosene torches.

Unbelievably, the first white men to carry the flambeaux appeared in a parade in 1969, something I’ll talk about tomorrow. Meanwhile, the first ever all-female flambeaux troupe, the glambeaux, debuted in 2014.

Today, the flambeaux are a beloved part of the Mardi Gras tradition, good and bad.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I am so grateful to reader Emma Farais for recommending that I look into the history of the leotard. It was invented by — well, who else — Jules Léotard.

Born in 1842, Jules grew up to be an acrobat. He is credited with inventing trapeze and performed with French circuses. He invented and then began performing in leotards and he was a big hit. According to the Victoria and Albert Museum:

The original leotard was an all-in-one knitted suit. It allowed freedom of movement, was relatively aerodynamic and there was no danger of a flapping garment becoming entangled with the ropes. Even more importantly, it showed off his physique to its best advantage.

He was a huge hit with the ladies. Alas, he died at age 28. Or 32, depending on the source.

But the leotard lived on. Leotards were adapted for women, but the form and function were similar. Think vintage muscle men and women.

Jules Léotard, circa 1850 (left); Circus Strong Man and Women, circa 1890 (right):

Male dancers, athletes, and thespians wore leotards well into the ’70s. Eventually, though, disco happened. Disco fashion emphasized leotard fashion for women, as this roller disco shot from the Empire Rollerdome reveals:

(Oh, to be a roller disco queen in ’70s Brooklyn. Sigh.)

Men eventually abandoned leotards as they became increasingly popular with women. We saw the same pattern, of course, with high heels and cheerleading: male flight from feminizing fashions and activities. The more women wore leotards, the less men wore them. Eventually, companies stopped making leotards for men altogether.

To the disappointment of all the (het) ladies, I’m sure.

Today, a Google Image search for leotard returns all ladies. Mostly girls, in fact. Not a guy in the bunch:

I can only think of two arenas in which leotards for men still hold sway: wrestling and professional weight lifting. And, now I guess we know why.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Carol Adams has written extensively on the sexual politics of meat, arguing that women and other animals are both sexualized and commodified to facilitate their consumption (both figuratively and literally) by those in power. One result has been the feminization of veganism and vegetarianism. This has the effect of delegitimizing, devaluing, and defanging veganism as a social movement.

This process works within the vegan movement as well, with an open embracing of veganism as inherently feminized and sexualized. This works to undermine a movement (that is comprised mostly of women) and repackage it for a patriarchal society. Instead of strong, political collective of women, we have yet another demographic of sexually available individual women who exist for male consumption.

Take a browse through vegan cookbooks on Amazon, for instance, and the theme of “sexy veganism” that emerges is unmistakable:

Oftentimes, veganism is presented as a means of achieving idealized body types.  These books are mostly geared to a female audience, as society values women primarily as sexual resources for men and women have internalized these gender norms.  Many of these books bank on the power of thin privilege, sizism, and stereotypes about female competition for male attention to shame women into purchasing.

To reach a male audience, authors have to draw on a notion of “authentic masculinity” to make a highly feminized concept palatable to a patriarchal society where all that is feminine is scorned.  Some have referred to this trend as “heganism.”  The idea is to protect male superiority by unnecessarily gendering veganism into veganism for girls and veganism for boys.  For the boys, we have to appeal to “real” manhood.

Meat Is For Pussies (A How-to Guide for Dudes Who Want to Get Fit, Kick Ass and Take Names) appears to be out of print, but there are others:

Then there is the popular tactic of turning women into consumable objects in the exact same way that meat industries do.  Animal rights groups recruit “lettuce ladies” or “cabbage chicks” dressed as vegetables to interact with the public.  PETA routinely has nude women pose in and among vegetables to convey the idea that women are sexy food.  Vegan pinup sites and strip joints also feed into this notion.  Essentially, it is the co-optation and erosion of a women’s movement.  Instead of empowering women on behalf of animals, these approaches disempower women on behalf of men.

In sum, vegan feminism argues that women and non-human animals are commodified and sexualized objects offered up for the pleasurable consumption of those in power. In this way, both women and other animals are oppressed under capitalist patriarchy. When the vegan movement sexualizes and feminizes vegan food, or replicates the woman-as-food trope, it fails to acknowledge this important connection and ultimately serves to repackage potentially threatening feminist collective action in a way that is palatable to patriarchy.

Corey Lee Wrenn is a Council Member for the American Sociological Association’s Animals & Society section.  This section facilitates improved sociological inquiry into issues concerning nonhuman animals and is currently seeking members. Membership is $5-$10; you must be a member of the ASA to join.

Cross-posted at the Vegan Feminist Network and Pacific Standard.

At the end of last year, Robin Thicke took a lot of heat for both the lyrics of his song, Blurred Lines, and the accompanying video.  The latter is a transparent  instance of a very common strategy for making men look cool: surround them with beautiful and preferably naked women.

It seems especially effective if the men in question act unimpressed and unaffected by, or even disinterested in, the women around them. It’s as if they are trying to say, “I am so accustomed to having access to beautiful, naked women, I don’t even notice that they’re there anymore.”  Or, to be more vulgar about it, “I get so much pussy, I’ve become immune.” The video for Blurred Lines was particularly egregious, but we see this all the time.  Here’s a couple more examples, featuring R. Kelly and Robert Pattinson in Details.

This is all to introduce a satirical series of photographs featuring performance artist Nate Hill who, on the mission page of his “trophy scarves” website (NSFW), writes: “I wear white women for status and power.”  And, so, he does.  Visit his NSFW site (and thanks to German C. for sending the link).

Hill brilliantly combines a tradition of conspicuous consumption – think mink stoles – with a contemporary matrix of domination in which white women are status symbols for men of all races. It’s not irrelevant that he’s African-American and the women he chooses are white and, yes, it is about power. We know it is because women do it too and, when they do, they use women below them in the racial hierarchy.  Remember Gwen Stefani’s harajuku girls?  And consider this FHM Philippines cover:

I’m amazed at the ubiquitousness of this type of imagery and our willingness  to take it for granted that this is just what our visual landscape looks like.  It’s social inequality unapologetically laid bare.  We’re used to it.

Somebody — lots of somebodies, I guess — sat around the room and thought, “Yeah, there’s nothing pathetic or problematic about a music video in which absolutely nothing happens except naked women are used to prop up our singer’s masculinity.”  The optimist in me wants to think that it’s far too obvious, so much so that the producers and participants would be embarrassed by it. Or, at least, there’d be a modicum of sensitivity to the decades of feminist activism around the sexual objectification of women.

The cynic in me recognizes that white supremacy and the dehumanization of women are alive and well.  I’m glad Hill is here to help me laugh about it, even if nervously. Gallows humor, y’all.  Sometimes it’s all we got.

Cross-posted at Jezebel.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.