Sociological Images

For the last week of December, we’re re-posting some of our favorite posts from 2012.  Cross-posted at Jezebel, the Huffington Post, and Pacific Standard.

You might be surprised to learn that at its inception in the mid-1800s cheerleading was an all-male sport.  Characterized by gymnastics, stunts, and crowd leadership, cheerleading was considered equivalent in prestige to an American flagship of masculinity, football.  As the editors of Nation saw it in 1911:

…the reputation of having been a valiant “cheer-leader” is one of the most valuable things a boy can take away from college.  As a title to promotion in professional or public life, it ranks hardly second to that of having been a quarterback.*

Indeed, cheerleading helped launch the political careers of three U.S. Presidents.  Dwight D. Eisenhower, Franklin Roosevelt, and Ronald Reagan were cheerleaders. Actor Jimmy Stewart was head cheerleader at Princeton. Republican leader Tom DeLay was a noted cheerleader at the University of Mississippi.

Women were mostly excluded from cheerleading until the 1930s. An early opportunity to join squads appeared when large numbers of men were deployed to fight World War I, leaving open spots that women were happy to fill.

When the men returned from war there was an effort to push women back out of cheerleading (some schools even banned female cheerleaders).  The battle over whether women should be cheerleaders would go on for several decades.  Argued one opponent in 1938:

[Women cheerleaders] frequently became too masculine for their own good… we find the development of loud, raucous voices… and the consequent development of slang and profanity by their necessary association with [male] squad members…**

Cheerleading was too masculine for women!  Ultimately the effort to preserve cheer as an man-only activity was unsuccessful.  With a second mass deployment of men during World War II, women cheerleaders were here to stay.

The presence of women changed how people thought about cheering.  Because women were stereotyped as cute instead of “valiant,” the reputation of cheerleaders changed.  Instead of a pursuit that “ranks hardly second” to quarterbacking, cheerleading’s association with women led to its trivialization.  By the 1950s, the ideal cheerleader was no longer a strong athlete with leadership skills, it was someone with “manners, cheerfulness, and good disposition.”  In response, boys pretty much bowed out of cheerleading altogether. By the 1960s, men and megaphones had been mostly replaced by perky co-eds and pom-poms:

Cheerleading in the sixties consisted of cutesy chants, big smiles and revealing uniforms.  There were no gymnastic tumbling runs.  No complicated stunting.  Never any injuries.  About the most athletic thing sixties cheerleaders did was a cartwheel followed by the splits.***

Cheerleading was transformed.

Of course, it’s not this way anymore.  Cultural changes in gender norms continued to affect cheerleading. Now cheerleaders, still mostly women, pride themselves in being both athletic and spirited, a blending of masculine and feminine traits that is now considered ideal for women.

See also race and the changing shape of cheerleading and the amazing disappearing cheerleading outfit.

Citations after the jump:

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Cross-posted at the Huffington Post.

Anjan G. alerted us to an internet sensation, Liu Xianping.  The 72-year-old man in China has risen to fame modeling for his granddaughter’s clothing store, Yuekou.  The clothes are designed for teen girls:

Commenters are impressed about Xianping’s ability to “pull off” this look, but we shouldn’t be surprised.  Masculinity and femininity are performances, and so is age.

While the idea that we “do” gender is no surprise to SocImages regulars, we also “do” age.  In fact, we have a whole language of age-related chiding that serves to get people to act in ways that we deem suitable for their number of birthdays.  Says sociologist Cheryl Laz:

“Act your age. You’re a big kid now,” we say to children to encourage independence (or obedience). “Act your age. Stop being so childish,” we say to other adults when we think they are being irresponsible. “Act your age; you’re not as young as you used to be,” we say to an old person pursuing “youthful” activities.

Age, then, is a social construction too.

Accordingly, Xianping’s adoption of feminine poses and youthful fashions makes him appear younger and more girly than we think he should look.  Importantly, though, he is no more an actor here than are actual teen girls.  Each is playing a part, both with the help of just the right accessories.

Cross-posted at Jezebel.

I’d love to draw your attention to The Alpha Parent, a blogger who has collected a stunningly large number of toys for infants that socialize girls into preening.

Some of the toys are purses/handbags that include pretend lipsticks, compacts, and related-items.  My Pretty Learning Purse includes a toy lipstick and a mirror; the Gund Sesame Street Abbey Purse Playset includes a compact and powder brush; the Lilliputiens Liz Handbag includes an eye shadow compact complete with three shades and an eye shadow applicator.

In case you were wondering if this is a trend, the Alpha Parent post features TWENTY examples of purses filled with such toys.

It also includes examples of toy make-up bags. Going beyond the inclusion of beauty items in infant toys, these make beauty the sole point of the play.  Here are just two of the NINE pretend make-up bags she collected, the Oskar & Ellen Beauty Box and the Learn and Go Make-Up and Go:

Since we wouldn’t want a baby to miss the point, companies also produce and sell vanities for infants. The Alpha Parent’s post included FOUR; here’s two, the Perfectly Pink Tummy Time Vanity Mirror and the Fisher Price Laugh and Learn Magical Musical Mirror:

The Alpha Parent goes on to cover real nail polish made for infants, beauty-themed clothes for little girls, and a common category of dress up: beautician outfits.  I counted a surprising ELEVEN of these:

The latter reverses into a nurse’s uniform.

The Alpha Parent concludes:

Makeup toys prime girls for a lifetime of chasing rigid norms of physical attractiveness through the consumption of cosmetics and fashionable accessories.

They are also generally non-sex-transferable, meaning that parents are often loath to allow their boys to play with girl toys.  Gendered toys, then, increase the rate of toy purchasing, since parents of a boy and a girl have to buy special toys for each.

It’s a win-win for corporate capitalism.  Socialize the girls into beauty commodities by buying these toys now, plan on reaping the benefits with the real thing later.  Brainwash the boys in an entirely different way (the Alpha Parent notes tools and electronics), do the same with them simultaneously.

A while back, David Dismore posted about his archive of suffragist postcards, which appeared in the early 1900s as part of the campaign for women’s right to vote. The postcards got the messages of the movement across in short, clear, and often humorous ways.

Those opposed to women’s suffrage also used postcards to get their message out to the public. The Palczewski Postcard Archive at the University of Northern Iowa, sent to us by Katrin, has a number of great examples that illustrate the frames used to present women’s full political participation as threatening.

For instance, a 12-card series produced by Dunston-Weiler Lithographic Company presented suffrage as upending the gender order by masculinizing women and feminizing men. Suffragists, the postcards tell us, cause women to abandon their household duties and become aggressive and unladylike:

In an effort to win her own rights, then, women make their families suffer — a message complete with visuals that don’t seem out of place among stock images of crying babies and their working mothers today, as Katrin pointed out:

Equality in voting rights is clearly presented as female domination:

Postcards issued by other groups reflect these same themes. The clear message is that giving women the right to vote threatens men, the family, and the entire natural order of things:

The archive has a bunch more examples, categorized by various themes — including Cats and Suffrage, because lolcats are timeless.

Hanna Rosin, senior editor at The Atlantic and author of The End of Men, has written a piece about hook up culture on and off college campuses for the September issue of her magazine.  Given that I’ve done some research on hook up culture, W.W. Norton’s Karl Bakeman asked me to weigh in.  So, here are my two cents: Rosin isn’t wrong to argue that the culture offers women sexual opportunities and independence, but she mischaracterizes the objections to hook up culture and draws too rosy a conclusion.

Those who wring their hands and “lament” hook up culture, Rosin contends, do so because they think women are giving it up too easily, a practice that will inevitably leave them heartbroken.`She writes:

[Critics of hook up culture pine] for an earlier time, when fathers protected “innocent” girls from “punks” and predators, and when girls understood it was their role to also protect themselves.

If this is the problem, the answer is less sex and more (sexless?) relationships.  But, Rosin rightly argues, this wrongly stereotypes women as fragile flowers whose self-esteem lies between their legs.  It also romanticizes relationships.  Drawing on the fantastic research of sociologists Laura Hamilton and Elizabeth Armstrong, she explains that young women often find serious relationships with men to be distracting; staying single (and hooking up for fun) is one way to protect their own educational and career paths.

All this is true and so, Rosin concludes, hook up culture is “an engine of female progress — one being harnessed and driven by women themselves.”

Well, not exactly.  Yes, women get to choose to have sex with men casually and many do.  And some women truly enjoy hook up culture, while others who like it less still learn a lot about themselves and feel grateful for the experiences.  I make this argument with my colleague, Caroline Heldman, in Hooking Up and Opting Out: Negotiating Sex in the First Year of College.

But what young women don’t control is the context in which they have sex.  The problem with hook up culture is not casual sex, nor is it the fact that some women are choosing it, it’s the sexism that encourages men to treat women like pawns and requires women to be just as cunning and manipulative if they want to be in the game; it’s the relentless pressure to be hot that makes some women feel like shit all the time and the rest feel like shit some of the time; it’s the heterosexism that marginalizes and excludes true experimentation with same-sex desire; and it’s the intolerance towards people who would rather be in relationships or practice abstinence (considered boring, pathetic, or weird by many advocates of hook up culture including, perhaps, Rosin).

Fundamentally, what’s wrong with hook up culture is the antagonistic, competitive, malevolent attitude towards one’s sexual partners.  College students largely aren’t experimenting with sexuality nicely.  Hook ups aren’t, on the whole, mutually satisfying, strongly consensual, experimental affairs during which both partners express concern for the others’ pleasure.   They’re repetitive, awkward, and confusing sexual encounters in which men have orgasms more than twice as often as women:

The problem with hook up culture, then, is not that people are friends with benefits.  It’s that they’re not. As one of my students concluded about one of her hook up partners:  ”You could have labeled it friends with benefits… without the friendship maybe?”

Hook up culture is an “engine of female progress” only if we take-for-granted that our destination is a caricature of male sexuality, one in which sex is a game with a winner and a loser.   But do we really want sex to be competitive?   Is “keep[ing] pace with the boys,” as Rosin puts it, really what liberation looks like?  I think we can do better.

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Lisa Wade is a professor of sociology at Occidental College.  She writes and gives lectures and interviews about hook up culture. You can follow her on Twitter and Facebook.

Somehow the accidental mis-translation of the Princess/Barbie character is just right…

Buzzfeed and CookdandBombd, via Work that Matters.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Liz B. let us know about Slim Jim’s Spice Loss ad campaign, which features a number of commercials about men suffering from the horrible condition of spice loss, also known as emasculation. As Liz explains, “Apparently you need processed meat to stimulate your ‘man gland’, and give you ‘brolectrolytes’ for your ‘menergy’.” The ads feature themes that are common when marketing to men — a very circumscribed version of acceptable masculinity and the idea that women, and feminized things, are threats to masculinity.

Things that endanger men’s lives or just generally sap their will to live, according to the ads:

• Shakespeare
• Bird-shaped boats
• Ironing
• Making adjustments to their lifestyles to accommodate family life
• Yoga
• Salad
• Spending time with women.

The women seem blissfully unaware that they are driving their male partners to the brink of death:

Community fans will recognize the paramedic in the passenger seat of the ambulance in this one, and may then wish you were watching the epic “Advanced Dungeons & Dragons” instead of this primer on Gender Policing 101:

It’s fascinating, really: femininity is depicted as weakness, the sapping of strength, yet masculinity is so fragile that apparently even the slightest brush with the feminine destroys it. This entire ad campaign — and the discourse about masculinity it draws from — is just an adult version of the game of cooties, with men fleeing the symbolic pollution of femininity.