Tag Archives: gender: beauty

“Fotoshop by Adobé” Parodies Beauty Product Ads

Cross-posted in Portuguese at Conhecimento Prudente.

A lot of readers were taken with the new parody video, “Fotoshop by Adobé,” that has been making it’s way around the internet. Created by filmmaker Jesse Rosten, the video parodies beauty product commercials that play on and encourage insecurities while promising women magical transformations that will allow them to attain entirely unrealistic beauty standards overnight due to ground-breaking science-y sounding ingredients and processes (“pro-pixel intensifying fauxtanical hydro-jargon microbead extract”). Enjoy!

Thanks to Jessica B., Kate A., Rex S., Emma M.H., Jessica W., finefin, Bernardo, Robin D., Priyanka Mathew (who posts at Culture+Marketing+Politics), runbotrun, Dmitriy T.M., Lots of Models, Tom Megginson, and my colleague Pete La Chapelle for sending it in!

“Baby Lips”: Thanks for the Infantilization, Maybelline

Cross-posted at Ms.

Maybelline’s brand of lip gloss, “baby lips,” is a straightforward example of the infantilization of adult women:

We should be worried about the infantilization of women for two reasons:

First, it’s directly related to the sexualization of young girls.  The two phenomena, when considered together, clearly point to the convergence of female children and adult sexuality.  As I wrote in a previous post:

…on the one hand, women are portrayed as little girls, as coyly innocent, as lacking in power and maturity. On the other hand, child-likeness is sexy, and girls are portrayed as Lolitas whose innocence is questionable.

Second, the need for women to look like babies to be beautiful (and the requirement for women to be beautiful), turns aging into a trauma for women.  Susan Sontag, in her (truly beautiful) essay The Double Standard of Aging, put it this way:

The great advantage men have is that our culture allows two standards of male beauty: the boy and the man… A man does not grieve when he loses the smooth, unlined, hairless skin of a boy. For he has only exchanged one form of attractiveness for another…

There is no equivalent of this second standard for women. The single standard of beauty for women dictates that they must go on having clear skin. Every wrinkle, every line, every gray hair, is a defeat.

A very lucrative defeat for Maybelline, if we buy into it.

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More of the quote at a previous post.  And, for more on the infantilization of women, see our posts on baby teethlady spankingGleethis collection of examples, a vintage example, and the Halloween edition.

Link via BagNewsNotes.

Lightness as Symbolic Capital: “Fair” Skin in Marital Ads

Re-posted in honor of Love Your Body Day.

In “Yearning for Lightness: Transnational Circuits in the Marketing and Consumption of Skin Lighteners,” Evelyn Nakano Glenn* argues that in many areas of the world, light skin tone is a form of symbolic capital; research indicates that individuals with lighter skin are interpreted as being smarter and more attractive than those with darker skin. Glenn suggests that this symbolic capital is especially important for women:

The relation between skin color and judgments about attractiveness affect women most acutely, since women’s worth is judged heavily on the basis of appearance…men and women may attempt to acquire light-skinned privilege. Sometimes this search takes the form of seeking light-skinned marital partners to raise one’s status and to achieve intergenerational mobility by increasing the likelihood of having light-skinned children. (p. 282)

I thought of Glenn’s article when we received an email from Fatima B. about personals ads in Islamic Horizons, a magazine distributed by the Islamic Society of North America. Fatima says the ads for women often contain references to skin tone, where the women are described as “fair.”

The January/February 2011 personal ads section contains this example:

Looking through the past year’s matrimonial ads, I found several others, such as these:

Sunni Muslim parents seeking correspondence from professionals for their Canadian born/raised daughter, BA honors, fair, attractive, 289, 5’4”, with good Islamic values.

Sunni Muslim parents of Indian origin seeking professional match for their daughter 30, 5’1”, attractive, slim, fair, good family values, engineering graduate, working in Management Consulting. Inviting correspondence from residents of Toronto only

Sunni parents Urdu speaking of India origin seek correspondence for their daughter US citizen, 25, 5’4”, pretty fair, religious (non-Hijab) MD from prestigious institution second year resident.

As you’d expect, the ads placed by (or on behalf of) men didn’t stress their looks as much as the ads placed by women did. I only found one example in which they made clear the man was light-skinned:

Muslim parents of US born son, 3rd year medical student, 24, 6’2”, slim, fair seek Pakistani/Indian girl, 18-22, very beautiful, fair, tall, slim, religious and from a good educated family

Of course, to the degree the ads emphasized looks, they aren’t particularly different than personals ads anywhere else except that they emphasize skin tone openly. I am sort of fascinated by how often the word “lively” is used in the ads describing women, though. It appeared in a number of different ads in the “seeking husband” section, but I’m not sure exactly what “lively” might be code for (in the language of personals ads, that is, where you try to convey lots of info with very few words).

Anyway, back to our original topic, these ads clearly illustrate the use of skin tone as a form of symbolic capital, which those who have it (particularly women) may highlight to make themselves more attractive on the romantic marketplace, and which others appear to actively value. Further, by allowing ads to include “fair” as both a characteristic the ad placer has, and as a sought-after quality, the editors of the magazine legitimate the open valuing of light-colored skin over other skin tones.

Fatima was pleased to see this practice called out in an ad placed in the most recent issue:

* Article is from Gender & Society 2008, vol. 22, issue 3, p. 281-302.

The Amazing Disappearing Cheerleading Outfit

Kate B. sent in a great link to a slideshow at the Business Insider about changes in football cheerleader uniforms over the last few decades (focusing most on the NFL, but with some college examples as well). It’s a great illustration of increasingly overt sexualization and increasingly rigid standards for acceptable feminine bodies.

The Minnesota Vikings cheerleaders in the 1960s:

And now:

New York Jets cheerleaders in the ’70s:

And now:

The Dallas Cowboys uniforms have stayed remarkably consistent:

In 1960, this cheerleader, from Syracuse U., made the cover of Sports Illustrated:

And a shout-out to my Wisconsin crew; here are the Packers cheerleaders in 1978, a decade before the team dispensed with cheerleaders altogether, probably after determining that if they kept pace with the general shrinkage in cheerleader uniforms, they’d have to constantly replace squad members who were out due to frostbite:

The Artificiality of Modern Beauty

I know a guy, bless his heart, who is unendingly surprised to learn that women do things to themselves to try to be more conventionally attractive.  Most recently he learned that bleach blondes are almost always, well, bleached. He thought it was a common natural hair color for adult women. LOL.

In any case, I thought the photographs below — by Zed Nelson, and sent along by zeynaparsel — were neat. They disembody the tools women use to enhance their beauty, revealing them as undeniably artificial.

Eyelash extensions:

Breast implants:

Hair extension:

Buy the book.

For more from Zed Nelson, see our post on cosmetic surgery and being normal.

Don’t Forget, Thin = Beautiful

Myrianne J. forwarded us an email she received from Dell advertising a laptop that perfectly illustrates the conflation of thinness with beauty. The email, which came with the subject line “Hello beautiful — introducing the new ultra-thin Vostro V131,” included this image, with the line “Thin and powerful never looked so good” centered over a woman’s hand:

Including the subject line, in fact, the words “beautiful” or “beautifully” appear three times in the ad, lest you fail to make the connection.

Sigh: Boys Are Brilliant and Girls are Beautiful

Post under “No comment” by Sarah Richardson at Ms.:

Judging Inner Beauty: Models and Emotional Labor

Bare Escentuals, a cosmetics company specializing in mineral makeup, has a new ad campaign that hinges upon how it found “the world’s most beautiful women…without ever seeing their faces.” Models and actresses showed up at the casting call and filled out questionnaires about themselves, which were given to Bare Escentuals. The company then cast the campaign solely on the basis of the questionnaires, choosing models not for their looks but for their “inner beauty,” posting a series of videos about the women on their website:

The campaign uses its selection process as a touchstone for all its taglines, pitting “pretty” against “beauty”: “Pretty can turn heads…beauty can change the whole world.” The commercials and print ads showcase the selected models in their daily lives: We see Lauren, a volunteer firefighter, hoisting a water hose from the ladder truck; we learn that Keri enjoys skateboarding and learned Farsi to communicate with her in-laws. This is meant to let us see the model meeting the company’s definition of beautiful by being themselves.

On its face this seems a logical, even praise-worthy, response to the constant barrage of unrealistic messages hurled at women every day about what appearance they should aspire to. But in so doing, the campaign commodifies women’s inner lives in addition to their beauty. Viewers are asked to reward the company for putting the models’ personalities on display; we’re expected to judge the models, albeit positively, for going above and beyond the model call of duty — she’s a volunteer firefigher! she has a sword collection! she blogs! By parading the inner (and formerly private) lives of the models for profit, the company appears to be showing us “real” women instead of the professional beauties that they are.

The customer takeaway is supposed to be that Bare Escentuals, more than other companies, recognizes that beauty comes from within. But the net effect is that we are shown how “being oneself” is now subject to standards of beauty. The same labor that has always gone into looking attractive — the labor that models have professionalized and monetized (smiling, appearing natural in front of the camera, speaking the company line) — is now applied to “being yourself,” which has been turned into a field of commodified emotional labor.

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Autumn Whitefield-Madrano writes at The Beheld, a blog exploring the role of beauty and personal appearance in our lives through essays, cultural analysis, long-form interviews, and more.

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