A child that was 7 years old when Hurricane Katrina hit New Orleans will be 17 today. When the storm hit, he would have just started 2nd grade. Today, that 17-year-old is more likely than his same age peers in all but two other cities to be both unemployed and not in school. He is part of the Katrina generation.

(September 3, 2005 New Orleans) -- Evacuees and patients arive at New Orleans airport where FEMA's D-MATs have set up operations.  Photo: Michael Rieger/FEMA
(September 3, 2005 New Orleans) — Evacuees and patients arive at New Orleans airport where FEMA’s D-MATs have set up operations.
Photo: Michael Rieger/FEMA

When the city was evacuated, many families suffered a period of instability. A report published nine months after the storm found that families had moved an average of 3.5 times in the first nine months. One-in-five school-age children were either not enrolled in school or were only partially attending (missing more than 10 days a month).

Five years later, another study found that 40% of children still did not have stable housing and another 20% remained emotionally distressed. 34% of children had been held back in school (compared to a 19% baseline in the South).

(September 3, 2005 New Orleans) -- Evacuees and patients arive at New Orleans airport where FEMA's D-MATs have set up operations.  Photo: Michael Rieger/FEMA
(September 3, 2005 New Orleans) — Evacuees and patients arive at New Orleans airport where FEMA’s D-MATs have set up operations.
Photo: Michael Rieger/FEMA

With so much trauma and dislocation, it is easy to imagine that even young people in school would have trouble learning; for those who suffered the greatest instability, it’s likely that their education was fully on pause.

At The Atlantic, Katy Reckdahl profiles such a family. They evacuated to Houston, where they suffered abuse from locals who resented their presence. At school, boys from New Orleans were getting picked on and getting in fights. So the mother of three kept her 11- and 13-year-old boys at home, fearful for their safety. Indeed, another New Orleanian boy that they knew was killed while in Houston. The boys missed an entire year of school.

“An untold number of kids,” writes Reckdahl, “probably numbering in the tens of thousands—missed weeks, months, even years of school after Katrina.” She quotes an educator who specializes in teaching students who have fallen behind, who estimates that “90-percent-plus” of his students “didn’t learn for a year.”

When the brothers profiled by Reckdahl returned to New Orleans one year later, they were placed in the correct grade for their age, despite having missed a year of school. The system was in chaos. Teachers were inexperienced thanks to charter schools replacing the public school system. One of the boys struggled to make sense of it all and eventually dropped out and got his GED instead.

No doubt the high number of unemployed and unenrolled young people in New Orleans and other Gulf Coast cities devastated by Katrina is due, in part, to the displacement, trauma, and chaos of disaster. Optimistically, and resisting the “at risk” discourse, the Cowen Institute calls them “opportunity youth.” If there is the political will, we have the opportunity to help empower them to become healthy and productive members of our communities.

For more, pre-order sociologist Alice Fothergill and Lori Peek’s forthcoming book, Children of Katrina, watch an interview about their research, or read their preliminary findings here.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

Who believes that the climate is changing? Researchers at Yale’s Project on Climate Change Communication asked 13,000 people and they found some pretty interesting stuff. First, they found that there was a great deal of disagreement, identifying six types:

  • The Alarmed (18%) – believe climate change is happening, have already changed their behavior, and are ready to get out there and try to save the world
  • The Concerned (33%) – believe it’s happening, but think it’s far off or isn’t going to affect them personally
  • The Cautious (19%) – aren’t sure if it’s happening or not and are also unsure whether it’s human caused
  • The Disengaged (12%) –  have heard the phrase “climate change,” but couldn’t tell you the first thing about it
  • The Doubtful (11%) – are skeptical that it’s happening and, if it is, they don’t think it’s a problem and don’t think it’s human caused
  • The Dismissive (7%) – do not believe in it, think it’s a hoax

As you might imagine, attitudes about climate change vary significantly by state and county. You can see all the data at their interactive map. Here are some of the findings I thought were interesting.

More Americans think that climate change is happening (left) than think it’s human caused (right); bluer = more skeptical, redder = more believing:


Even among people who say that they personally believe in climate change (left, same as above), there are many who think that there is no scientific consensus (right) suggesting that the campaign to misrepresent scientific opinion by covering “both sides” was successful:


People are somewhat worried about climate change (left), but very, very few think that it’s going to harm them personally (right):


Even though people are lukewarm on whether it’s happening, whether it’s human-caused, and whether it’s going to do any harm, there’s a lot of support for doing something about it. Support for regulating CO2 (left) and support for funding research on renewable energy (right):


Take a closer look yourself and explore more questions at the map or read more at the Scholars Strategy Network. And thanks to the people at Yale funding and doing this important work.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

Flashback Friday.

In the contemporary U.S., individuals choose who to marry based on personal preference, but there is a specific script by which those choices become a wedding day. Not everyone follows the script, but everyone knows it: the man decides to ask the woman to marry him, he buys a ring, he arranges a “special” event, he proposes, and she agrees. Many of us grow up dreaming of a day like this.

But this isn’t the only possible way to decide to marry. A reverse script might involve female choice. We can imagine a world in which, instead of hoping to be chosen, women decide to propose and men can only marry if they get asked. Another alternative script might involve no proposal at all, one in which two people discuss marriage and come to a decision together without the pop question and uncertain answer.

Of course, many couples essentially decide to marry through months or years of discussion, but these couples frequently act out the script anyway because, well, it’s so romantic and wonderful.

Or is it?

Andre M. sent in a clip of John Preator, a finalist on a previous season of American Idol. In the clip, he proposes to his girlfriend Erica on Main Street at a Disneyland Resort. The clip exaggerates the patriarchal underpinnings of both marriage and the marriage proposal. It may or may not be real, but it doesn’t really matter for our purposes.

Here it is:

First, Andre says, the spectacle is a shining testament to our commitment to the idea of marriage as an ideal state. Everyone loves marriage! As Andre writes:

A whole rainbow of characters come out of the shadows to push her towards yes, from the smiling Asian janitor, to the African American guy knighted by our hero and his plastic phallus, to the disabled woman who wishes to trade her fate with the bride-to-be.

We are supposed to think: “How wonderful! How sweet! How perfect!” What is made invisible is the fact that, in addition to a potential site of wedded bliss, marriage is the site of the reproduction of patriarchal privilege (especially through women’s disproportionate responsibility for housework and childcare) and heterosexist (still excluding same sex couples). But the audience knows that they are supposed to feel elated for the couple and privileged to witness their special moment (whether they feel these things or not).

Second, the public nature of the proposal put a lot of pressure on her to say “yes.” The audience is asked to participate in urging her to agree to marry him (“come on folks, how about a little encouragement?!”). And the performers, as well as the performance itself, create conditions that look a lot like coercion. Could she have said “no” if she wanted to? As if breaking his heart wouldn’t have been deterrent enough, saying “no” would have disappointed the onlookers and ruined the performance. He put so much work into scripting the proposal and it was very clear what her line was. How many women, with less pressure, have nonetheless felt it difficult or impossible to say “no”?

Okay, so let’s assume that Erica did want to marry John and that they will live happily ever after. And let’s also assume that most marriage proposals in the U.S. do not come with this degree of pressure. The clip is still a nice reminder of (1) just how taken-for-granted marriage is as an ideal state (can you imagine her saying, “I love you more than life itself and I want to be with you forever, but marriage, no thanks!”) and (2) the way that the proposal script puts men in the position of getting to choose and women in the position of having to agree or go off script.

Originally posted in 2010.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

I saw “Trainwreck” last night. The 7:00 p.m. showing at the 68th Street AMC was full. Maybe people had come just to get out of the apartment and yet avoid the beastly heat, but they enjoyed the movie.  Sometimes the laughter lasted long enough to cover up the next joke.

The “Trainwreck” story is standard rom-com: Amy Schumer plays a young woman who rejects the idea of commitment and love. Circumstances put her together with a man she seems to have nothing in common with. You can guess the rest.

But this is Amy Schumer’s movie, so there’s an important twist – the conventional sex roles are reversed. It’s the man who is sweet and naive and who wants a real relationship; the woman has a lot of sex with a lot of different guys, drinks a lot, smokes weed, and resists love until at the end, she decides to become the woman he wants her to be.

Here is the R-rated version of the trailer:

What interested me was not the movie itself, but the reaction in some conservative quarters. For Armond White at the National Review, the movie triggered something like what Jonathan Haidt calls “disgust” – a reaction to the violation of strong taboos that surround things like food, sex, blood and other bodily matters, and death. These taboos are often arbitrary, not rational. Pork is an “abomination,” for example, because… well, because it is, and because pigs are “unclean.”

“Trainwreck” has no pork, but it does have what some find unclean.

Schumer’s tampon jokes and gay jokes, female versions of locker-room humor, literally drag pop culture to the toilet. A girl-talk scene set in adjoining restroom stalls — one revealing dropped panties, the other panty-less (obviously Amy) — is just Apatow using women to show off his indecency.

As a comedian and now as a filmmaker, Schumer talks about women-things: body functions and body parts. These jokes seem to elicit two different kinds of laughter. Back when researchers studying small group interaction were trying to code and categorize behavior, laughter posed a problem (see this earlier post). It could be coded as “Shows Tension,” but it might also be “Shows Tension Release.”

With Amy Schumer jokes, the male laughter is mostly a nervous, full of tension about a taboo subject. But the female laughter seems much less inhibited – tension release, maybe even a relief, as if to say, “Someone is finally talking publicly and frankly about things we could only whisper about,” since most of the time they have had to pretend to share the male taboo.

Indecency indeed. But something is indecent only to members of groups that deem it indecent. Some groups are not at all disgusted by pork.  And for some audiences, tampon jokes and toilet-stall conversations about Johnny Depp movies are not indecent; they’re just funny. What audiences might those be? Women.

Take the tampon joke that the National Reviewer finds indecent. It would seem obvious that used tampons look different depending on where you are in your period – less bloody on the final day, more so a few days earlier. But at the mere mention of this fact in “Trainwreck,” hilarity ensues, especially among women in the audience.

The thing about taboos – ideas about what is indecent or disgusting – is that entire social structures get built around them. To violate the taboo is to threaten the entire edifice. Powerful taboos on women-things often go with male domination. So for the National Review, the “Trainwreck”reversal of rom-com gender roles makes the movie dangerous and subversive.

Here are some excerpts from the review just to give the flavor of this Purity-and-Danger-like conflating of taboo, female sexuality, and social/political threat to the established order (emphasis mine):

Schumer turns female sexual prerogative into shamelessness

the degradation of sex — and women

uses sex to promote feminist permissiveness.

She enjoys a sexual license

Amy brazenly practices the same sexual habits as men

. . . old-fashioned sense of shame,

It’s merely brazen, like Lena Dunham’s HBO series, Girls (also about a promiscuous female writer

Schumer’s film can be seen to distort human relations into smut.

This is not just disrespectful, it confirms Schumer’s project of cultural takeover,

she aims to acquire cultural power

Schumer disguises a noxious cultural agenda as personal fiat. She’s a comedy demagogue who okays modern misbehavior yet blatantly revels in PC notions about feminism, abortion, and other hot-button topics


I should add that not all conservative publications felt so threatened. Joe Morganstern at the Wall Street Journal gave the movie a warm review. Breitbart saw the movie’s essential conservatism (“The anti-slut message is a healthy one”) and praised Schumer as a comic actor.  Still, the National Review piece seems emblematic of something broader in the cultural conservative camp: a taboo-like reaction to female sexuality.

Originally posted at Montclair SocioBlog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

“It is fair to say,” writes historian Heather Williams about the Antebellum period in America, “that most white people had been so acculturated to view black people as different from them that they… barely noticed the pain that they experienced.”

She describes, for example, a white woman who, while wrenching enslaved people from their families to found a distant plantation, describes them as “cheerful,” in “high spirits,” and “play[ful] like children.” It simply never occurred to her or many other white people that black people had the same emotions they did, as the reigning belief among whites was that they were incapable of any complex or deep feeling at all.

It must have created such cognitive dissonance, then — such confusion on the part of the white population — when after the end of slavery, black people tried desperately to reunite with their parents, cousins, aunties and uncles, nieces and nephews, spouses, lovers, children, and friends.

And try they did. For decades newly freed black people sought out their loved ones. One strategy was to put ads in the paper. The “Lost Friends” column was one such resource. It ran in the Southwestern Christian Advocate from 1879 until the early 1900s and a collection of those ads — more than 330 from just one year — has been released by the Historic New Orleans Collection. Here is an example:


The ads would have been a serious investment. They cost 50 cents which, at the time, would have been more than a day’s income for most recently freed people.

Williams reports that reunions were rare. She excerpted this success story from the Southwestern in her book, Help Me To Find My People, about enslaved families torn asunder, their desperate search for one another, and the rare stories of reunification.


In the SOUTHWESTERN of March 1st, we published in this column a letter from Charity Thompson, of Hawkins, Texas, making inquiry about her family. She last heard of them in Alabama years ago. The letter, as printed in the paper was read in the First church Houston, and as the reading proceeded a well-known member of the church — Mrs. Dibble — burst into tears and cried out “That is my sister and I have not seen her for thirty three years.” The mother is still living and in a few days the happy family will once more re-united.

I worry that white America still does not see black people as their emotional equals. Psychologists continue to document what is now called a racial empathy gap, both blacks and whites show lesser empathy when they see darker-skinned people experiencing physical or emotional pain. When white people are reminded that black people are disproportionately imprisoned, for example, it increases their support for tougher policing and harsher sentencing. Black prisoners receive presidential pardons at much lower rates than whites. And we think that black people have a higher physical pain threshold than whites.

How many of us tolerate the systematic deprivation and oppression of black people in America today — a people whose families are being torn asunder by death and imprisonment — by simply failing to notice the depths of their pain?

Cross-posted at A Nerd’s Guide to New Orleans.

Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on TwitterFacebook, and Instagram.

Recently there’s been heightened attention to calling out microaggressions and giving trigger warnings. I recently speculated that the loudest voices making these demands come from people in categories that have gained in power but are still not dominant, notably women at elite universities.  What they’re saying in part is, “We don’t have to take this shit anymore.” Or as Bradley Campbell and Jason Manning put it in a recently in The Chronicle:

…offenses against historically disadvantaged social groups have become more taboo precisely because different groups are now more equal than in the past.

It’s nice to have one’s hunches seconded by scholars who have given the issue much more thought.

Campbell and Manning make the context even broader. The new “plague of hypersensitivity” (as sociologist Todd Gitlin called it) isn’t just about a shift in power, but a wider cultural transformation from a “culture of dignity” to a “culture of victimhood.” More specifically, the aspect of culture they are talking about is social control. How do you get other people to stop doing things you don’t want them to do – or not do them in the first place?

In a “culture of honor,” you take direct action against the offender.  Where you stand in society – the rights and privileges that others accord you – is all about personal reputation (at least for men). “One must respond aggressively to insults, aggressions, and challenges or lose honor.” The culture of honor arises where the state is weak or is concerned with justice only for some (the elite). So the person whose reputation and honor are at stake must rely on his own devices (devices like duelling pistols).  Or in his pursuit of personal justice, he may enlist the aid of kin or a personalized state-substitute like Don Corleone.

In more evolved societies with a more extensive state, honor gives way to “dignity.”

The prevailing culture in the modern West is one whose moral code is nearly the exact opposite of that of an honor culture. Rather than honor, a status based primarily on public opinion, people are said to have dignity, a kind of inherent worth that cannot be alienated by others. Dignity exists independently of what others think, so a culture of dignity is one in which public reputation is less important. Insults might provoke offense, but they no longer have the same importance as a way of establishing or destroying a reputation for bravery. It is even commendable to have “thick skin” that allows one to shrug off slights and even serious insults, and in a dignity-based society parents might teach children some version of “sticks and stones may break my bones, but words will never hurt me” – an idea that would be alien in a culture of honor.

The new “culture of victimhood” has a different goal – cultural change. Culture is, after all, a set of ideas that is shared, usually so widely shared as to be taken for granted. The microaggression debate is about insult, and one of the crucial cultural ideas at stake is how the insulted person should react. In the culture of honor, he must seek personal retribution. In doing so, of course, he is admitting that the insult did in fact sting. The culture of dignity also focuses on the character of offended people, but here they must pretend that the insult had no personal impact. They must maintain a Jackie-Robinson-like stoicism even in the face of gross insults and hope that others will rise to their defense. For smaller insults, say Campbell and Manning, the dignity culture “would likely counsel either confronting the offender directly to discuss the issue,” which still keeps things at a personal level, “or better yet, ignoring the remarks altogether.”

In the culture of victimhood, the victim’s goal is to make the personal political.  “It’s not just about me…”  Victims and their supporters are moral entrepreneurs. They want to change the norms so that insults and injustices once deemed minor are now seen as deviant. They want to define deviance up.  That, for example, is the primary point of efforts like the Microaggressions Project, which describes microaggressions in exactly these terms, saying that microaggression “reminds us of the ways in which we and people like us continue to be excluded and oppressed” (my emphasis).


So, what we are seeing may be a conflict between two cultures of social control: dignity and victimhood. It’s not clear how it will develop. I would expect that those who enjoy the benefits of the status quo and none of its drawbacks will be most likely to resist the change demanded by a culture of victimhood. It may depend on whether shifts in the distribution of social power continue to give previously more marginalized groups a louder and louder voice.

Cross-posted at Montclair SocioBlog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

Reddit’s co-founder Steve Huffman, who is currently taking over CEO responsibilities in the wake of Ellen Pao’s resignation, has started doing these Fireside AMAs where he makes some sort of edict and all of the reddit users react and ask clarifying questions. Just today he made an interesting statement about the future of “free speech” in general and certain controversial subreddits in particular. The full statement is here but I want to focus on this specific line where he describes how people were banned in the beginning of Reddit versus the later years when the site became popular:

Occasionally, someone would start spewing hate, and I would ban them. The community rarely questioned me. When they did, they accepted my reasoning: “because I don’t want that content on our site.”

As we grew, I became increasingly uncomfortable projecting my worldview on others. More practically, I didn’t have time to pass judgement on everything, so I decided to judge nothing.

This all comes at the heels of some interesting revelations by former, former Reddit CEO Yishan Wong saying that Ellen Pao was actually the person in the board room championing free speech and it was Huffman, fellow co-founder Alexis Ohanian, and others that really wanted to clamp down on the hate speech. So that’s just a big side dish of delicious schadenfreude that’s fun to nibble on

But those quotes bring up some questions that are absolutely crucial to something Britney Summit-Gil posted here a few days ago, namely that Reddit finds itself in a paradox where revolting against the administration forces users to recognize that “Reddit is less like a community and more like a factory,” and that the free speech they rally around is an anathema to their other great love: the free market.

What structures this contradiction, what sets everyone up at cross-purposes, also has a lot to do with Huffman’s reticence to ban people as the site grew. After all, why would Huffman feel “increasingly uncomfortable” making unilateral banning decisions as the site grew, and why was his default position then be “to judge nothing”? Why does it, all of a sudden, become unfair or inappropriate to craft a community or even a product with the kind of decisiveness that comes with “I just don’t like it”?

The answer to all of this comes out of two philosophic ideas: One is the Enlightenment model of reason that we still use to undergird our concepts of legitimacy and rhetorical persuasiveness. That big decisions that effect lots of people should be argued out and have practical and utilitarian reasons and not be based on the whims of an individual. That’s what kings did and that sort of authority is arbitrary even if the results seem desirable.

The second is relatively more recent but still fundamental to the point of vanishing: the idea of the modern society as being governed by bureaucracies that have written rules that are followed by everyone. The rule of law, not of individuals. Bureaucracies are nice when they work because if you look at the written down rules, you have a fairly good idea of how to behave and what to expect from others. It’s a very enticing prospect that is rarely fully experienced.

Huffman doesn’t say as much but this is essentially how we went from fairly common-sense decisions about good governance to free speech fanaticism: not choosing to ban is the absence of arbitrary authority. When you have a site that lets you vote on things it feels like a decision to stop imposing order from the top is making room for democratic order from below.

But this is closer to the kind of majoritarian tyranny that even the architects of the American constitution were worried about. Voting in the 1700s was something that only aristocrats were qualified to do. Leave it to rabble and you would have chaos. That’s why they built a bicameral legislature that originally featured a senate with members appointed by state governments.

It should also be said that one of the oldest laws in the United States is that Congress can’t make laws that specifically target a single individual or organization. That’s why those efforts to defund Planned Parenthood in 2011 were immediately dismissed as unconstitutional. Laws have to apply to everyone equally.

And so what Huffman is presently faced with is a problem of liberal (lowercase L) and modern state governance. How do you write broad laws that classify r/coontown without just saying “I ban r/coontown”?  Unfortunately, this is also the biggest fuel line to the flames of fear that banning even detestable subreddits are a threat to free speech in general. This is, fundamentally, why it even makes sense to argue that banning an outwardly and explicitly racist subreddit can threaten the integrity of other subreddits either in the present or sometime in the future. Laws apply to everyone equally.

So if Reddit wants to get itself out of this paradox, I say dispense with liberalism all-together. At the very least come up with some sort of aspirational progressive vision of what kind of community you want to have and persuade others that they should work to achieve it. This sort of move is the biggest departure that anarchist political theory takes from mainstream liberalism: that communities can agree on the features of a future utopia and govern in the present as if you are already free to live that future utopia. Organizing humans with blanket laws forces you to explain the obvious, namely that hateful people suck and should be persuaded to act otherwise if they wish to remain part of a community that is meaningful to them.

Right now Huffman and the rest of the Reddit administration have come up with some strange and inelegant ways of dealing with the present problem. They make all these dubious distinctions between action and speech; between inciting harm and just abstracting wishing it on people; and lots of blanket “I know it when I see it” sorts of decency rules. Under liberalism redditors would be right to demand very specific descriptions of the “I know it when I see it” kinds of moments.

But if prominent members were to just be upfront in stating what sort of community they would like to see and then acting as if it already existed, discontents would have to persuade admins that they were acting against their own interests and propose a more compelling way to achieve the stated utopia. If they don’t like the utopia at all, then those people can leave for Voat and new users who like that utopia might come to replace them. At the very least, if Reddit were to take this approach, users might actually start answering the question that is at the heart of the matter but is rarely stated in explicit terms: who gets to be a part of the community?

Cross-posted at Cyborgology.

David Banks is a PhD candidate in Rensselaer Polytechnic Institute’s Science and Technology Studies Department. You can follow him on Twitter and Tumblr.

For many Reddit users, these are dark times indeed. With the banning of r/fatpeoplehate and other subreddits that did not curtail harassment and vote brigading, followed more recently by the sudden dismissal of Reddit employees including Victoria Taylor, many users are criticizing the increase in top-down administrative decisions made under the leadership of interim CEO Ellen Pao.  Alongside these criticisms are accusations that the “PC” culture of safe spaces and “social justice warriors” has eroded the ideological foundations of Reddit culture–freedom of speech, democracy, and the right to be offensive under any circumstances. Meanwhile, Reddit’s biggest competitor voat.co is having a hard time keeping their servers functioning with the massive influx of traffic.


The abrupt and unexplained dismissal of Victoria Taylor has become a particularly vivid rallying point for disgruntled users. Many moderators set their subreddits to private or restricted submissions, effectively making Reddit unusable and invisible for a vast majority of visitors. “The Blackout” (aka #TheDarkening) lasted from late Thursday (7/2) until Friday afternoon when most subreddits came back online; it is one of several tactics used so far in the “Reddit Revolt.” At this time a change.org petition calling for Ellen Pao to step down is nearing 200,000 supporters.

One of the more confusing elements of the revolt is the target of redditors’ anger. Who is to blame for this perceived assault on liberty and the free exchange of ideas? For now, two seemingly opposed forces are bearing the brunt of accusation. These are Ellen Pao, under the influence of commercial interests, and social justice activists who criticize Reddit for tolerating and perpetuating hateful discourse. No one is speaking up on the cause of Taylor’s dismissal, which has led to speculation that she was fired for refusing to comply with the increasingly commercial motivations of Reddit admins, that she would not relocate from New York to San Francisco, or that she did not sufficiently manage the controversial Jessie Jackson AMA. Without more information, and in the context of other recent changes to Reddit, users alternate between blaming encroaching corporatism or PC freedom police who are finally ruining the internet.

So, how can these two forces both be responsible for the changes taking place on Reddit, and in other media such as television and gaming? Consider that a cornerstone of the Gamer Gate fiasco has been the assertion that market forces, not SJW activism, should determine the content and character of video games. Opposition to greater inclusivity in games, such as more central female, minority, and queer characters, has often been justified through free market rhetoric; the assertion is that men are the primary consumers of games, and that their demographic preferences do – and should – determine content. Any other force driving game design is perceived as ideologically motivated, propagandizing, and an assault on liberty.

If video game production companies are acquiescing to the demands of activists, they have not been forthcoming about it. Instead, they claim to be adapting to a marketplace in which women, people of color, and LGBTQ individuals occupy an ever increasing consumer base. Perhaps the activist/consumer dichotomy is more distracting than useful, given that the voices most critical of capitalism’s ability to turn identity into a commodity are also the ones advocating to see a bit of themselves in their beloved games. Here again, people are caught between wanting to see their values and identities reflected back at them in the media that they love, and coming to terms with what capitalist logics do to those values and identities.

On its face, the simultaneous blame directed at SJWs and commercialization seems at odds. But given the ability of neoliberal late capitalism to commodify identity and the self, and to turn nearly any element of culture into a profitable enterprise, this muddiness is a logical outcome of the contradictions of capitalism that Marx believed would be its downfall. Instead, neoliberalism and identity politics send capitalism into overdrive as the need to colonize ever expanding markets and commodify even the most absurd abstractions turns anti-capitalist ideology into easily packaged products. Rather than disturbing the supposed working-class false consciousness, the contradiction has accounted for it and marketed it back to the very people it exploits. It’s only a matter of time before Walmart starts selling a t-shirt that reads “Social Justice Warrior!” in yellow glitter.

Also central to the Reddit Revolt are discussions of labor and exploitation. Many on Reddit have remarked on the betrayal of moderators by the admins. Mods develop and manage Reddit content on their own time and for no compensation, a service admins rely on for the site to function and be profitable. In exchange, mods have historically been given relative freedom within the subreddits they moderate. Now that this freedom is being restricted or, as in the case with Victoria Taylor, decisions are made at the admin level without consulting or even informing mods, mods and users are taking the opportunity to air more general grievances, like the lack of investment in the site’s infrastructure.

Here is the centerpiece of the Reddit Revolt paradox: what is a redditor relative to the admins, or to the site itself? Redditors perceive themselves as members of a community, or perhaps as customers of the site. In many instances they even see themselves as workers generating content for the site to the benefit of the admins. But redditors are not customers, nor are they simply workers — they are the product.

To complicate this further, the Reddit Revolt requires all of us to grapple with digital and affective labor, and its tendency to blur the categories of workers, products, and consumers. Ellen Pao’s job is not to make Reddit a happy community, it is to sell the attention of redditors to advertisers. And even as users begin to understand that Reddit is less like a community and more like a factory, they seem less clear on their position within this factory. Redditors are not so much customers engaged in a boycott or even laborers on strike, they are products. As products, the only effective protest movement redditors could possibly engage in would be to remove themselves from the market. Hence, the blackout.

But the fact is, Reddit admins can shoulder the brunt of a couple of blackout days. Given how quickly the front page returned to normal it seems unlikely that any sustained movement will take hold. And while they may make promises to users about changes to come, Reddit admins will continue to do what all successful corporate entities require — turn a profit, often at the expense of those who use, make, or even are the product.

It’s to be expected that redditors feel betrayed by the powers that be for undermining the perceived ethos of Reddit as a community in which ideas — any ideas — can be freely exchanged. But there is perhaps a deeper betrayal that has not been articulated in the dominant narrative of the Reddit Revolt. That is the betrayal of western rationalism itself, and the notion that free markets and free speech are two articulations of a deeper, natural order that ultimately works in favor of the masses. The rhetorical relationship between freedom of expression and freedom of markets performs key ideological work for the perpetuation of an American-flavored narrative that capitalism is the great equalizer. While events like the Citizens United Supreme Court case occasionally highlight the absurdity of this argument, it is pervasive and often unseen. That cornerstone of western rationalism that so many redditors love is playing out in ways that they really really do not love. And the rupture will require more than dank memes and mental gymnastics to reconcile.

Cross-posted at Cyborgology.

Britney Summit-Gil is a graduate student in Communication and Media at Rensselaer Polytechnic Institute. She tweets occasionally at @beersandbooks.