Sociological Images

Dolores R. sent in an infographic with various statistics regarding the superbowl.  I thought this bit about food and drink consumption was especially great:

Cross-posted in Portuguese at Conhecimento Prudente.

Philippa brought our attention to a recent ad campaign by the Egg Farmers of Ontario, an organization that promotes Ontario’s egg industry. The campaign, titled Who Made Your Eggs Today?, draws the consumer’s attention to the families engaged in producing Canada’s eggs. The images and videos focus on an idealized image of family farms, emphasizing tradition, family togetherness, and a connection to the land:

But as Philippa pointed out, there’s something noticeably absent here: the chickens themselves. There’s quite a bit of talk about chickens — how much the farmers enjoy working with them, how amazing it is that they produce an egg nearly every day, what they eat, and so on — but I didn’t see a single chicken in any of the videos listed on the Farm Families page.

This ad campaign seems to provide transparency into how food is produced; we get to see into the lives of actual egg producers in Ontario, and hear them speak about their lives and the process that brings eggs to the consumer. And for those of us concerned about how the conditions under which our food is produced, this is an important step, as most consumers have little or no direct experience with farming or the lives of people who raise food. The appeal of farmers’ markets , community-based agriculture, and other alternative food distribution outlets is not just the idea of getting environmentally sustainable produce, but also making a connection to a specific producer, and often a desire to support small-scale family farmers.

But the insight into the egg supply chain offered here is selective.  What is carefully avoided in the videos is any discussion of how the hens are treated. We never quite see into the barns to see how the chickens are housed; we don’t hear whether artificial lighting and other techniques are used to boost egg production in ways that cause physical stress to the hens; we don’t know anything at all, in fact, about the chickens.

We enter the story when the eggs have been separated from layers’ housing; we see clean, pretty eggs moving along on mechanized belts or being carefully placed into cartons by hand; our attention as consumers is directed to the people running the farms and away from discussions of the animals or larger concerns about sustainability. As Philippa says, “in giving the egg farmers a public face, the campaign is actually distancing the public from the product they are promoting.”

Also check out our post about Nathan Meltz’s artwork highlighting modern food production, including his Chicken Coup video.

In this minute-and-a-half, sociologist Nikki Jones talks about the way that the idea of the ghetto has been commodified — especially in rap and hip hop — in ways that informs Americans who don’t live in inner-city urban areas, but potentially mystifies the reality of that life as well:

Stressing remarkable differences between the two, Rachel and Lucy sent in the music videos for the original Mariah Carey version of “All I Want for Christmas is You” (1994) and the re-make (2011).  They suggested that the comparison reveals two trends: the rising emphasis placed on consumption and the new hyper-sexualization.  I figured, “yeah, I’ll bet they’re onto something there.”  And boy were they.

The first video involves Mariah mostly bounding around in the snow in a snow suit. Often acting pretty darn goofy, with dogs and Santa.

She spends part of the video inside with kids, a Christmas tree, presents, and more animals.  She’s usually wearing a sweater.

She spends less than (I’m guessing) 10 seconds of the video in a sexy Mrs. Claus outfit and, when she’s wearing it, it looks like she’s got long johns on her legs.

The new video, featuring Justin Bieber, is wildly different. Instead of a snowy field or an intimate home, the video takes place in a shopping mall.  It centrally features a Nintendo product.

Likewise, instead of bounding around in the snow like a goof, she spends the entire video up against a wall in super high heels and the sexy Mrs. Claus outfit (except this one doesn’t have sleeves or a midriff).

At one point she runs her hand down her body, touching her breast and moving down to her crotch; at another she just leans against the wall with her back to us and swings her butt back and forth.

So there’s one data point, for what it’s worth, but in line with emerging research on and plenty of anecdotal evidence of the “pornification” of American culture.

“All I Want for Christmas is You” (1994):

“All I Want for Christmas is You” (2011):

Earlier this month I read an essay that explained to me why I am not married. These reasons included:

• I’m a bitch.
• I’m shallow.
• I’m a slut.
• I’m a liar.
• I’m selfish.
• I don’t think I’m good enough.

I’m not kidding.

Coincidentally, the Pew Research Center released 2010 data showing that just 51% of all American adults were currently married. This is an all time low, down from 72% in 1960.

Comparing this data with the essay above is a nice illustration of the difference between “normative” and “normal.”  Normal is what is typical in a statistical sense; it is what actually holds.  Normative is what is believed to be good and right in an ideological sense; it is what it is believed does or should hold.

If you go by the essay, written by the thrice married and now single Tracy McMillan, marriage is an ideal state that we all should, or do, desire.  In her reality, if you aren’t married, it’s because you’re doing something wrong.  Marriage is normative.  In actual reality, though, the state of being married is not any more normal than the state of being unmarried.

Only if marriage is normative does the non-normality of marriage become something that needs explaining.  McMillan jumps in with hateful stereotypes, but social science has much better explanations.

• Low-income women often do not take-for-granted (as many middle class people do) that they can sustain a marriage through tough times.  Accordingly, they wait much longer before marrying once they meet someone they like (as long as 10 years or more), so that they can be as sure as possible about the match.  In other words, they take marriage very seriously and are reticent to just jump right in.  They know they’re “good enough,” Tracy; in fact, they value themselves and their relationships enough to really put them to the test.  (Read Promises I Can Keep for more.)
• Other women get divorced because men don’t do their fair share.  Unresolved conflicts over childcare and housework are one of the top reasons that couples dissolve.  Women struggle to keep up when they’re working a full time job and doing 2/3rds to 3/4ths of the childcare and housework.  They may not see the data, but they may intuit that single mothers do less housework than married ones (it’s true).  So they divorce their husbands.  They’re not “selfish,” they’re just trying to survive. (Read The Second Shift for more.)
• Other people aren’t married because they’re in love with someone of the same sex.  They’re not “sluts,” they’re discriminated against.

And, just for the record:

• I’m not married because I don’t want or need the state’s approval of my relationship and  I certainly don’t want it interfering if we decide to part.
• I’m not married because the history of marriage is ugly and anti-woman; because I don’t like the common meanings of the words “wife” and “husband”; and because even today, and even among couples that call themselves feminist, gender inequality in relationships is known to increase when a couple moves from cohabitation to marriage (and I don’t think I’m so special that I’ll be the anomaly).
• I’m not married because I’m opposed to the marriage industrial complex. It’s exploitative, stereotypical, and wasteful.
• I’m not married because I value the fact that my partner and I decide to be together every day, even though we don’t have to jump through legal hoops to do otherwise.
• I’m not married because I don’t want to support a discriminatory institution that has and continues to bless some relationships, but not others, out of bigotry.
• I’m not married because I don’t believe in giving social and economic benefits to some kinds of relationships and not others.  I don’t believe that a state- or church-endorsed heterosexual union between two and only two people is superior to other kinds of relationships.

I could go on, but you get the idea.

The point is that when the normal and the normative don’t align it often leads to social conflict over the meaning of the gap.  Some people, like McMillan, may jump in to tongue-lash the deviants.  Others may revel in defending non-conformity.  In any case, it will be interesting to see how the conversation about marriage continues, especially if, as the trend suggests, married people become a minority in the near future.

Cross-posted at The Hipster Effect.

I know, I know – you hate hipsters. Maybe somebody called you one once, but they were clearly mixing you up with the real hipsters. You know the ones.

Hipsters have beards. Or mustaches. Or neither. They wear skinny jeans. Or maybe they don’t. They’ve got thick-rimmed glasses. Or sometimes not. You may not be able to describe one offhand, but you know one when you see one. Right?

As elusive as a unicorn yet as common as an ant, the hipster seems to be everywhere and nowhere at once. The only definite thing about a hipster is that nobody wants to be called one (yet pretty much all of us are guilty of having called other people hipsters). It’s become one of the worst insults you can bestow upon somebody (yet it’s also among the most common). If you want to completely discount a person and everything that they stand for, just break out the H-word and watch their credibility to go down the drain. Once you’ve been dubbed a hipster, you yourself become meaningless in that context.  You become one of those people and we all know what those people are like.

Or do we?

The definition of a “hipster” is at best a collection of vague cultural artifacts that we associate with a certain set of personality traits, very few of which actually exist in tandem. The prototypical hipster is a trust-fund baby who spends his days talking about art projects that he never gets around to starting. He drinks the cheapest beer available even though he can afford better. He does this ironically, and he wears his clothes in the same way. He judges you, the non-hipster, based solely on your appearance, quickly dismissing you as a non-member of the hip elite. He listens to bands you’ve never heard of and thinks it’s sad that you can’t keep up with his cooler-than-cool musical tastes. In short, the prototypical hipster is an asshole – but for the most part, he doesn’t even exist.

In a way, we’ve vilified the hipster archetype as a way of dealing with our own insecurities. Being cool was something most people never worried about once they graduated high school. Our internet-fueled society has since changed that, bringing the hunt for the newest and most interesting things into our day-to-day lives. There is a burden to be cool that now follows you into your 20s and 30s and beyond, whereas before these things were safely relegated to lunchtime cafeterias and high school auditoriums. And with the internet now spitting out a different concept of cool with each and every day that goes by, it’s almost impossible to keep up. Eventually we throw up our hands in exasperation and, whenever we see somebody who looks like they’re trying harder than us, we spit out the word: hipster.

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Sophy Bot is the author of the forthcoming book, The Hipster Effect: How the Rising Tide of Individuality is Changing Everything We Know about Life, Work and the Pursuit of Happiness.  Bot also runs The Hipster Effect blog, examining how identity, society and work have metamorphosed in the age of perpetual connectivity.

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In an earlier post we reviewed research by epidemiologists Richard Wilkinson and Kate Pickett showing that income inequality contributes to a whole host of negative outcomes, including higher rates of mental illness, drug use, obesity, infant death, imprisonment, and interpersonal trust.

In the four-minute video below, Kate Pickett argues that once societies develop the capacity to enable status-based consumption (as opposed to survival-oriented consumption),  status-consciousness among humans exacerbates inequality.  Meanwhile, being status-conscious in a highly unequal society creates stress, and all kinds of other negative outcomes, among those who are judged less-than.

See Dr. Pickett, also, on why raising the average national income in developed countries doesn’t make people happier or enable them to live longer. And see more about income inequality and national well-being at Equality Trust.