culture: color

Here’s another one for our collection of instances in which we describe light tan as “nude,” “skin-,” or “flesh-colored” (symbolically erasing the existence of people without light tan skin).  Yahoo’s OMG! describes uses the word “nude” to describe the color of Lil’ Kim shirt.

It’s always particularly amazing when they use the word to talk about something a black person is wearing.  Like, um, Michelle Obama.

For more examples, see our posts on products designed for white people, the widespread use of such language to describe light tan in the fashion world,  and lotion marketed as for “normal to darker skin.” See also our Contexts essay on race and “nude” as a color.

For contrast, see this post about how the generic human in Russian cartoons is colored black instead of white.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Jezebel.
American Studies professor Jo B. Paoletti has announced the publication of her book, Pink and Blue: Telling the Boys from the Girls in America.  I’ve been eagerly anticipating getting my hands on a copy. It was from Paoletti that I learned that the idea that pink was a feminine and blue a masculine color was a relatively new invention in American history (one that even now does not necessarily extend to other countries).  See, for example, this pink 1920s birthday card for a man (with a pre-Nazi swastika too).

The book asks “When did we startdressing girls in pink and boys in blue?”  To answer this question:

She chronicles the decline of the white dress for both boys and girls, the introduction of rompers in the early 20th century, the gendering of pink and blue, the resurgence of unisex fashions, and the origins of today’s highly gender-specific baby and toddler clothing.

In an analysis of baby cards from the 1960s, she notes that many of the cards are gender-neutral and include both pink and blue, but that even the gender-specific cards (this particular baby was a girl) use both colors. These cards, then, reveal that pink and blue had emerged as recognizable baby colors by the 1960s, but the use of blue in the “for girl” cards and the preponderance of gender-neutral cards suggests that the importance of gender differentiation hadn’t taken hold.

She has a large collection of examples.

At her website Paoletti says she has a book planned on “old lady clothes, mother-of-the-bride dresses, cougars and other age-appropriate nonsense.” I can’t wait.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Okay so I did a google search one day and I stumbled across two images that… well, I just have to show them to you:

(Victoria’s Secret models, found here)

(Disney fairies, found here)

I seriously don’t want to make too big of a deal out of this. I really don’t.  I highly doubt that one of these images was modeled after the other or that there was some deliberate attempt to link Victoria’s Secret with Disney or sexy models with little girls.

That said, the two images point to a common visual trope. In this trope, a group of sexy women get lined up (often touching each other).  They look almost identical, with the exception of a tiny bit of variation in skin color and hair.  And they’re costumed in such a way as to make them look both alike and different (e.g., all in underwear of different colors).

The effect is to erase their individuality, but multiply the impact of the image. We don’t see a five or six women, we see Woman with a capital “W” (or Fairies in the second case).  It’s like seeing a buffet from afar, you see Food, but not necessarily macaroni and cheese, little tuna sandwich triangles, fried okra, and fruit salad.

Let’s call it the there’s-no-such-thing-as-too-much-conformity-to-the-male-gaze trope.  Or, I-like-my-women-like-I-like-my-collectibles (lots of ’em, all of a type, and on display).  Or, women-come-in-a-rainbow-of-colors-just-kidding.

Do you have a better name for it?

UPDATE: Here’s another one, sent in by Ann T. (says Ann’s boyfriend, “I know it makes ME think of cancer”):

And here’s one I found on the Ms. blog:

Caroline Heldman counts this as a form of sexual objectification.  In these cases, women are shown as interchangeable, like objects.  And, she writes, “like objects, ‘more is better,’ a market sentiment that erases the worth of individual women.”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Christie W. sent in an idea that inspired me to revive our pointlessly gendered products post.  It’s  a fun one.  I’ve added Christie’s submission — a super-pink for-her version of a continuous positive airway pressure machine for people with sleep apnea.

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At this point, the gendering of things like phones doesn’t surprise me, such as this set, sent in by Ben C.:

But really…pink ear plugs?

We seriously need our own earplugs that are “silky soft”? Starchy G., who sent them in, says:

I’ve been told that these things have the extra-feminine side effect of dying one’s earwax pink.

Lovely.

Feminist Philosophers found this delightfully marketed pair of earplugs for, um, I’m gonna guess working class men:

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Gendered tape, also from Feminist Philosophers:

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Lee D.-T. found these sandwich bags for sale at a Safeway store in Melbourne, Australia. Sandwich bags, people!

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Original Will sent in this image of pink computer cables, found at boing boing:

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NEW! (Mar. ’10): Marjolaine N. found pink and blue chocolate Easter bunnies:

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Michelle at The Red Pill Survival Guide took this photograph of gendered lollipops.  But not just any lollies: “Girls Enchanted” and “Boys Adventure” mixes.  Sigh:

Em wanted to download Style XP to customize Windows XP, but had to decide between men’s and ladies’ versions:

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Em says,

The Man theme “gem” and the Lady theme “gucci” look pretty much the same. Still I’m glad it’s called “gucci” so I know it’s for me. Me and my lady friends are going to giggle about it then go online shoe shopping together. I just hope they’ve added extra-easy installation instructions to that version.

Christie W. sent in a pink version of a continuous positive airway pressure machine, and related items, for people, er women, with sleep apnea:

Over a dozen more ridiculous examples, after the jump.

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Yesterday NPR reported that Wisconsin is considering repealing its ban on margarine in private businesses and public buildings. What is that all about!? This old post offers some great historical context.

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Grass fed cows tend to produce milk that, when made into butter, has a slightly yellow color.  When margarine was invented as a butter substitute and they began producing it for U.S. consumption in the late 1880s, one marketing problem was its color.  The vegetable-based product has a clear, white-ish color and looks something like lard; many people found it unappetizing.  So the margarine people wanted to dye margarine yellow.

The dairy industry rightly saw margarine as a threat and they lobbied politicians both to outright ban margarine or to ban dying it to look like butter.  The federal government imposed a two cent per pound tax on the product in The Margarine Act of 1886 (the tax was quintupled in 1902).  Many states, especially dairy states, made dying margarine illegal (e.g., New York, New Jersey, and Maryland).  By 1902, “32 states and 80% of the U.S. population lived under margarine color bans.”

The ad below is for “Golden Yellow” margarine and specifies that it is “ready to spread” in 26 states (more text transcribed below):

In some states, margarine manufacturers would sell margarine in plastic bags with a small bead of dye that the buyer had to knead into the spread (“Color-Kwik bags”).  This practice continued through World War II. If you judge by this ad, it was quite a good time:

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Over time, as supply and demand for butter and margarine ebbed and flowed alongside federal rules and penalizing taxes on margarine, the popularity of each ebbed and flowed too.  Then, in 1950, margarine was apparently the “the talk of the country” and President Truman put an end to the oppression of margarine, in part because the National Association of Margarine Manufacturers had begun to build enough power to compete with dairy associations.  Wisconsin, the cheese state, was the last anti-margarine state hold out (till 1967), but it continued to forbid margarine in public places (unless requested; as of Sept. 2011).

By 1957, sales of margarine exceeded those of butter. Margarine still outsells butter today. And, in a bizarre reversal, butter manufacturers now regularly dye butter yellow.

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All that said, here is an excerpt from Audre Lorde’s The Uses of the Erotic in which she uses the bead of dye in the bag of margarine as a metaphor for sexuality:

During World War II, we bought sealed plastic packets of white, uncolored margarine, with a tiny, intense pellet of yellow colloring perched like a topaz just inside the clear skin of the bag.  We would leave the margarine out for a while to soften, and then we would pinch the little pellet to break it inside the bag, releasing the rich yellowness into the soft pale mass of margarine.  Then taking it carefully between our fingers, we would knead it gently back and forth, over and over, until the color had spread throughout the whole pound bag of margarine, thoroughly coloring it.

I find the erotic such a kernel within myself.  When released from its intense and constrained pellet, it flows through and colors my life with a kind of energy that heightens and sensitizes and strengthens all my experience.

Sources: Vintage Ads, Found in Mom’s Basement, Britannica, Margarine.org, and FoodReference.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I love a newborn elephant as much as the next person, probably quite significantly more, but must we get all stupid and say that she likes pink? Must we, Zooborns? Really? Sigh.

Sent in by Chloe Angyal at Feministing. Thanks Chloe!

Pink, by the way, has only been associated with female humans for the last 60 years or so, and only in parts of the world.  See, for example, our posts on a vintage Father’s Birthday card and advice for mothers. (And, while we’re at it, this art project is pretty stunning.)  I’m pretty sure elephants, even girl ones, are indifferent.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Scientopia.

In March we posted a set of greeting cards: a pink and a blue one congratulating new parents on a girl and a blue respectively.  The cards pictured exactly the same baby, revealing the way in which we gender infants before there are any discernable signs of sex (outside of the genitals).  Since then we’ve received two more examples of the phenomenon.  The first, sent in by Christine, is from FailBlog:

The second is for a (pointlessly gendered) hygiene kit at Walmart, sent in by Laura Confer:

The use of exactly the same baby just tickles me.  The marketers know that babies look like, well, babies.  We aren’t “opposite sexes,” especially at six months old.  But the sex of the child is very important to adults.  So they use color cues to make the consumer feel like they’re choosing the “right” or the “cutest” item.  But they can use any child — girl or boy — to sell the item… because that’s not what it’s actually about.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We have posted in the past about pre-World War II uses of the swastika as a symbol of good luck, a meaning that the Nazis’ appropriation of the swastika makes nearly inconceivable today. Matthieu S., who teaches anthropology at Vanier College in Montreal, sent in another example, a scan of a postcard he owns that was printed in the 1920s. The postcard, meant for a dad’s birthday, also includes pink-tinted flowers — evidence of a time when pink was considered a perfectly appropriate color for men and boys:

World War II and the atrocities of the Nazi party obviously significantly changed interpretations of both the formerly-benign swastika and the color pink. Pink wasn’t abandoned altogether, as the swastika was, but the Nazi’s use of pink to label gay and lesbian prisoners led pink to be stigmatized as effeminate and, thus, an inappropriate color for men…and over time it instead became the epitome of symbols of femininity.