Sociological Images

Cross-posted at OrgTheory.

David Henderson and Zachary Gouchenour have a paper on the topic of presidential ratings. The finding is simple. American war casualties, as a fraction of the population, positively correlate with how historians rate U.S. presidents. More death = better presidents. The regression model includes some controls, like economic growth. Here’s the chart:

This is consistent with sociological research on state building, which has traditionally linked wars, bureaucratic growth, and tax collection. See, for example, Charles Tilly’s classic work “Warmaking and Statemaking as Organized Crime.”  My one criticism of the paper is that there is no measure in the regression that controls for “big legislation” (i.e., New Deal). Historians like law passing and it might account for some variation. I have a hunch that is how variation on the right hand side of the figure would be explained.

Henderson and Gouchenour then spin out the policy implication. Greatness rankings by historians may prompt presidents to start more wars. The historians may have more blood on their hands than we care to admit.

Adverts: From Black Power/Grad Skool Rulz

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Fabio Rojas is an Associate Professor of Sociology at Indiana University. He is the author of two books: From Black Power to Black Studies: How a Radical Social Movement Became an Academic Discipline and Grad Skool Rulz: Everything You Need to Know about Academia from Admissions to Tenure.  Rojas’ academic research addresses political sociology, organizational analysis, and computer simulations.

When I learned of Whitney Houston’s untimely death, I was in the process of re-reading James Baldwin’s short story “Sonny’s Blues.” Sonny, like so many entertainers struggled with addiction and the rigors of being an artist. I couldn’t help but think of Whitney. The tragedy of her death has resonated throughout our culture in both artistic and social contexts. It also ripped the curtain off the destructive underbelly of celebrity and its trappings.

We engage in the public consumption of images of the rich and famous as a way of life now. They live under an intensely bright and hot spotlight. Baldwin relates this quite eloquently.  In the process of Sonny’s recovery from heroin addiction, he returns to doing what he loves best –playing jazz piano. Sonny’s older brother agrees to accompany him to one of his performances. The brother, seated in a dark corner of the club, watches Sonny and his band mates prepare to perform. While sitting there he contemplates just how many of them have struggled with addiction like Sonny and how they would negotiate Sonny’s homecoming performance. The narration reads:

Then I watched… while they horsed around, standing just below the bandstand. The light from the bandstand spilled just a little short of them and, watching them laughing and gesturing and moving about, I had the feeling that they, nevertheless, were being most careful not to step into that circle of light too suddenly; that if they moved into the light too suddenly, without thinking, they would perish in flame.

Baldwin provides a powerful metaphor for the dangers of the spotlight and stepping into it too soon. When I read that passage, I thought of this image of Whitney from her 2009 American Music Awards performance. She sang “I Didn’t Know my Own Strength.” It was a “comeback” performance in which Whitney was trying to reclaim her image. She is wearing white, which looks absolutely beautiful against her cinnamon caramel skin. The stage is black and Whitney is lit from the back with a piercingly bright spotlight. In that moment we can see her balancing darkness with light, hope with pain, insularity with exposure.

We loved her voice. We rooted for her comeback. But perhaps she moved into the spotlight too suddenly. Perhaps the flame from the light burned her in places no one could see. As I write this, there have been no rulings on the cause of her death. So I do not want to speculate what contributed to her untimely passing. But I love this image because it is how I would like to remember Whitney. Regal, angelic, light and dark, embodying the very essence of humanity and its many contradictions.

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Stacie McCormick, PhD, is a literature scholar whose work focuses primarily on African Diaspora and Women’s literature. Presently she is working on a project exploring the black female body and how it is represented in print and visual culture (photographs, artist renderings, the theatrical stage, etc.).

Sociologists and others use the term “agenda setting” to describe the way that the media focuses our attention on some things and not others.  In this way, media actors may not control how we think about things, but they may very well control what we think about.

This instance of agenda setting involves SOPA, the Stop Online Piracy Act.  Media Matters put together this figure illustrating the relative number of television segments given to SOPA and other issues — the British Royal Family, the football player Tim Tebow, Casey Anthony and her missing daughter, Alec Baldwin’s behavior on a plane, and the Kardashian divorce — between October 26th, 2011 and January 12th of this year.

Data like this is often used to explain why Americans tend to be quite uninformed about important issues.  For more examples, see this post comparing the covers of TIME and Newsweek in the U.S. and elsewhere.  See also: Setting the Agenda on Trump and Setting the Agenda on Janet Jackson’s “Wardrobe Failure.”

Thanks to Dolores R. for the tip!  Via Socialist Texan.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Updated; originally posted July 2009.

Americans are notorious for their ignorance of global issues and international news.  This may be because Americans aren’t interested or it may be that our news outlets feed us fluff and focus us only on the U.S.  Probably it’s a vicious cycle.

This month, for example, Time magazine’s cover story is about the political strife in Egypt… everywhere except the U.S. that is.  Americans get “pop psychology” (via Global Sociology):

It turns out you can go to the Time website and compare covers from previous issues going back a long ways.  Here are some more examples from the last couple years (I cherry picked just a bit):

Dmitriy T.M. sent in these previous examples a while back.

The cover story for Newsweek magazine’s September 2006 edition was “Losing Afghanistan” in Europe, Latin America, and Asia.  It was “My Life in Pictures,” a story about the photographer Annie Liebovitz in the U.S. (via):

The cover story for Newsweek magazine’s October 2006 edition was “Global Warming’s First Victim” in Europe, Latin America, and Asia.  It was “Off Message,” a story about Republican Congressman Mark Foley’s sexually suggestive emails and IMs to teenage boys (via):

The cover story for Time magazine’s April 2007 edition was “Talibanistan” in Europe, Latin America, and Asia.  It was “Why We Should Teach the Bible in Public Schools” in the U.S. (via, also see Time):

As SocProf writes:

Talk about self-fulfilling prophecy: Americans are assumed to not be interested in international and global affairs… ergo, Time decides to replace a perfectly legitimate and newsworthy cover on a significant event in Egypt with some pop psychology item. As a result, Americans are less informed and knowledgeable on global affairs because they do not get intelligent coverage on that topic.

Discussing media attention to Donald Trump, Jay Smooth (Ill Doctrine) describes what sociologists call agenda setting.  The phrase refers to the media’s ability to shape what we think about (and what we don’t think about), if not what to think about it.  That is, the media can’t necessarily tell us what to think, but it can certainly keep some issues on-the-agenda while leaving others invisible to us.

In this case, Smooth points out, the media’s coverage of Trump led to public interest in him; that public interest waned as soon as Trump was out of the news.

See also Agenda Setting and Obama’s Socialist Leanings and Media Reaction to Janet Jackson’s “Wardrobe Malfunction.”

What is the fiscal relationship between the Royal Family of the United Kingdom and its taxpayers?  I have no idea.

Accordingly, I have no idea as to the accuracy of this 5-minute summary, made by CGP Grey (via), but it was entertaining and, I imagine, contains a least a kernel of truth:

U.K. readers, what say you?

Transcript after the jump:

(more…)

In an earlier post I argued that the person known then as “Zombie” is an excellent example of the self-fulfilling stereotype. Down on his luck, and wanting to say “fuck you” to the world, he tattooed his body and face to look like a rotting corpse. Unexpectedly, people began treating him with curiosity and admiration, instead of contempt. And, what do you know, his outlook began to improve. He reacted to people treating him positively… positively… and he became… positive.

In our original post, we discussed how Zombie, also known as Rick Genest, responded to being complimented on the street and invited to parties. It’s recently come to our attention, however, that Zombie is now rubbing elbows with the super-elite.    Beth B. put us on notice that he’s now modeling for Mugler, I discovered that he’s also modelling for Vogue Hommes Japan, and and my students alerted me to the fact that he’s in Lady Gaga’s most recent music video. What an amazing illustration of how one’s appearance can make wild differences in one’s life.

Mugler:

Vogue Hommes Japan:

Lady Gaga (forward to 4:10 for Genest’s appearance):

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NOTE: The original post was fleshed out for a two-page essay for Contexts magazine.