Search Results For ""white privilege""

African-American Travel and Jim Crow Segregation

We’re celebrating the end of the year with our most popular posts from 2013, plus a few of our favorites tossed in.  Enjoy!

I have driven across the United States several different times.  I always enjoy the experience.  It reminds me of just how vast and diverse this country really is, in terms of both its nature and culture.  Catching up with a friend after such a trip, I discovered that he’d never driven across the country and I insisted that he absolutely must.  “Lisa,” he said intensely, lowering his head, “not everyone is welcome in every small town in America.”  My friend, you might guess, was Black.

It was a memorable lesson about my own white privilege.

This was in the 2000s, but I couldn’t help but think of it when I learned about the Green Book. A story on NPR about the book starts with the following summary:

In part, the Jim Crow era could be defined by the places African-Americans could go and the places they couldn’t. In the towns and cities where they lived, of course, blacks knew where they were welcome. On the road, though, who knew which restaurants and hotels, beauty shops and night clubs would slam doors in their faces?

The answer was “The Negro Motorist Green Book.”  First published in 1936, and revised and re-published for almost 30 years, it helped Black people travel across a hostile America.

Green wasn’t just the color.  It was named after the book’s author — Victor Green — who was a postal worker.  Most African Americans were familiar with where they could and couldn’t go in their own cities.  So Green used his connections through the post office to collect lists from all over America, and even some other countries.  These lists were invaluable to Black travelers.

Even in the depth of Jim Crow, however, Green dreamed of a better time. In the introduction he wrote (source):

There will be a day sometime in the near future when this guide will not have to be published. That is when we as a race will have equal rights and privileges in the United States.

His dream, I suppose, sort of did and sort of didn’t come true.  The Green Book is out-of-print.  Yet men and women like my friend still have good reason to feel uncomfortable showing their face in unfamiliar places.

Book covers borrowed from Electronic Village, AutoLife, and Phoenix Magazine.  You can see a complete pdf of the book here.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

From Our Archives: Christmas

2Highlights!

Christmas Across Cultures

The Economics of Christmas

Racializing Christmas

Christmas and Gender

Gift Guides and the Social Construction of Gender

Sexifiying Christmas

Christmas Marketing

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Hannukah and Social Privilege

Privilege comes in many forms: class privilege, white privilege, male privilege, heterosexual privilege and so on.  Being privileged means that you “fit” in the society in which you live and reap rewards by virtue of just being.

Recognizing privilege isn’t just a matter of being thoughtful or empathetic, it usually involves sacrificing something.  Sometimes it’s something big (like the belief that your success is due entirely to your talents and hard work) and sometimes it’s something small.

The person who sent this confession to PostSecret is admitting to feeling frustrated by giving up one of those small benefits that come with privilege:

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Originally posted in 2009.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Race and Gender in… Angry Birds?

I have enjoyed Star Wars Angry Birds since I first discovered it almost a year ago, at the suggestion of my brother (a fellow Star Wars fan). While I never warmed to the original Angry Birds, I was tickled that I could clearly identify the Star Wars characters the birds represented in the themed version of the game. When Star Wars Angry Birds II released last month, I anxiously dove into the sequel.  On a whim, I decided to use the new store feature to look through the many characters that I might someday unlock.

When I finally scrolled through all of the characters in the game, I noticed something peculiar.

Han Solo (played by Harrison Ford, a white male, in the Star Wars films) is portrayed by a yellow bird. Luke Skywalker (played by Mark Hamill, a white male) is portrayed by a red bird. Qui-Gon Jinn (played by Liam Neeson, a white male) is portrayed by a tan bird. These birds all have costumes or props that identify them as the characters they are meant to represent, but their color is not related to the skin color of the characters/actors in the films.

This pattern held true for every (human) male character with two notable exceptions: Captain Panaka (played by Hugh Quarshie, a black male) and Mace Windu (played by Samuel Jackson, a black male) are both portrayed by brown birds.

Complete-Angry-Birds-Star-Wars-2-All-Characters-Guide-Featured-Image-640x478

So, what’s the message? Well, for white, male Star Wars characters, skin color is unimportant; white characters can be represented by a bird of any color. It is the costuming or props used by these birds that convey the essence of the character. But for black Star Wars characters, their skin color (brown) becomes the defining element conveying the essence of the character.

Likewise, gender is also a defining characteristic for the portrayal of female characters. Princess Leia (played by Carrie Fisher, a white female) and Padme (played by Natalie Portman, a white female) are both portrayed by pink birds. There are no other pink birds in the game.   Again, the color of the bird is unimportant, unless the bird is female, in which case the character’s gender (denoted by its pinkness) becomes the essential element of that character.

This same pattern also appears in the original Star Wars Angry Birds, in which Princess Leia is the only pink bird and Lando Calrissian (played by Billy Dee Williams, a black male) is the only brown bird.

White privilege and male privilege persist, in part, by framing the white, male experience as normal. Even in a game like Star Wars Angry Birds II we see the invisibility of whiteness and maleness and the foregrounding of race and gender for people of color and women.

Galen Ciscell is a visiting assistant professor of sociology at Pacific Lutheran University.  He is also the designer of the cooperative board game Atlantis Rising.

Terrorism and Privilege: Understanding the Power of Whiteness

Cross-posted at Tim Wise’s website and Pacific Standard.

As the nation weeps for the victims of the horrific bombing in Boston yesterday, one searches for lessons amid the carnage, and finds few. That violence is unacceptable stands out as one, sure. That hatred — for humanity, for life, or whatever else might have animated the bomber or bombers — is never the source of constructive human action seems like a reasonably close second.

But I dare say there is more; a much less obvious and far more uncomfortable lesson, which many are loathe to learn, but which an event such as this makes readily apparent, and which we must acknowledge, no matter how painful.

It is a lesson about race, about whiteness, and specifically, about white privilege.

I know you don’t want to hear it. But I don’t much care. So here goes.

White privilege is knowing that even if the Boston Marathon bomber turns out to be white, his or her identity will not result in persons like yourself being singled out for suspicion by law enforcement, or the TSA, or the FBI.

White privilege is knowing that even if the bomber turns out to be white, no one will call for your group to be profiled as terrorists as a result, subjected to special screening, or threatened with deportation.

White privilege is knowing that if the bomber turns out to be white, he or she will be viewed as an exception to an otherwise non-white rule, an aberration, an anomaly, and that he or she will be able to join the ranks of Tim McVeigh and Terry Nichols and Ted Kaczynski and Eric Rudolph and Joe Stack and George Metesky and Byron De La Beckwith and Bobby Frank Cherry and Thomas Blanton and Herman Frank Cash and Robert Chambliss and James von Brunn and Robert Mathews and David_Lane and Michael F. Griffin and Paul Hill and John Salvi and James Kopp and Luke Helder and James David Adkisson and Scott Roeder and Shelley Shannon and Wade Michael Page and Byron Williams and Kevin Harpham and William Krar and Judith Bruey and Edward Feltus and Raymond Kirk Dillard and Adam Lynn Cunningham and Bonnell Hughes and Randall Garrett Cole and James Ray McElroy and Michael Gorbey and Daniel Cowart and Paul Schlesselman and Frederick Thomas and Paul Ross Evans and Matt Goldsby and Jimmy Simmons and Kathy Simmons and Kaye Wiggins and Patricia Hughes and Jeremy Dunahoe and David McMenemy and Bobby Joe Rogers and Francis Grady and Demetrius Van Crocker and Floyd Raymond Looker, among the pantheon of white people who engage in politically motivated violence meant to terrorize and kill, but whose actions result in the assumption of absolutely nothing about white people generally, or white Christians in particular.

And white privilege is being able to know nothing about the crimes committed by most of the terrorists listed above — indeed, never to have so much as heard most of their names — let alone to make assumptions about the role that their racial or ethnic identity may have played in their crimes.

White privilege is knowing that if the Boston bomber turns out to be white, you will not be asked to denounce him or her, so as to prove your own loyalties to the common national good. It is knowing that the next time a cop sees you standing on the sidewalk cheering on runners in a marathon, that cop will say exactly nothing to you as a result.

White privilege is knowing that if you are a student from Nebraska — as opposed to, say, a student from Saudi Arabia — that no one, and I mean no one would think it important to detain and question you in the wake of a bombing such as the one at the Boston Marathon.

And white privilege is knowing that if this bomber turns out to be white, the United States government will not bomb whatever corn field or mountain town or stale suburb from which said bomber came, just to ensure that others like him or her don’t get any ideas. And if he turns out to be a member of the Irish Republican Army we won’t bomb Dublin. And if he’s an Italian American Catholic we won’t bomb the Vatican.

In short, white privilege is the thing that allows you — and me — to view tragic events like this as merely horrific, and from the perspective of pure and innocent victims, rather than having to wonder, and to look over one’s shoulder, and to ask even if only in hushed tones, whether those we pass on the street might think that somehow we were involved.

It is the source of our unearned innocence and the cause of others’ unjustified oppression.

That is all. And it matters.

Tim Wise is among the most prominent anti-racist writers and educators in the United States.  The author of six books on race in America, he has spoken on over 800 college and high school campuses and to community groups across the nation.  His new book, The Culture of Cruelty, will be released in the Fall of 2013.

From Our Archives: Christmas

Christmas Across Cultures

The Economics of Christmas

Racializing Christmas

Christmas and Gender

Gift Guides and the Social Construction of Gender

Sexifiying Christmas

Christmas Marketing

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Carlos Mencia on Whiteness

Often, the most socio-economically disadvantaged individuals of a group are used as a wide brush to paint a picture of an entire minority race or ethnicity.  Common examples include stereotyping all Black men as members of the inner-city underclass or as uneducated, unemployed, urban criminals, or all African-American women as “welfare queens.”  In the current cultural and political discourse, Hispanics are often prejudicially construed  as murderous drug-smugglers or as destitute immigrants who illegally cross the border to “drop babies” and exploit U.S. social programs.  As Eduardo Bonilla-Silva has argued, these prejudices then disadvantage minorities of all social classes who are stereotyped and experience discrimination regardless of their individual socio-economic status or accomplishments.

However, focusing on the marginal members during the social construction of an entire racial group does not usually occur with Whites.  The existence of poor Whites is often ignored as Caucasians are stereotyped as upper-class—which usually entails assumptions that they are hardworking, highly-moral, successful exemplars of American individualism, as Kirby Moss explains in The Color of Class.  “The Whitest People,” a skit from Carlos Mencia (a controversial comedian who built his career drawing upon his Hispanic background to explore race in America), illustrates the connections between whiteness and heightened class status (sorry about the ad):

Mencia’s construction of whiteness critiques the excesses and frivolousness of the upper-middle class lifestyle often conflated with whiteness.  While Mencia pokes fun at this lifestyle, outside comedy these same stereotypes mean Caucasians are usually viewed positively as many presume the upper class can only be reached through hard work and strong morals.  Whereas minorities are often presumed poor and thus viewed with suspicion, whites are often prejudged favorably.  For instance, Mencia himself mentions that because people are viewed through prejudicial lenses, when whites drink alcohol they are thought “sophisticated” but when Blacks drink they are accused of being “drunks.”  These differential prejudgments based on race are the basis of white privilege that replicates and reinforces both class, and racial stratification.

The open expression of Latino stereotypes and slurs in this video also highlights why Mencia’s comedy is controversial.  Detractors claim he engages in a process symbolic interactionists call trading power for patronage (see Schwalbe et al. 2000)This process occurs when an individual embodies a marginal identity in order to receive personal benefits that come at the expense of the larger group.  For example, while Mencia’s comedy career benefits from the self-deprecating humor in this video about low wage employment, family violence, and food insecurity his jokes might also reinforce negative stereotypes about Hispanics.

However, Carlos Mencia’s supporters describe the open confrontation of race and racial disadvantage in his comedy as contesting stigma (Goffman) by celebrating a minority group’s ability to persevere despite their marginalization.  To this group, Mencia’s frequent use of ethnic slurs to describe himself and other Latinos is an example of re-appropriation (Galinsky et al.), reclaiming a pejorative label in a way that redefines the meaning of racist slights and infuses the word with positive and empowering meanings.

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Jason Eastman is an Assistant Professor of Sociology at Coastal Carolina University who researches how culture and identity influence social inequalities.