Archive: Tue May 2010

After reading my recent post on how Gypsy jazz guitarist Django Reinhardt survived World War II (hint: rank-and-file Nazis loved jazz!), Dmitriy T.M. sent me a link to a fascinating account of a German jazz band, called Charlie and His Orchestra, that was put together by Joseph Goebbels, a Nazi propaganda guy.

To recap, jazz music was labeled “Neggernmusik.”  Attributed (rightly) to blacks and Jews, it was considered pollution to German sensibilities.  Jazz lovers, jazz musicians, and swing dancers were all sent to concentration camps.

Nevertheless, Undercover Black Man describes how Goebbels saw potential in the music and, so, “weaponized” it to “screw with British and American minds.”

Charlie and His Orchestra recorded jazz standards, but changed the lyrics to “anti-British, anti-American, anti-Communist or antisemitic messages.”

The songs were broadcast via medium-wave and short-wave radio to Great Britain and North America. It was all about taunting and demoralizing the Allies… and trash-talking Winston Churchill and F.D.R. by name.

In this clip, the Orchestra, covering Goody Goody, is accompanied by WWII photographs. The propaganda starts at 1:04:

For more, check out the Charlie and His Orchestra versions of You Can’t Stop Me From Dreaming, You’re Driving Me Crazy, and Makin’ Whoopee.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Existing data suggests that, for college students graduating during an economic recession, wage depression will follow them throughout their life.  The figure below shows that, for every one percentage point increase in the national unemployment rate, a college grad’s wages will drop by about six percent.  Five years later, their wages will still lag by five percent.   Fifteen years later they’ve recovered their losses to about three percent, but they’re still behind where they would have been.  And remember, this data is for each percentage point increase in the unemployment rate.

10_22_09_graph-1

Data borrowed from the Office of Management and Budget, via Matthew Yglesias.

For more happy graduation news, see here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Tom Schaller recently posted over at FiveThirtyEight about a new Hyundai commercial. The commercial suggests that you need to get a safe car because of all the young drivers on the road:

Here’s another:

Schaller argues that, while the commercials may be entertaining enough, he can’t help but wonder how people would react to similar commercials mocking the other age group over-represented in accidents — the elderly, according to the Insurance Institute for Highway Safety:

Is Hyundai wrong to say that teens, particularly those who just got their licenses, are more dangerous drivers than other age groups? No. But though people might joke about elderly drivers, I agree with Schaller — I can’t imagine a company putting out ads with a similar mocking tone and not immediately getting a ton of negative feedback ending in pulling the commercials and apologizing.

And this likely has a lot to do with the fact that older Americans are organized and represented by groups like the AARP and are thus able to wield political pressure and protest negative portrayals in a way that teens aren’t. This doesn’t mean that older people don’t get mocked (especially in TV shows and movies), but that a company is likely to be much more afraid of insulting them than insulting 16-year-olds.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.