A classic Afrofuturist image and album.
This post is basically speculative. It’s a question, or rather, a hypothesis. I’m not citing empirical evidence so much as suggesting a line of inquiry, which then needs some grounding in empirical evidence. The question is this: If Afrofuturism uses UFO/alien spaceship imagery to describe slavery and middle passage,* can, and if so where, do drones fit in Afrofuturist mythology?
Michael Rogers, Republican Congressional Representative of Michigan's 8th district and sponsor of CISPA
House representative Mike Rogers (R-MI) introduced a bill back in November called the Cyber Intelligence Sharing and Protection Act (H.R. 3523) or CISPA. It has since been referred to and reported by the appropriate committees. Since then, according to Representative Rogers’ own web site, over 100 members of congress have already announced their support for the bill:
The 105 co-sponsors of the bill include 10 committee chairmen. Additionally, a wide range of major industry and cyber associations, such as Facebook, Microsoft, the US Chamber Commerce, the Business Roundtable, the Internet Security Alliance, TechAmerica, and many others have sent letters of support for the bill. A list of major industry and association supporters can be found at http://intelligence.house.gov/bill/cyber-intelligence-sharing-and-protection-act-2011
Unlike SOPA and PIPA, CISPA is all about collecting and sharing “cyber threat intelligence” and has less to do with copyright infringement concerns. This bill does not directly threaten the business interests of web companies, which means we should not expect their help in fighting the bill. In fact Facebook, IBM, Intel, Oracle, and Microsoft (among others) have already sent letters in support. (more…)
[SPOILER ALERT: details about the first episode of Sherlock"A Study In Pink" are discussed below. The ending is not totally given away, but major story details are revealed.]
A few weeks ago, I challenged Kurt Anderson’s claim that cultural progress and innovation had stagnated in the last twenty years. Anderson, I contend, has ignored new mediums (the Internet), re-invented genres (hip-hop, electronic music), and new cultural stereotypes (geek chic, hipsters). But what ties all of these things together is the central thesis that consumer technologies are just as much cultural artifact as clothes or music. No where is this more obvious and brilliantly executed than in BBC One’s updated interpretation of the Sherlock Holmes mysteries. Set in present day London, “Sherlock” is a reinterpretation of the most famous Holmes mysteries and does an excellent job of translating the Victorian source material into a modern drama. That translation includes dress, idiomatic expressions, and vehicles- but it also includes cell phones, restrictions on smoking, and the War on Terror. Sherlock is a uniquely 21st century show that could not have taken place in the early 2000s or the 90s. (more…)