Twitter

“I must rule with eye and claw — as the hawk among lesser birds.”

-Duke Leo Atreides in Book 1: Dune

Over a week ago, Twitter announced a new censorship policy, stating that it would comply with any “valid and applicable legal request” to take down tweets. The announcement came just as we were still digesting Google’s unified privacy policy and were still debating the (now confirmed) rumors that Facebook was releasing an IPO. Twitter has since been applauded, denounced, and dissected by a variety of scholars, media critics, and business leaders. In this post I will give a brief summary of the controversy, briefly weigh in with a commentary of my own, and conclude with a discussion of what all this means for theorizing online social activity.

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Kurt Anderson’s recent article in Vanity Fair titled “You Say You Want a Devolution.” contends that the past 20 years have seen a total stagnation in the production of new cultural aesthetics. In other words, the end of the 50s looked nothing like the end of the 70s, but 1989 looks remarkably similar to 2009. Anderson concludes:

We seem to have trapped ourselves in a vicious cycle-economic progress and innovation stagnated, except in information technology; which leads us to embrace the past and turn the present into a pleasantly eclectic for-profit museum; which deprives the cultures of innovation of the fuel they need to conjure genuinely new ideas and forms; which deters radical change, reinforcing the economic (and political) stagnation.

This is concerning, since that means the entirety of our blog is nothing more than the fungal growth sitting upon the neutral technological substrate that we impregnate with decaying cultures of past decades. Tattoos, Facebook, Burning Man, the iPhone, Twitter, sex dolls, wifi, internet memes, reality TV, geek culture, hipsters, video games, faux-vintage photographs, and dubstep are all popular topics on our blog, and (along with blogging itself) are products of the last 20 years. Anderson assumes that cultural objects are made possible through technology, but refuses to admit that technologies can also be cultural objects in and of themselves. more...

I wanted the photo above to be an example of the new so-called “living pictures” that have garnered much recent attention. However, Lytro has not provided proper embedding code so I can only post this screenshot of a living photo. I highly recommend clicking on the photo or clicking here before reading along.

Update: the code now works, so before reading on, click the photo above. Click around various parts of the image and watch the focus change.

Okay, by now you have experienced a living photo. You see it, but you can also make it come alive; touch it, change the focus, reorient what is seen and focused on. Some might even argue that you get to decide the meaning of the story the image tells. This post asks: what would it mean if we start posting living pictures across social media? Might it change how we take photos? How might we differently interact with social media photography when we can manipulate the faces of our friends and engage with the images in a new way?

It has been my contention that photography can teach us quite a bit about social media. Not just because there are so many photos online but because photography serves as a familiar and grounding reference point to the newness of social media. Photography situates the novel and sometimes disorienting ways we are documenting ourselves online with a technology that did the same offline more than a century ago.

I have written about Susan Sontag’s description of photographers being always at once poets and scribes when taking photos to describe how we create our social media profiles in a similar way. I have used the concept of the “camera eye” photographers develop to discuss how social media has imbued us with a similar “documentary vision.” I also described how the explosion of faux-vintage photos taken with Hipstamatic and Instagram serve as a powerful example of how social media has trained us to be nostalgic for the present in a grasp at authenticity.

Here, I want to discuss what many are calling “revolutionary” and the next “big thing” in photography: the so-called living pictures linked to above developed by the Lytro company that have just entered the consumer market with cameras shipping early next year.

Lytro “Living Picture” Technology

This is not an essay so much about the technology but instead the implications of more...

Commentary about the Internet and the various communication services it provides, regularly fall into utopian or distopian visions of radically new worlds. The utopias tell of a future in which we are all continually connected in a seamless egalitarian web of techno-democracy. The distopian warnings describe overstimulated zombies shuffling from computer screen to smartphone, hermetically sealed in the echo chamber of their choosing. These predictions are equally unlikely to occur any time in the near future, and for one simple reason- Its really hard (and expensive) to get a stable internet connection in a park. more...

In the 36 hours since the Occupy Wall Street raid removed protest infrastructure from Zuccotti Park, much of the conflict strikes me as the tension between the informational (the symbolic; media; ideas) and the material (physical; geographic). It runs through how New York City carried its actions out (at night, blocking journalists), the ensuing legal fight (does occupying physical space count as speech?) as well as the new strategic challenges facing an Occupy movement where camping is decreasingly an option.

Anyone who reads this blog knows that much of my work lies at the intersection of (1) information, media, technology, the online and (2) materiality, bodies and offline physical space. At this intersection, our reality is an “augmented” one. Part of the success of Occupy (and other recent protest movements) has been the awareness of just this point: by uniting media and information with the importance of flesh-and-blood bodies existing in physical space, our global atmosphere of dissent is increasingly one of an augmented revolution. Indeed, these are not protests centered online, as Jeff Jarvis tweeted this morning, or Zuccotti park, but in the augmented reality where the two intersect.

And this intersection of the power of the image and the power of the material dramatically came to a head about 36 hours ago as I write. In the early morning of November 15^th, the two-month long occupation of Zuccotti Park was eliminated by the City of New York. more...

Last week, Cyborgology editors Nathan Jurgenson and PJ Rey were on WYPR (Baltimore’s NPR affiliate) talking about death and dying on Facebook. This is part of the conversation, the rest will be aired in the near future.

Click here to listen to the audio.

I should really post a review of this coffee shop. Maybe on Yelp. I could snap a photo of the cool little setup I have going here or tweet about the funny laptop rules at this place. Or I can get meta and type a Facebook update about how I am currently blogging about all of these possibilities to document my experience. While contemplating all of this, Spotify, a music-listening service, published the song I just listened to on Facebook.

Let’s reflect briefly on how we document experience. The first examples I just gave might be called “active sharing” whereas that last example, the Spotify one, highlights how self-documentation is also increasingly passive. And I think this furthers what I call “documentary vision”: the habit of experiencing more and more of life with the awareness of its document-potential.

Much has been made of so-called “frictionless sharing,” the new Facebook feature that automatically publishes updates from partnered sites and services. Sync Facebook with Spotify or the Wall Street Journal and what you listen to or read will be passively published on the new Facebook live-ticker.

This more passive sharing furthers an already established trend: we are increasingly living life under the logic of the Facebook mechanism. more...

Cyborgology editor Nathan Jurgenson will be in Zuccotti park Saturday, and contributing author David Banks will be participating in a new occupation in Albany, NY. Nathan will be providing his insights on social media and the OWS movement. David will be watching closely and commenting on the birth of a local occupation.

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There has been some terrific debate on my theorizing of what I call “augmented reality.” In brief, I reject “digital dualism”, the tendency to view the on and off line as separate spheres, and instead argue that we should view them as enmeshed, creating what I call “augmented reality.” [I talk more about this here.]

Today, I am posting some of the debate that occurred over Twitter and another post responding to a critique of a talk I gave on the topic.

One criticism has been that the augmented reality perspective somehow obscures the important ways in which the on and offline are different. I agree that the spheres indeed have different properties. I write here and here about, for example, how atoms tend to be more scarce than bits. Further, I write here about how these important differences are best viewed through the augmented lens.

It is this last point which I feel is most important in responding to the specific criticisms given by Zeynep Tufekci over Twitter. It is my hope that future conversations on this topic take into account the points made in that short essay. I’ll post the debate, still ongoing, below.

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So many conversations that inform the content on this blog happen elsewhere, especially on Twitter. We’re going to better integrate Twitter and the Cybogology blog which will involve posting some of our personal tweets as well as conversations and debates with others here on the blog.

This past week I found a Noam Chomsky interview on a local “scene” blog here in DC. It was posted about seven months ago. In the interview, Chomsky talks about digital communication technologies and goes the route that so many older intellectuals do: electronic communications, be it texting, the internet or social media, are inherently “shallow.”

Here is the conversation on Twitter followed by a little more analysis that didn’t quite fit into 140 characters. more...