Today, I just want to write a brief post about a cool art project. The Dead Drop project, started by an artist in New York City, embodies much of the theory we talk about here at Cyborgology. And like most forms of art, it accomplishes this theorizing in a far more efficient and interesting way than that which we academics put forth with our many, many words.
The Dead Drop project began in 2010 by a Berlin based artist named Aram Bartholl. During his stay in NYC, he installed 5 Dead Drops in public places. Dead Drops are blank USB ports, cemented into city walls, trees, or other publicly accessible outdoor materials. People can upload and download files onto these ports. Anyone can install a Dead Drop, and Bartholl encourages worldwide participation. Bartholl describes the project as an “anonymous, offline, peer to peer file-sharing network in public space.” To date, there are 1,231 registered Dead Drops worldwide, comprising about 6,403 GB of storage space. (more…)
…or just get new friends?
The easiest, laziest, most click-baitiest op-ed, trend video, or thing to scream at a bar right now is how, with today’s technologies, we are more connected but also more alone. Ooh. Zuckerberg has 500 million friends but it was never really a spoiler to say that Sorkin’s The Social Network ends with him sitting alone at a computer. Ooh. The Turkle-esque irony is just too good for it not to zeitgeist all over the place.
That argument should not be altogether dismissed but I am quite skeptical of where it’s so often coming from and how it’s articulated. This trend might be largely disingenuous, and by that I do not mean intentionally insincere but instead a sort of cultural positioning: we-are-connected-but-alone not only drips with that delicious ironic juxtaposition, it simultaneously props the person making the case as being somehow deeper, more human, more in touch with others and experience. (more…)
[This is cross-posted at Its Her Factory.]
A few recent events and articles/news items have me thinking, in a somewhat disjointed fashion, about both what it means to “do theory” or to practice philosophy, and how, exactly, one should go about doing and practicing these things.
In particular, it seems like philosophy is stuck between being reduced to a hard science, on the one hand, and being incompatible with “digital humanities,” on the other. And in the end I think this double-bind has the very troublesome effect of discouraging, silencing, and marginalizing what could be the most innovative things philosophy has to offer science, digital humanities, and contemporary intellectual life more generally. (more…)
The British Channel Four series, Black Mirror, tells a series of disconnected stories taking place in what might be parallel worlds, in which technology is resolutely familiar, but always a bit uncanny. It is a show of this epoch, and of the insecurities and fears which tag along as we watch history unfold itself in front of us. In the same way that The Twilight Zone screened our nagging questions about Mutually Assured Destruction, space flight, and the lurking Other inside the suburban facade, Black Mirror delves into our doubts about social media, ubiquitous computing, surveillance society, and the justice of consumerism, as we struggle to comprehend the growing, always glitching, network around us. The show is, according to Wikipedia, quite popular in China, which might be all that you need to know. (more…)
Facebook and Twitter, like any other form of communication, can be used to forge solidarity. As philosopher Richard Rorty reminds us in Method, Social Science, and Social Hope, one of the boundless powers of the humanities and of storytelling—novels, journalism, ethnographies, photography, documentaries—is to grow our imaginations so that the norms which would exclude foreigners, or the poor, or minorities, are replaced with a solidarity against suffering. In stories like Native Son, The Diary of Anne Frank and Brokeback Mountain, the cruelties of those who are not familiar to us are described in astonishing, bright detail. The humans who populate Dirty Pretty Things, Sin Nombre and How to Survive A Plague become less distant, more familiar. Through imagination, their suffering becomes ours. In many instances, networked media facilitate this kind of sensitivity building, this form of democratic attunement. But under the ceaseless pressure of shareability and virality, tragedy on social media often resembles disaster porn: a ghastly vine, a sappy post, attention seeking hashtags, confusing the spread of symbolic images for enduring political achievement.
That grief is best endured in groups was not lost on those involved in the Boston Marathon or to those who experienced it through networked media. (more…)
Digital dualism is pervasive, and the understandings that it informs—of ourselves, of our experiences, and of our very world—are a mess. Perhaps this can be chalked up to the fact that digital dualism arises from varying sets of flawed assumptions, and was never purposefully assembled as such by the people who embrace it. But guess what? As theorists, we have the opportunity not only to build new frameworks for understanding, but also to assemble those frameworks with both consciousness and intentionality. So with that in mind, what should a theory of augmented reality look like? What would we do differently from digital dualists?
It is of paramount importance that theories of augmented reality acknowledge complexities and differences—whether between materials, media, degrees of access, or subjective experiences—without falling into dualisms. (more…)
A distinct feature of academically oriented blogs like Cyborgology is that these are spaces in which theories take shape over time through conversation, contradiction, progression, and stumbles. Rather than a finished product, readers find here a theoretical process, one that is far from linear and often fraught. It is in this messy and fractured way that theories of digital dualism and augmented reality continue to develop here at Cyborgology and connected sites. In this spirit of processual-theorizing, I want to further refine my material mapping of digital dualism for yet a third time*. With the ongoing dualism debates, the time is ripe for theoretical rethinking and adjustments. (more…)
So far, I have been a silent observer of the Dualism debates unraveling over the past few weeks both here on Cyborgology and around The Web (as well as in conference lobbies, coffee shops, and university hallways). Super brief recap: Nicholas Carr is cheezed off at Cyborgologists for their insistence on critiquing digital dualism and digital dualists, and argues that supposedly “dualist” experiences should be taken more seriously. Alternately, Tyler Bickford is peeved that the critique of digital dualism is not taken far enough, and that the Augmented Perspective assumes, incorrectly, that there is some base reality from which to augment. Cyborgologists have worked furiously to address these points, arguing about the role of bodies and emotion, correcting misleading characterizations, clarifying linguistic ambiguities, reintroducing the “Other” theorists, and pushing the theoretical program forward.
Alright, pop quiz: Is there a reality outside of human experiences? Please circle YES or NO.
Chances are you find this question either very silly or very complicated, possibly both. But I argue that this question is actually lurking in the background of much this month’s earlier digital dualism debate, and that giving it some attention straightens a lot of things out—especially the compelling (but ultimately incorrect, I argue) charge that augmented reality is itself a dualist framing.
To illustrate why this question matters, consider the following fictional (but not entirely unlikely) scenario, in which I either am or am not a jerk:
This guest-post and #TtW13 review is cross-posted with permission from Technophilosophy, a French digital theory blog.
On Saturday, March 2nd, 2013, I made a presentation in New York as part of the International Conference Theorizing the Web. Organized by Nathan Jurgenson (@nathanjurgenson) and PJ Rey (@pjrey) [Yes, I also wonder what his real name is], both doctoral students in sociology at the University of Maryland (Washington, DC), the event was held in the Graduate Center of the City University of New York (CUNY), on Fifth Avenue in Manhattan. A prestigious and perfectly equipped venue (no Wi-Fi issues), which promoted the sharing of high quality insights. (more…)