NPR launched a new show this month called Invisibilia that “explores the intangible forces that shape human behavior – things like ideas, beliefs, assumptions and emotions.” The show’s hosts Alix Spiegel and Lulu Miller are great personalities and the show is beautifully edited in a way that doesn’t reach the Reggie Watts-esque soundscape of Radiolab nor does it stick closely to the dry public radio persona that has been lampooned countless times. I was, however, really disappointed when I learned that the huge topics under investigation in this show would only be understood through “psychological and brain science.” There are a lot of different disciplines that can be brought to bear on huge topics like “ideas” so why are we getting another show that confuses humans for brains? (more…)
2014 Ello was in with the new and by 2015 it became out with the old. It’s New Years Eve and I want to look back on a thing that came and went this year, which leaves me feeling bummed. You can only be really disappointed if you start with high hopes, and lots of people for lots of reasons wanted Ello to work. It became quickly clear that the site didn’t have a strong vision. Neither its politics or its understanding of the social life it set out to mediate were inspired or clever enough to be compelling.
The British Channel Four series, Black Mirror, tells a series of disconnected stories taking place in what might be parallel worlds, in which technology is resolutely familiar, but always a bit uncanny. It is a show of this epoch, and of the insecurities and fears which tag along as we watch history unfold itself in front of us. In the same way that The Twilight Zone screened our nagging questions about Mutually Assured Destruction, space flight, and the lurking Other inside the suburban facade, Black Mirror delves into our doubts about social media, ubiquitous computing, surveillance society, and the justice of consumerism, as we struggle to comprehend the growing, always glitching, network around us. The show is, according to Wikipedia, quite popular in China, which might be all that you need to know. (more…)
I won’t link to this essay.
We did it! According to the Editors* of n+1, Sociology—in fact, the underdog coming from behind, Critical Sociology—has won the cultural debate. Critical thinking about power and how it constructs individuals is now universally applied. The bad news is that critical thinking about power hasn’t solved inequalities, and therefore we have “Too Much Sociology.” The Editors of n+1 fail to understand their topic, fail to cite accurately, and, fundamentally, have written a piece that is logically flawed from even its own position.
There are many good reasons to dismiss this essay, but let’s first skip over the most inaccurate parts to explain why the essay does not even make sense on its own terms. There is a good argument that Bourdieusian theorizing can be used for regressive ends. But: that is a Critical Sociology argument! Interrogating exactly how an episteme can be co-opted, even by that of which it is critical, is what critical sociology does. The article uses critical sociology as its method, as its logic, in order to conclude—against its own logic—against doing critical sociology. Hilariously, the essay is a work of critical sociology about critical sociology that is critical of critical sociology. (more…)
Watching the ideas materialize, disseminate, get knocked down and picked back up all in near real time is either the greatest advantage digital dualism theory has, or its biggest downfall—its best feature or worst flaw. Or both. Personally, I’m having a blast, even if it’s a bit of a distraction from my dissertation. It’s the spirit of this blog, a rare academic space to try ideas out, work on them, debate them, meet new people, and watch the idea, one hopes, get better and stronger. Or sometimes no one cares and we move on. This is what I love about my colleagues on Twitter (I’ll never type the word tweeps), this blog, and the Theorizing the Web conference.
The drawback is (more…)
This is just an off-the-cuff post as I do some weekend reading, namely David Brin’s The Transparent Society (1998). I’m curious about the common grand narrative that society has become more transparent and thus will continue to be more so, ultimately creating the state of full transparency, full surveillance, where everything is seen, recorded, and known. I’ve critiqued this line of thought before, as the issue is common in writing about surveillance or privacy, from silly op-eds to pieces by serious scholars like Zygmunt Bauman.
Brin begins his book by asking the reader to look 10-20 years in the future, which from 1998 means today. Brin claims in the world of the future-for-him / now-for-us there will be no street crime because surveillance cameras peer down from “every lamppost, every rooftop and street sign” which are “observing everything in open view” (4). (more…)
Is there a Dunbar’s Number for our documentary consciousness?
Dunbar argued that we can only keep up with about 150 people at a time, at which point we reach a cognitive saturation. Can this similar sort of saturation occur with the proliferation of ways we can document ourselves and others on social media? The ways someone holding a working smartphone can document experience grows not just with the number of sites one can post to, but also the number of available mediums of documentation: audio, video, photo, and their recombinations into things like GIFs and Vines whatever else I’m forgetting or will come next. Each new app carries with it a different audience with different expectations, adding to the documentary chaos.
Or: Given the proliferation of options, how should I document this cat? (more…)
This and more #OverlyHonestMethods can be found here.
I really love putting things in order: Around my house you’ll find tiny and neat stacks of paper, alphabetized sub-folders, PDFs renamed via algorithm, and spices arranged to optimize usage patterns. I don’t call it life hacking or You+, its just the way I live. Material and digital objects need to stand in reserve for me, so that I may function on a daily basis. I’m a forgetful and absent-minded character and need to externalize my memory, so I typically augment my organizational skills with digital tools. My personal library is organized the same way Occupy Wall Street organized theirs, with a lifetime subscription to LibraryThing. I use Spotify for no other reason that I don’t want to dedicate the necessary time to organize an MP3 library the way I know it needs to be organized. (Although, if you find yourself empathizing with me right now, I suggest you try TuneUp.) My tendency for digitally augmented organization has also made me a bit of a connoisseur of citation management software. I find little joy in putting together reference lists and bibliographies, mainly because they can never reach the metaphysical perfection I demand. Citation management software however, gets me close enough. When I got to grad school, I realized by old standby, ProQuest’s Refworks wasn’t available and my old copy of Endnote x1 ran too slow on my new computer. So there I was, my first year of graduate school and jonesing heavily for some citation management. I had dozens of papers to write and no citation software. That’s when I fell into the waiting arms of Mendeley. (more…)
PJ Rey just posted a terrific reflection on hipsters and low-tech on this blog, and I just want to briefly respond, prod and disagree a little. This is a topic of great interest to me: I’ve written about low-tech “striving for authenticity” in my essay on The Faux-Vintage Photo, reflected on Instagrammed war photos, the presence of old-timey cameras at Occupy Wall Street, and the IRL Fetish that has people obsessing over “the real” in order to demonstrate just how special and unique they are.
While I appreciate PJ bringing in terrific new theorists to this discussion, linking authenticity and agency with hipsters and technology, I think he focuses too much on the technologies themselves and not enough on the processes of identity; too much on the signified and not where the real action is in our post-modern, consumer society: the signs and signifiers. (more…)
Photos by Nathan Jurgenson, taken in Washington, D.C., 17, January 2012.
Malcolm Harris has posted one of the most provocative things I’ve ever read about social media, “Twitterland.” I’d like to point you the story and go through some of the many issues he brings to light. Harris’ story is one of theorizing Twitter and power; it can reinforce existing power imbalances, but, as is the focus here, how it can also be used to upset them.
Harris begins by taking on the idea that Twitter is a “tool” or an “instrument”, arguing that, no, Twitter is not a map, but the territory; not the flier but the city itself; hence the title “Twitterland.” However, in nearly the same breath, Harris states he wants to “buck that trend” of “the faulty digital-dualist frame the separates ‘real’ and online life.” As most readers here know, I coined the term digital dualism and provided the definition on this blog and thus have some vested interest in how it is deployed. And Harris’ analysis that follows indeed bucks the dualist trend, even though I would ask for some restating of the more theoretical parts of his argument. I’d like to urge Harris not to claim that Twitter is a new city, but instead focus on how Twitter has become part of the city-fabric of reality itself. (more…)