social media

Sweaty palms. Racing heart. Mind wandering to extreme and alarming places.  No, this is not a horror movie or a bad dissertation dream. This is Fear of Missing Out (FOMO).

FOMO is a colloquial phrase to describe the anxiety people feel in light of constant streams of information. Not only are broadcast news cycles 24 hours, but so too are social news streams. All day, at all times, the Facebook and Twitter tickers move forward, populated by people, information, and interaction. These streams go on with or without us.  It is impossible to keep up. And yet, widespread access through home computers, work computers, smart phones and tablets tempt many of us to try, often wavering between frenzied efforts stay afloat, and resolutions to let the digital world spin without us, determinately avoiding connected devices with clenched jaws, white knuckles, deep breaths, and quick sideways glances full of both longing and animosity.     more...

“Well, you saw what I posted on Facebook, right?”

I don’t know about you, but when I get this question from a friend, my answer is usually “no.” No, I don’t see everything my friends post on Facebook—not even the 25 or so people I make a regular effort to keep up with on Facebook, and not even the subset of friends I count as family. I don’t see everything most of my friends tweet, either; in fact, “update Twitter lists” has been hovering in the middle of my to-do list for the better part of a year. And even after I update those lists, I probably still won’t be able to keep up with everything every friend says on Twitter, either.

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Many have linked political conservatism with “the authoritarian personality,” which, in part, involves the willingness to view power structures as legitimate, less reluctance to submit to those in authority over you, and an increased tendency to exercise authority over the less powerful. Social media is often seen as counter-authoritarian, however, we also have good evidence that the Web in general, and social media in particular, also replicates existing power structures.

With these different concerns in mind, we might wonder if those with different political orientations use social media for politics in different ways. More specifically, are those on the right, even in a social media environment that permits more expression, voice, and creativity, more likely to submit and follow? Theodore Adorno, pictured above and pioneered work in this line of thought, I think, would predict that Republicans would be more passive, more likely to listen and restate, whereas those on the left would be a bit more likely to create new content.

I post these very brief thoughts (certainly much more would be needed to substantiate the sweeping claims I just made above; this is only a short blog post!) because The Pew Internet in American Life Project just today released some new findings on Social Media and Political Engagement [pdf]. Here are most of the findings:  more...

I’d like to point readers to a terrific three-part essay by Laura Portwood-Stacer on three reasons why people refuse media, addiction, asceticism, and aesthetics. We can apply this directly to what might become an increasingly important topic in social media studies: social media refusers, already (edit: and unfortunately, as Rahel Aima points out) nicknamed “refusenicks”. There will be more to come on this blog on how to measure and conceptualize Facebook (and other social media) refusal, but let’s begin by analyzing these three frameworks used to discuss social media refusal and critique some of the underlying assumptions. more...

Social media blurs private and public, production and consumption, play and work, physical and digital. There. I just saved myself about 500 words worth of work.

Now with this blurring framework in mind, let us take a look at Facebook’s newest feature:  Pay-to-Promote posts. more...

Presidential debates might be the single political event where Marshall McLuhan’s infamous phrase “the medium is the message” rings most true. Candidates know well that content takes the back seat, perhaps even stuffed in the trunk, during these hyper-performative news events. The video above of McLuhan on the Today show analyzing a Ford-Carter debate from 1976 is well worth a watch. The professor’s points still ring provocative this morning after the first Obama-Romney debate of 2012; a debate that treated the Twitter-prosumer as a television-consumer and thoroughly failed the social medium.  more...

The video above is a “funny” take on the role of Twitter in our everyday lives from this past summer (I think). I know, who cares about celebrities and nothing is less funny than explaining why something is funny. But because the video isn’t really that funny to begin with, we’ve nothing to lose by quickly hitting on some of the points it makes. Humor is a decent barometer for shared cultural understanding for just about everything, indeed, often a better measure than the op-eds and blog posts we usually discuss in the quasi-academic-blogosphere. Those who made this video themselves are trying to tap into mainstream frustrations with smartphones and social media and their increasingly central role in many of our lives. So let’s look at the three main themes being poked at here, and I’m going to do my best to keep this short by linking out to where I’ve made these arguments before.

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PJ Rey just posted a terrific reflection on hipsters and low-tech on this blog, and I just want to briefly respond, prod and disagree a little. This is a topic of great interest to me: I’ve written about low-tech “striving for authenticity” in my essay on The Faux-Vintage Photo, reflected on Instagrammed war photos, the presence of old-timey cameras at Occupy Wall Street, and the IRL Fetish that has people obsessing over “the real” in order to demonstrate just how special and unique they are.

While I appreciate PJ bringing in terrific new theorists to this discussion, linking authenticity and agency with hipsters and technology, I think he focuses too much on the technologies themselves and not enough on the processes of identity; too much on the signified and not where the real action is in our post-modern, consumer society: the signs and signifiers. more...

Photos by Nathan Jurgenson, taken in Washington, D.C., 17, January 2012.

Malcolm Harris has posted one of the most provocative things I’ve ever read about social media, “Twitterland.” I’d like to point you the story and go through some of the many issues he brings to light. Harris’ story is one of theorizing Twitter and power; it can reinforce existing power imbalances, but, as is the focus here, how it can also be used to upset them.

Digital Dualism
Harris begins by taking on the idea that Twitter is a “tool” or an “instrument”, arguing that, no, Twitter is not a map, but the territory; not the flier but the city itself; hence the title “Twitterland.” However, in nearly the same breath, Harris states he wants to “buck that trend” of “the faulty digital-dualist frame the separates ‘real’ and online life.” As most readers here know, I coined the term digital dualism and provided the definition on this blog and thus have some vested interest in how it is deployed. And Harris’ analysis that follows indeed bucks the dualist trend, even though I would ask for some restating of the more theoretical parts of his argument. I’d like to urge Harris not to claim that Twitter is a new city, but instead focus on how Twitter has become part of the city-fabric of reality itself. more...

Stories In Focus, posted by Sarah Wahnecheck two days ago, is a brief exploration of Bokeh that strikes me as a great start to something bigger. This is just a quick followup, asking Sarah and others to think more about the reality that amateur, documentary and news footage is increasingly coming to look like art films, specifically the effect of having one thing in sharp focus with the rest blurred and out of focus. more...