I learn a lot on Tumblr. I follow a lot of really great people that post links, infographics, GIF sets, and comics covering everything from Star Trek trivia to trans* identity. I like that when I look at my dashboard, or do a cursory search of a tag I will experience a mix of future tattoo ideas and links to PDFs of social theory. Invariably, within this eclectic mix that I’ve curated for myself, I will come across a post with notes that show multiple people claiming that the post taught them something and so they feel obligated to reblog it so others may also know this crucial information. If you’re a regular Tumblr user you’re probably familiar with the specific kind of emphatic sharing. Sometimes it is implied by one word in all caps: “THIS!” In other instances the author is ashamed or frustrated that they didn’t know something sooner. For example, I recently reblogged a post about America’s Japanese internment camps that contained a note from another user who was angry that they were 24 when they first learned about their existence. I want to give this phenomenon a name and, in the tradition of fellow regular contributor Robin James’ recent “thinking out-loud” posts, throw a few questions out there to see if anyone has more insights on this. (more…)
So I’ve been thinking a lot about curation and its role in contemporary social life. I’ve had such thoughts before, and have since expanded upon them. Here’s where I am…
Curation is the act of picking and choosing, marginalizing and highlighting, adding, deleting, lumping, and splitting. Social life in itself is highly curatorial, as social actors necessarily filter infinite masses of stimuli, selecting and preening in intricate ways while sculpting performances out of the broad slabs that constitute affect, body, and demeanor. In what follows, I argue that new technologies—and social media in particular—amplify curation, facilitating its operation as a key organizing principle of augmented sociality.
Specifically, I briefly outline a three-pronged theory of curation, in which social actors curate their own performances, curate what they see, and are always subject to curatorial practices of others—both human and machine. I refer to curated performance as outgoing curation, curated viewing as incoming curation, and curation at the hands of others as third-party curation. (more…)
The author engaging in an activity that might be considered "planking." Circa 2009
In the Spring semester of my third year of college I had a stats class that really took the life out of me. One day I elected to take a brief nap in a dorm lounge. The picture above was taken shortly after I laid down, and subsequently posted on Facebook. Out of context, it appears as though I am planking- an internet meme in which individuals are photographed intentionally laying face-down in strange places. It has popped in an out of the global media for almost a decade but resurfaced over this summer into a world-wide activity. It has since inspired similar activities including owling, Batmanning, and stocking. I will refer to the entire trend collectively as “performative memes.” Unlike Anthropology Major Fox or lolcatz, these memes are about performing a certain embodied act, not producing an image for visual consumption. All around the world, friends are taking pictures of each other doing strange stunts and posting them on the internet. What exactly are we doing -socially- when we engage in performative internet memes?