The very fact that your eyes rolled (just a little bit) at the title tells you that it is absolutely true. So true its obnoxious to proclaim it. Perhaps cable news died when CNN made a hologram of Jessica Yeller and beamed her into the “Situation Room” just to talk horse race bullshit during the 2008 election. Or maybe it was as far back as 2004 when Jon Stewart went on Crossfire and shattered the fourth wall by excoriating the dual hosts for destroying public discourse. The beginning of the end might be hard to pinpoint, but the end is certainly coming. Fox News had its lowest ratings since 2001 this year, but still has more viewers than CNN & MSNBCNEWSWHATEVERITSCALLEDNOW combined. Even if ratings weren’t a problem, credibility certainly is. Imagine if CNN stopped calling themselves the “Most Trusted Name In News” and used the more accurate, “A Little Over Half of Our Viewers Think We’re Believable.” By now it is clear that the zombified talking heads of cable news are either bought and sold, or just irrelevant. Cable news channels’ hulking, telepresent bodies have been run through and left to rot on the cynical barbs of political bloggers and just about anyone at a comedy shop’s open-mic night. This last series of screw-ups in Boston (here, here, here and unless it was avant-garde electronic literature, here) begs the question if cable news channels can even tell us what’s going on anymore. Cable news is dead, but something keeps animating the corpse. (more…)
Last week the Supreme Court of the United States (SCOTUS) heard arguments on landmark civil liberties cases with regards to same-sex marriage. On Tuesday, the courts took on California’s Proposition 8—a ban on same-sex marriage, and on Wednesday they heard arguments on the constitutionality of DOMA, a law that excludes same-sex couples from federal recognition. In light of these cases, I saw two interrelated trends in my Facebook newsfeed: profile pictures in the form of the red Human Rights Campaign (HRC) equality sign (headline photo), and snarky status updates making fun of these HRC profile pictures, accompanied by a note of support for marriage equality[i]. That is, although both groups shared and expressed the same opinion about same-sex marriage, they disagreed about the appropriate methods for showing this support. This disagreement highlights debates about political activism in the face of new technologies and brings us back to the question: Does slacktivism matter? I will argue here, as I have argued before that yes, it does. (more…)
Is there a Dunbar’s Number for our documentary consciousness?
Dunbar argued that we can only keep up with about 150 people at a time, at which point we reach a cognitive saturation. Can this similar sort of saturation occur with the proliferation of ways we can document ourselves and others on social media? The ways someone holding a working smartphone can document experience grows not just with the number of sites one can post to, but also the number of available mediums of documentation: audio, video, photo, and their recombinations into things like GIFs and Vines whatever else I’m forgetting or will come next. Each new app carries with it a different audience with different expectations, adding to the documentary chaos.
Or: Given the proliferation of options, how should I document this cat? (more…)
This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). See the conference website for information as well as event registration. To the questions posed in the title of the panel “Whose Knowledge? Whose Web?”, the answer has too often, and too simplistically, been “everyone’s.” Among Web 2.0’s most strident enthusiasts, the rise of user-generated content is heralded as the reclaiming of knowledge production from entrenched institutions, allowing a brave new world of pluralist democracy to find expression online. These digital evangelists speak of the emancipatory promise of the Internet in language usually reserved for that of markets. In both cases, the prescription is the same: progress is a matter of access. Hence, the “digital divide” has become a discussion about disparities in connectivity rather than one about the expressions and reproductions of social inequalities online.
This panel, featuring work by Emily Lawrence, Piergiorgio Degli Esposti & Roberta Paltrinieri, Andrew Famiglietti, and Martin Irvine*, problematizes the rosy picture of a digital public sphere in two critical ways. The first problem is empirical: as Web 2.0 enters its second decade, how does its track record compare to its promise of producing pluralist knowledges? The second is theoretical: are offline social inequalities merely mapped onto new digital platforms, or do social formations in digital space create new forms of discrimination? Papers in this session examine how publics are formed online and what are their affinities, criteria for belonging, and methods of exclusivity.
Join us this Saturday at 2:30-4:00 for discussion—come as meat to Room B of the Theorizing the Web conference or watch via livestream and tweet your questions.
*Note: Due to an unforeseen scheduling conflict, Martin Irvine will not be able to attend the conference.
[Paper titles and abstracts after the jump.] (more…)
Image from Zeynep Tufecki/Technosociology.org
In the previous installment of this series, I set up what I characterize as the two primary areas of argument that stand against my primary claim: that social media technology and other forms of ICT, far from constraining emotional connections and the emotional power of solidarity-creating rituals, actually serve to facilitate emotions and the powerful connective work that emotional interaction does.
There are a number of ways that one could argue this is done, and Jenny Davis makes an especially pertinent argument in her post about the social cost of abstaining from digitally augmented forms of interaction. For the purposes of this piece, I want to focus my attention on the capacity of ICTs to facilitate the generation of emotional energy around contentious political action – especially contentious political action in a context of violent repression.
Photo Credits: (From left to right) Candice Borden, epicmealtime.com, and osandstrom.com
Since you are probably going to spend today arguing about Occupy Wall Street with your conservative family members and helping your parents with computer questions we figured you would appreciate some slightly ligher fare: internet cooking shows. But because we are social scientists, we can’t be satisfied with uncritical review. Therefore, I want to discuss how these cooking shows interact with, perform, reify, and probelmitize constructions of gender and nationality. The three shows I want to cover (I’m gonna have to pass on this and this. There’s a great article at dailydot.com that lists most internet cooking shows.) are Epic Meal Time, Regular Ordinary Swedish Meal Time, and My Drunk Kitchen. Full disclosure: I have a profound weakness for all of these shows, with increasing affinity in the order I just presented them. In case you’re unfamiliar with these shows, I’ll briefly introduce them and then get into the theory. [Images after the break might be considered NSFW.] (more…)
The difficulties we face in getting a wifi signal underneath these trees, tells us something important about our relationship to technology.
Commentary about the Internet and the various communication services it provides, regularly fall into utopian or distopian visions of radically new worlds. The utopias tell of a future in which we are all continually connected in a seamless egalitarian web of techno-democracy. The distopian warnings describe overstimulated zombies shuffling from computer screen to smartphone, hermetically sealed in the echo chamber of their choosing. These predictions are equally unlikely to occur any time in the near future, and for one simple reason- Its really hard (and expensive) to get a stable internet connection in a park. (more…)
A modern day panopticon. Photo by Nathan Jurgenson.
The first post I wrote for Cyborgology concluded that many of the dominant socio-technical systems in our world look and behave in a similar fashion. The entertainment industry, advanced military surveillance, search algorithms, and academic reference tools are swapping hardware and best practice in such a way that the carrying out of a military invasion, or the Super Bowl begins to look disturbingly similar. Around the time that I wrote that post, USAToday ran a disturbingly cheerful story about police departments’ desire to acquire similar technology. Miami’s police department acquired the Honeywell’s T-Hawk Micro Air Vehicle (MAV) a few moths later. The only regulations that prevented the MPD (or any police force) from acquiring such technology were FAA regulations about where and how it could be flown. Such acquisitions have gone largely unquestioned by the media as well. In fact, local coverage of the purchase was supportive. A local CBS affiliate led with the headline, “Dade Cops Waiting To Get Crime Fighting Drone Airborne.” This all seems very bleak, but just as powerful actors have increased their abilities to engage in surveillance, the individual has more tools than ever to watch the watchers. (more…)
The author engaging in an activity that might be considered "planking." Circa 2009
In the Spring semester of my third year of college I had a stats class that really took the life out of me. One day I elected to take a brief nap in a dorm lounge. The picture above was taken shortly after I laid down, and subsequently posted on Facebook. Out of context, it appears as though I am planking- an internet meme in which individuals are photographed intentionally laying face-down in strange places. It has popped in an out of the global media for almost a decade but resurfaced over this summer into a world-wide activity. It has since inspired similar activities including owling, Batmanning, and stocking. I will refer to the entire trend collectively as “performative memes.” Unlike Anthropology Major Fox or lolcatz, these memes are about performing a certain embodied act, not producing an image for visual consumption. All around the world, friends are taking pictures of each other doing strange stunts and posting them on the internet. What exactly are we doing -socially- when we engage in performative internet memes?
Crowds in Times Square waving at themselves on the big screen. Photos in this post by nathan jurgenson.
Something interesting has been happening in Times Square this summer. As has been occurring for a century, the crowds gather with necks perched upward looking at all the famously illuminated billboards. But now there is a new type of buzz in the crowd: they stand together facing the same direction, cameras held high and their hands waving even higher. They are not just watching celebrities or models in this the most expensive ad-space in the world; today, they are watching themselves on the big screen.
This is all part of a new billboard for the company Forever 21 currently in use in Times Square in the heart of New York City. It struck me that this billboard is nothing short of a consumer-capitalism-happening, and started snapping photos and thinking about what this all might mean. (more…)