So I’ve been thinking a lot about curation and its role in contemporary social life. I’ve had such thoughts before, and have since expanded upon them. Here’s where I am…
Curation is the act of picking and choosing, marginalizing and highlighting, adding, deleting, lumping, and splitting. Social life in itself is highly curatorial, as social actors necessarily filter infinite masses of stimuli, selecting and preening in intricate ways while sculpting performances out of the broad slabs that constitute affect, body, and demeanor. In what follows, I argue that new technologies—and social media in particular—amplify curation, facilitating its operation as a key organizing principle of augmented sociality.
Specifically, I briefly outline a three-pronged theory of curation, in which social actors curate their own performances, curate what they see, and are always subject to curatorial practices of others—both human and machine. I refer to curated performance as outgoing curation, curated viewing as incoming curation, and curation at the hands of others as third-party curation. (more…)
This is the first post in a new Cyborgology series we call #review. #review Features links to, summaries of, and discussions around academic journal articles and books. This week, I’m reviewing:
Goodings, Lewis and Ian Tucker. 2014. “Social Media and the Co-Production of Bodies Online: Bergson, Serres, and Facebook’s Timeline.” Media Culture & Society 36(1):37-51. [paywalled PDF]
Goodings and Tucker work to understand the difficulties of embodiment in light of pervasive technological mediation, and in particular, Facebook’s Timeline. They do so using data from 8 focus groups, with a total of 25 participants.
The authors refer to technologically mediated embodiment as that embodiment which exists in light of, and conjunction with, pervasive electronic and digital media. Through the work, the authors identify two key problems or difficulties of technologically mediated embodiment. First, technologically mediated embodiment troubles communicative boundaries, as multiple networks, with varying expectations, converge together in shared social spaces. Second, technologically mediated embodiment stifles the fluid nature of personal biography, cementing the past in ways which inhibit future re-interpretations of the self. (more…)
I’d like to start off with an admittedly grandpa-sounding critique of a piece of technology in my house: My coffee maker’s status lights are too bright. My dad got it for my partner and I this past Christmas and we threw-out-the-box-immediately-wanna-keep it, but the thing has a lighthouse attached to it. We live in a relatively small (and very old) place and our bedroom is a small room right off the kitchen. The first night we had the coffee maker I thought we had forgotten to turn off the TV. We don’t really need alarm clocks anymore either, because when it finishes brewing it beeps like a smoke detector. Again, we love the coffee maker (Dad, seriously we love it.) but sometimes it feels like wearing a shoe that was designed for someone with six toes. (more…)
Hello, Cyborgology…it’s been a while. I’ve missed you, but I haven’t quite known what to say. Which is weird, right? Strangely enough, I’ve got half a dozen half-finished posts on my computer—twenty-thousand someodd words of awkward silence waiting to be wrapped up and brought into the world.
Writer’s block happens to the best of us, or so I’m told. What’s been strange for me is looking back and realizing that the last thing I posted was my piece from the beginning of #ir14, the 14th Annual Conference of the Association of Internet Researchers. I say “strange” because I had an amazing experience at #ir14, and left it feeling so excited about my field and my work and what I imagine to be possible. And yet, in the two months since, something’s been off. I’ve managed to submit to a couple of important abstracts, and I continued sitting in on a really cool seminar, and I’ve plunged into the work of helping to organize this year’s Theorizing the Web (a conference about which I’m passionate, to say the least). But my words went somewhere, have been gone.
I realized recently, however, that it’s not about some kind of post-#ir14 crash. It’s actually about what happened after.
The What-Would-I-Say App, (#wwis) created by HackPrinceton, has garnered widespread popularity. The app basically amalgamates your Facebook posts, rearranges them, and computes a best guess at what you, the Facebook user, would say. According the app’s creators, here’s how it works: (more…)
A rendering of Facebook’s new Anton Menlo subdevelopment.
Silicon is a cyborg element. You can find it everywhere, but almost always bonded to something else. Silicon is the second-most abundant element on the planet and yet you have probably never seen it in its pure form. (For the record, it looks kind of like a leftover baked potato wrapped hastily in tin foil.) Entire geographic formations are named after the element, but (and I think this might be a first for naming conventions) those places have largely nothing to do with the extraction or even refinement of that element. Silicon is a prerequisite, a synecdoche for a larger industry that demands we refine and purify this promiscuous metal into a predictable and highly controlled component. True to its namesake, Silicon Valley (not to mention Austin’s lesser-known “Silicon Hills”) is an exercise in refinement. Intricate and eclectic streets are tossed aside in favor of gleaming, modern campuses with strict access control. It is a place where functions are separated so that they may reach the sorts of optimal efficiencies that Le Corbusier promised and Moses tried to deliver. But unlike Moses or Le Corbusier, the planners and corporate patrons of Silicon Valley are making places meant to be freely chosen. (more…)
Not gonna show images of #Trayvonning.
Note: This article discusses virulent racism and white privilege. However, every effort has been made to not post or link to the images discussed below.
At first, I didn’t want to write about the privileged little shits who, sometime around May of last year, got it in their heads that it would be funny to lay facedown on the floor with some skittles and tea and call it #trayvonning. The Zimmerman verdict brought the disgusting meme back into timelines and news cycles, so I feel obliged to make short mention of it. I thought it would be disingenuous of me to write a post for just about every other (1, 2, 3) performative internet meme without mentioning this disgusting bit of racism. #Trayvonning shows up on the usual platforms –Facebook, Twitter, Instagram, and Tumblr—albeit I don’t see as much #Trayvonning as I did #standingman or even #eastwooding in its heyday. There are no dedicated web sites to #Trayvonning (although I haven’t checked Stormfront), nor have I ever seen the hashtag reach trending status. If there’s any silver lining to this story it’s the fact that I encountered many more people deriding the meme, than participating in it. (more…)
I “Like” CNN on Facebook. Not because I enjoy getting the news on my Facebook feed (my friends do that) but because I love watching a bunch of people hate on CNN. As the above photo demonstrates, CNN tends to show its ass a lot. Asking your readers about the Royal Family’s baby on the 4th of July, will undoubtedly piss off a dozen different demographics. It is constantly being called out for doing all of the things we know are wrong with American cable news. There are dozens, in some cases even hundreds, of comments about calling a revolution a coup, ignoring the important parts of stories, and generally missing the mark when it comes to stewarding and curating these weird things we generally call “national conversations.” I just want to know why CNN chooses to subject their brand to such public, naked criticism on a daily basis. (more…)
One problem with taking social problems and re-framing them as individual responsibility is that it ends up blaming victims instead of pressuring root causes. This mentality creates a temptation to, for example, respond to the NSA scandal involving the government tapping into Internet traffic with something like, “well stop posting your whole life on Facebook, then”. Or less glib is the point raised many times this month that the habit of constant self-documentation on social media has made possible a state of ubiquitous government surveillance. The brutality of spying is made both possible and normal by the reality of digital exhibitionism. How can the level of government spying be so shocking in a world where people live-tweet their dinner? Perhaps we should stop digitally funneling so much of our lives through Gmail now that the level of surveillance is becoming clearer. Sasha Weiss writes in The New Yorker that, (more…)
People coming out of their homes and into the streets to particpate in #duranadam or #standingman. Photo by @myriamonde and h/t to @zeynep
In Taksim Square, at around 8PM local time, a man started standing near Gezi park facing the Atatürk Cultural Center. According to CNN –and more importantly Andy Carvin (@acarvin) and Zeynep Tufekci (@zeynep) — the man is believed to be Erdem Gündüz, a well known Turkish performance artist who has inspired a performative internet meme that has already made it around the globe. (There’s a nice Storify here. Thanks to @samar_ismail for putting it on my radar.) Gündüz and his supporters were removed by police after an 8 hour stand-off (in multiple senses of the term) but now that small act has gone viral and spread well beyond Taksim Square. The idea is simple: a photo, usually taken from behind demonstrates that person’s solidarity with those hurt or killed by Turkish police actions in the past month, and the increasingly repressive policies of that country’s government in the last few years. On twitter, the hashtag #duranadam (“duran adam” is “the standing man” in Turkish) quickly spilled over the borders of Turkey and has been translated to #standingman as more people in North America and Western Europe start to stand in solidarity with those in Taksim. #standingman is an overtly political meme because, unlike other performative memes like #planking, #owing, or even #eastwooding, it is meant to demonstrate a belonging to a cause. (more…)