agency

With advances in machine learning and a growing ubiquity of “smart” technologies, questions of technological agency rise to the fore of philosophical and practical importance. Technological agency implies deep ethical questions about autonomy, ownership, and what it means to be human(e), while engendering real concerns about safety, control, and new forms of inequality. Such questions, however, hinge on a more basic one: can technology be agentic?

To have agency, technologies need to want something. Agency entails values, desires, and goals. In turn, agency entails vulnerability, in the sense that the agentic subject—the one who wants some things and does not want others—can be deprived and/or violated should those wishes be ignored.

The presence vs. absence of technological agency, though an ontologically philosophical conundrum, can only be assessed through the empirical case. In particular, agency can be found or negated through an empirical instance in which a technological object seems, quite clearly, to express some desire. Such a case arises in the WCry ransomware virus ravaging network systems as I write. more...

There has been a lot of talk about magic lately in critical, cultural and technological spaces; what it does, who it is for, and who are the ones to control or enact it. As a way of unpacking a few elements of this thinking, this essay follows on from the conversations that Tobias Revell and I, and a whole host of great participants had at Haunted Machines, a conference as part of FutureEverything 2015 which examined the proliferation of magical narratives in technology. With our speakers we discussed where these stories and mythologies reveal our anxieties around technology, who are the ones casting the spells, and where – if possible – these narratives can be applied in useful ways.

As an ex-literature student, I’m quite interested in ghost stories as analogy, because they can reveal, or be an interesting way of exploring, these anxieties; where the voices in the static are coming from, where the pipes are creaking, and what they tell us about what our technology is doing or can potentially do to us.

I’m going to use a load of slightly ham-fisted contemporary narratives to signpost the anxieties that come out of two personal and increasingly algorithmically mediated spaces: the social network and in the home. Where does the role of narrative in magic, the supernatural, and the unknown allow us to get a better grasp of technology’s power over us?  Where are the uncertain terrains of our technologies creating the capacity for hauntings, and where can techniques used to imagine future scenarios better equip us for the ghosts to come? When we think of a haunting, we think of the unseen forces acting upon our domestic space, and when considering technology, a reappropriation of Clarke’s third law that Tobias Revell summoned with his work on Haunted Machines can apply– Any sufficiently advanced hacking is indistinguishable from a haunting. But where else are we haunted? more...

PJ Rey just posted a terrific reflection on hipsters and low-tech on this blog, and I just want to briefly respond, prod and disagree a little. This is a topic of great interest to me: I’ve written about low-tech “striving for authenticity” in my essay on The Faux-Vintage Photo, reflected on Instagrammed war photos, the presence of old-timey cameras at Occupy Wall Street, and the IRL Fetish that has people obsessing over “the real” in order to demonstrate just how special and unique they are.

While I appreciate PJ bringing in terrific new theorists to this discussion, linking authenticity and agency with hipsters and technology, I think he focuses too much on the technologies themselves and not enough on the processes of identity; too much on the signified and not where the real action is in our post-modern, consumer society: the signs and signifiers. more...

We all know the trope: In The Future—near or distant—food will come in the form of a pill. The pill will offer optimal proportions of all necessary nutrients. It will be calorically dense, vitamin infused, moderately fatted, protein filled, fiber enhanced, time released, and highly precise. The consumer will be satiated. The body will be healthy. This is a pill of perfect consumptive efficiency. This is the predicted diet of the cyborg.

Indeed, as cyborgs, our practices of (literal) consumption are characterized by scientific engineering. Our food and food practices are more a product of laboratory and factory work than the sweat of tilling farmers. And yet, we have not come up with a successful food-replacement pill. Instead, we’ve generally (though not ubiquitously) developed a market and a mindset that  moves away from efficiency, developing and utilizing technological advancements to maximally consume with minimal caloric absorption. I offer here a few examples: more...

Last week I delineated Schraube’s concept of technology as materialized action—or the notion that material objects are simultaneously imbued with human subjectivity while independently affecting human experience. I concluded by noting that this relationship between built-in agency and independent efficacy makes the object necessarily precarious—leading often to unimagined consequences.

With this precariousness in mind, I want to focus here on the body as technology, and specifically I want to focus on the body as a potentially politicized technology. I do so using the case of body size.

The body is simultaneously infused with human meaning and independent efficacy. The body is an object created out of human choices about (literal) consumption, adornment, and sculpture. At the same time, the body tells the person to ‘eat this, wear that, desire hir, move like this.’ The body then, as materialized action, is necessarily precarious. We cannot know what affect the relationship between the person and hir body will produce. Does a thin body reflect and affect fitness, or does it reflect and affect poor body image and restrictive self-control? Does a fat body reflect and affect indulgence, or does it reflect and affect acceptance and pleasure? more...

Several weeks ago, David Strohecker wrote a post about Tattoos and the Augmented body.  In a response to this post, Ned Drummond wrote a thought provoking comment, in which she differentiates between “active” and “passive” cyborgs. I think this is an interesting distinction that deserves fleshing out.  A deeper exploration of this distinction will be fruitful in pushing the theoretical boundaries of of what it means to be a cyborg—or an inhabitant of augmented reality.

The first thing to acknowledge is that “active” and “passive” are necessarily fluid states, rather than hard dichotomies. This is something Ned and I fleshed out in the comments section of the above mentioned post. Specifically, I said:

I would venture to say that active and passive use of technology probably ranges on a continuum, and individual cyborgs are more or less active/passive in different moments.

I would add to this that individual cyborgs can be simultaneously active and passive—actively using one technology while passively using another, or even actively using one part of a technology while passively using another part.

Before I can offer examples of the activity/inactivity continuum, I must offer a definition of active and passive interaction with technology. When Ned wrote about it, the distinction hinged on rule following. Those who use a technology for its intended purpose(s) are more passive, while those who use a technology in unintended ways are more active.

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Last week, Kokoro Co. Ltd. released video of the latest iteration of its work in robotics, taking another step in the process of bridging the “uncanny valley”—the idea that the closer that robots and other non-human objects approach to looking authentically human, the stronger a reaction of revulsion, fear, or mistrust they inspire in their human observers. Kokoro is well-known in the robotics field for creating lifelike humanoid robots capable of recognizing and mimicking human facial expressions and body language. You may recognize the Kokoro name in reference to the I-Fairy, a humanoid robot that presided over a wedding in Japan last summer, and the Geminoid project, where customers can have themselves reproduced in silicone and wire.

The Actroid-F (the ‘F’ stands for female) robot was built and programmed to monitor patients in a hospital setting. Currently, programmers are teaching the robot to mimic patients’ facial expressions, and to recognize the differences in their smiles and grimaces. The result is a very lifelike robo-nurse that can be used to monitor the feelings and needs of hospitalized patients. On the surface, this seems like a good idea; we already use machines to monitor patient vital signs and administer life-saving medicines, so why not use machines to monitor patient morale? more...