Cyborgology

Facebook just enabled its new Graph Search for my profile and I wanted to share some initial reactions (beyond the 140 character variety). Facebook’s new search function allows users to mine their Facebook accounts for things like: “Friends that like eggs” or “Photos of me and my friends who live near Chuck E. Cheese’s. ” The suggested search function is pretty prominent, which serves the double role of telling you what is searchable and how to phrase your search.  More than anything else, Graph Search is a stark reminder of how much information you and your friends have given to Facebook. More importantly however, it marks a significant change in how Facebook users see each other and themselves in relation to their data.. You no longer see information through people; you start to see people as affiliated with certain topics or artifacts. Graph Search is like looking at your augmented life from some floating point above the Earth. (more…)

E. Gabriella Coleman’s new book Coding Freedom: The Ethics and Aesthetics of Hacking (2012, Princeton University Press) is an ethnography of Free and Open Source Software (F/OSS) hackers working on the Debian Linux Operating System. It is a thorough and accessible text, suitable for  someone unfamiliar with open source software or coding. It would make an excellent addition to an IT and Society 101 course syllabus, or a reading group on alternative work organization. Coleman’s greatest achievement in this text, however, is not the accuracy of her depiction, but the way in which she dissects the political and economic successes of the open source community. By claiming absolute political neutrality, but organizing work in radical ways, contributors to F/OSS “sit simultaneously at the center and margins of the liberal tradition.” (p. 3) Coleman argues that while F/OSS, “is foremost a technical movement based on the principles of free speech, its historical role in transforming other arenas of life is not primarily rooted in the power of language or the discursieve articulation of a broad political vision. Instead, it effectively works as a politics of critique by providing a living conterexample…” (p. 185) (more…)

R.U.X. (Rockwell Universal Sexbots), written by Maurice Martin and directed by Sun King Davis, was first written and performed as a charity effort to raise money for HIPS (Helping Individual Prostitutes Survive); it ran as a five-part serial in Arlington’s October 2011 Hope Operas. It was rewritten as a full play for DC’s 2012 Fringe Festival, where it took the award for best comedy. The show just finished up a brief encore at Fall Fringe. While this comedy has already been widely and positively reviewed by DC theater critics, it deserves a piece that engages its rather weighty themes.

The story takes place in near-future America (similar in setting to the spate of early twenty aughts robot films such as Bicentennial Man, A.I., and I, Robot), where anthropomorphic robots have become a common consumer product. Louis Rockwell Jr. (John Tweel) has just been made acting CEO of the Rockwell Universal Carebots company, after his father (Frank Mancino) fell into a coma. Louis Jr. has a new vision that would transition the company away from producing robots designed for childcare and, instead, move it into designing robots for—you guessed it—sex.  After rebranding the company “Rockwell Universal Sexbots,” he hires Dr. Callie Veru (Aubri O’Connor), a young and romantically inexperienced software expert to program the robots with the capacity to fulfill human desire. To program robots to respond to human desire, however, the characters must first understand it, and this interrogation of human desire becomes the axis on which the entire plot rotates. (more…)

The theory and policy of Internet connectivity has not kept pace with the increasing diversity of network access. The full variety of access points, social practices, and meaning created by networked individuals has not been critically engaged by most authors.  Jenna Burrell’s new book Invisible Users: Youth in the Internet Cafe’s of Urban Ghana is the start of a major corrective in the social sciences’ treatment of the Internet. For “nonelite urban youth” the internet café provides an opportunity to extend one’s social network outside of the zongo (colloquial term for slum) that they grew up in, and gain access to resources and contacts they would otherwise never acquire. A majority of Burrell’s work takes place in these cafés but we are also treated to a discussion of global ewaste streams, international consortiums on the “information society” and the collective reputation and shared meaning of Ghanaians  on the Internet. Burrell provides a broad, but at times penetratingly deep look at the Internet from the margins.  (more…)

I’ve recently been auditing a course with Jason Farman on “Space, Place, and Identity in the Digital Age” and he assigned a piece that was so profoundly relevant to this blog that I had to post about it immediately.

Lev Manovich’s 2006 article “The poetics of augmented space” published in Visual Communication (which he had apparently been working on since 2002 [edit: the article was actually first published in 2002]) is the earliest that I am aware of anyone using the term “augmented reality” in the broader sociological context of social interaction that flows between digital and physical (as opposed to the more limited computer science definition that describes it as merely the overlaying of digital information on the physical environment). (more…)

Labor and non-labor develop an identical form of productivity, based on the exercise of generic human faculties: language, memory, sociability, ethical and aesthetic inclinations, the capacity for abstraction and learning. From the point of view of “what” is done and “how” it is done, there is no substantial difference between employment and unemployment. It could be said that: unemployment is non-remunerated labor and labor, in turn, is remunerated unemployment. -Virno (Grammar of the Multitude, p. 103)

I’m deep into my second comprehensive exam, so I’m going to self-servingly post some notes on various things I’m reading. (Feedback is most welcome.) Though Paulo Virno only mentions the Web once in In Grammar of the Multitude (p. 43), the four lectures that comprise the book are of deep relevance to the political economy of social media, particularly in situating them in the broader historical trend toward post-Fordist production.

Let’s start by unpacking that phrase “post-Fordism.” Fordism refers to Henry Ford’s innovations in assembly line production in his automotive plants. The assembly line had profound social consequences in that it made the tasks of each worker so repetitive and simplified that anyone could do them. That is to say, the assembly line created a de-skilled workforce. Fordism is also generally linked to Taylorism, which refers to Fredrick Taylor’s attempts to introduce scientific rationality in the workplace through time-and-motion studies and pay-for-performance. (more…)

The following is a  review of Lee Rainie and Barry Wellman’s new book Networked: The New Social Operating System (MIT Press).

Broad Summary
Rainie and Wellman, using scores of data, argue that we live in a networked operating system characterized by networked individualism. They describe the triple revolution (networked revolution, internet revolution, and mobile revolution) that got us here, and discuss the repercussions of this triple revolution within various arenas of social life (e.g. the family, relationships, work, information spread). They conclude with an empirically informed guess at the future of the new social operating system of networked individualism, indulging augmented fantasies and dystopic potentials. Importantly, much of the book is set up as a larger argument against technologically deterministic claims about the deleterious effects of new information communication technologies (ICTs).
(more…)

Over the last couple of weeks I’ve put together a two part essay/review-like object that explores how one particular work of science fiction speaks directly to certain ideas of what cyborgs are and what it means to be them, with an eye toward a broader appreciation for how fiction allows for a richer understanding of theory. The full piece is below.

Cyborg writing is about the power to survive, not on the basis of original innocence, but on the basis of seizing the tools to mark the world that marked them as other.  –Donna Haraway

Inanna cast down Tammuz and stamped upon him and put out his name like an eye. And because Tammuz was not strong enough, she cut him into pieces and said: half of you will die, and that is the half called Thought, and half of you will live, and that is the half called Body, and that half will labor for me all of its days, mutely and obediently and without being King of Anything, and never again will you sit on my chair or wear my beautiful clothes or bear my crown of being.

You might be surprised, but this is a story about me.  –Catherynne M. Valente

Speculative fiction and this blog are not strangers to each other; it’s been written about here before,  as a means to understanding how the present has come to look the way it does, and as a means for the imagining of potential futures (also zombies). Indeed, the term cyborg always brings with it a host of connotations firmly rooted within SF, however much it may also describe a current and very real state of being. The important thing to pay attention to here is the power of stories – the ways in which they can serve as a way to do theory in a kind of experimental setting that would otherwise be impossible. In SF – and in fiction in general – we can take the implications of theory and watch them play out, see what they would look like, solidify them in words and images, pick parts of them up and move them around. We can tweak settings and watch other worlds unfold in response.

(more…)

The dichotomies between mind and body, animal and human, organism and machine, public and private, nature and culture, men and women, primitive and civilized are all in question ideologically. — Donna Haraway

I have tried to explain to her about my feelings before. All she hears is the line from the old folktales: a machine cannot have feelings. But that is not what I am saying, while I dance in my fool’s uniform. I am saying: Is there a difference between having been coded to present a vast set of standardized responses to certain human facial, vocal, and linguistic states and having evolved to exhibit response b to input a in order to bring about a desired social result? – Catherynne M. Valente

Almost all SFnal stories that deal with human-created life forms deal, sooner or later, with a central issue: What’s the nature of the relationship between us and them? Are they threats? Will they replace us? Do they have to be controlled? At what cost? Do they want to destroy us? Do we want to destroy them? Perhaps most importantly: What does their existence mean for our own identities? How do we understand the us through the them?

In the first part of this essay I outlined some of the ways in which Valente’s AI Elefsis presents us with a uniquely powerful imagining of some of the central concepts in Donna Haraway’s A Cyborg Manifesto, including the rejection of clear lines between the categories of digital/physical, ideas/bodies, organic/artificial, human/animal, and object/person. What I want to talk about in the second part of this essay is how Silently and Very Fast goes beyond the troubling of these categorical lines and directly questions the hierarchies that underpin them, through the challenging of some very old SFnal tropes.

(more…)