Cyborgology

Image from Zeynep Tufecki/Technosociology.org

In the previous installment of this series, I set up what I characterize as the two primary areas of argument that stand against my primary claim: that social media technology and other forms of ICT, far from constraining emotional connections and the emotional power of solidarity-creating rituals, actually serve to facilitate emotions and the powerful connective work that emotional interaction does.

There are a number of ways that one could argue this is done, and Jenny Davis makes an especially pertinent argument in her post about the social cost of abstaining from digitally augmented forms of interaction. For the purposes of this piece, I want to focus my attention on the capacity of ICTs to facilitate the generation of emotional energy around contentious political action – especially contentious political action in a context of violent repression.

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Egyptian solidarity protest in Paris, Jan. 2011. Image by Jacques Delarue.

When it comes to thought and research on social movements and technology (separately and together), emotion is that crucial piece of the picture that everyone technically sees but hardly anyone explicitly acknowledges as worth paying attention to in its own right. Some of this is likely because emotion is hard to study in any way that social science would consider rigorous; it’s often taken as something fundamentally irrational and therefore fundamentally inexplicable. It is highly subjective. It is culturally and situationally constructed, and therefore conceptually slippery. It is interior; it is a difficult thing to see and to know. If explicitly drawing it out as an important factor is problematic for some, identifying it as a variable capable of carrying any causal weight is even more so.

Regarding technology and social movements combined, there is the question of how the digital and physical play out as far as what ends up really being important. What is the relationship between the two? Where exactly is the body in augmented contention and is the way in which it matters changing? What is really going on when we see a bunch of street protesters carrying smartphones?

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Photo by Jim Potter/Blind Owl Underground

In part one of this essay, I focused on the atemporality of the physical spaces from which “ruin porn” images are made. This may have seemed like a bit of an aside from a take that purports to be technology-focused, but I want to emphasize the importance of physicality here–one of the crucial – if not the most crucial – ideas behind atemporality in the sense in which I use the word is the profound connection between our perception and understanding of time and our relationship with the enmeshed physical/digital world that our technology is increasingly helping to create. In short, we cannot discuss the digital in this case without first establishing why and how the physical matters.

But now I want to focus on that move from physical to digital, the point of entanglement where one shades into another and the relationship between the two becomes truly complex. I want to talk about the image itself, both in terms of its production and its consumption.

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Photo by Matthew Christopher

Atlantic Cities’ feature on the psychology of “ruin porn” is worth a look–in part because it’s interesting in itself, in part because  it features some wonderful images, and in part because it has a great deal to do with both a piece I posted last week on Michael Chrisman’s photograph of a year and with the essay that piece referenced, Nathan Jurgenson’s take on the phenomenon of faux-vintage photography.

All of these pieces are, to a greater or lesser extent, oriented around a singular idea: atemporality – that the intermeshing and interweaving of the physical and digital causes us not only to experience both of those categories differently, but to perceive time itself differently; that for most of us, time is no longer a linear experience (assuming it ever was). Technology changes our remembrance of the past, our experience of the present, and our imagination of the future by blurring the lines between the three categories, and introducing different forms of understanding and meaning-making to all three – We remember the future, imagine the present, and experience the past. The phenomenon of “ruin porn” is uniquely suited to call attention to our increasingly atemporal existence, and to outline some of the specific ways in which it  manifests itself.

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Photo by Michael Chrisman

One of the most heavily trafficked posts on this blog in 2011 was Nathan Jurgenson’s excellent essay on “faux-vintage” photography and the construction of meaning in documentation; given the discussion around this phenomenon, it’s interesting to consider photographer Michael Chrisman’s year-long photo project, especially in the details of how it was processed and how you and I are able to view it above.

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Photo by Howard Schatz

My post today comes from a class on ableism and disabled bodies that I taught earlier this past semester in my Social Problems course. Its inception came from the point at which I wanted to introduce my students to Donna Haraway’s concept of cyborgs, because I saw some useful connections between one and the other.

My angle was to begin with the idea of able-bodied society’s instinctive, gut-level sense of discomfort and fear regarding disabled bodies, which is outlined in disability studies scholar Fiona Kumari Campbell’s book Contours of Ableism. Briefly, Campbell distinguishes between disableism, which are the set of discriminatory ideas and practices that construct the world in such a way that it favors the able-bodied and marginalizes the disabled, and ableism, which is the set of constructed meanings that set disabled bodies themselves apart as objects of distaste and discomfort. In this sense, disabled bodies are imbued with a kind of queerness – they are Other in the most physical sense, outside and beyond accepted norms, unknown and unknowable, uncontrollable, disturbing in how difficult they are to pin down. Campbell identifies this quality of unknowability and uncontainability as especially, viscerally horrifying.

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Photo by David Shankbone, September 30th, NYC

Two days ago, Nathan Jurgenson wrote on what has become one of the central questions around Occupy Wall Street: Now that the encampments are closing up and the winter is coming on, can Occupy survive? The crucial point that Nathan makes is that we need to think about Occupy not just in terms of space but in terms of time – that permanence has been a part of what’s given the movement so much symbolic and discursive power. Nathan brings up an additional point, to which I want to respond here: that the role of physical permanence that the encampments represented was powerful because it resulted in a form of cognitive permanence in the minds of everyone who saw them (and heard them; the auditory side of Occupy is also vital to pay close attention to).

While I clearly agree with Nathan that the physical permanence that tents represent has been what’s given Occupy a lot of its power, I think we can glean enough evidence from how things have proceeded so far to at least make an educated guess at an answer to his question. For me, the answer is yes: I expect that Occupy will survive the winter and emerge in spring, albeit – like a bear emerging from hibernation – perhaps in somewhat of a different shape. There are several reasons why I come down on this side of things.

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When the occupiers in Zuccotti Park began setting up tents, it was an inherently practical move. After cold, uncomfortable nights on tarps and huddled into sleeping bags (a situation imposed by a no-tent policy in the park, which was eventually not enforced), tents were a welcome way to make an occupied space more of a home, and closer to familiar conceptions of an established community.

But we need to understand tents as more than just tents.

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Occupy Berlin!

With all the rhetoric around “Facebook Revolutions” and “Twitter Revolutions”¹ that we’ve had to endure over the last couple of years, it’s easy to get the sense that there’s something new about the character of contemporary political protest and revolutionary action, and that this newness is, in some fundamental way, the practical result of the omnipresent nature of technology. It’s difficult to miss the profound interweaving and enmeshing of the physical and digital aspects of protest as we see it in both the Arab Spring and Occupy Wall Street – the weight of the protests produced by the occupation of physical space by gathered human bodies, coupled with the constant documentation and nearly instantaneous sharing of images, video, and text that have chronicled these physical occupations and arguably helped them to grow – in short, the augmented nature of contemporary social action. We see this and to us it feels new. Even if we recognize that there are old things at work here – symbolism, patterns of mobilization and diffusion, pieces of the past reclaimed for the purpose of the present – we at least feel instinctively that there is something novel about the Arab Spring, Occupy, and all the other movements and events that have birthed themselves in correlation.

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