Lewis Powell (1865)
Go read “Dead And Going To Die”, a beautiful essay by Michael Sacasas posted today at The New Inquiry on the subjectivity expressed by people in old photographs. Part of why subjects look different in these images is they are expressing a different subjectivity to the camera lens. As the photographic gaze went from novelty to ubiquity, we’ve collectively oriented our selves to the camera differently. (more…)
what’s a bot and what’s human and where do we draw the line and should we draw that line
Yesterday, we learned that the most infamous Weird Twitter account, @Horse_ebooks, wasn’t a algorithmically-programmed “bot” but instead the product of a person tweeting as if. The revelation was accompanied by a live performance of the account in a Manhattan art gallery. While much is being written about the account, I’d like to share one thought about the live performance and what this all says about what is real and virtual, “bot” and human. In one day, @Horse_ebooks went from bot to human, and as I’ll argue, embodied in an art gallery, right back towards bot. (more…)
Becoming a parent has inflected how I see everything in the world, including the practice of “being online.” I apologize for using scare quotes so soon into this essay, but it feels necessary. “Online” contains several types of possible connection, as Jenny Davis and others at Cyborgology have argued. And the “being” part is what needs to be at stake: how does the way in which we exist change when that existence is networked and distributed? The anthropology of “being online” therefore includes a consideration of the ontological effects on people as much as empirically measurable effects of using iPads and Facebook.
A common narrative, and one Cyborgology has consistently disputed, is that “technology” or “social media” or “the digital” have impinged on an authentic mode of life that previously existed and which we retroactively call “offline.” This narrative relies on constructing images that can quickly code as “authentic,” as in this video that Nathan Jurgenson has dissected. The graphic above, from a New York Times essay, crystallizes this narrative as it makes us of family and child-rearing as an icon of authentic offline living. Devices and the information they present come between a parent and the child. They blot out the child’s pleading face. Tellingly, the phone is represented as blank–the viewer is not asked to make a judgment about the value of what the person is doing with the phone (checking Twitter? responding to an email? calling 911?), they are asked to condemn its vacuity. (more…)