popular culture

“What are you supposed to wear to a convention if your comic book idol’s costume is a corset and thong?” asks sociology professor Dustin Kidd from Temple University in an interview with Philly.com.

Given the dress code at Wizard World Comic Con, the absence of a safe haven for nerds and geeks came as no surprise to HollabackPHILLY, a group aiming to end street harassment. They found an alarming amount of harassment directed at female cosplayers.

Cosplay is a chance to dress up in costume to honor or represent a character, usually from a comic book or similar medium. Unfortunately, many of the female characters are hypersexualized and the women who portray them can get brutally harassed at the conventions. As Kidd puts it,

Women in those kinds of outfits get read by men as displaying themselves for sexual reasons, as opposed to representing a superhero.

Some of the problems harken back to how people view female superheroes. A lot of female characters are portrayed wearing tight clothing or not much at all. Instead of being portrayed as strong and dignified like many of the male characters, they are portrayed as sexual.

As one woman who experienced harassment at AwesomeCon in Washington, D.C., describes,

…A man asked to take a photo with her and her friend. Then, he grabbed their breasts and urged his friend to snap the picture before they could wriggle free.

Psychology professor Kimberly Fairchild from Manhattan College talks about the negative consequences of harassment at conventions, saying

It makes women more likely to self-objectify. They start to think of themselves as body parts, objects, not full intelligent human beings . . . Objectification, in turn, has been linked to depression and anxiety.

To combat harassment, artist Erin Filson along with Rochelle Keyhan and Anna Kegler have created an advocacy group determined to make conventions a safer place. Under their banner of Geeks for CONsent, they have been lobbying for anti-harassment policies, trained volunteers and counseling for victims. Hopefully their efforts will serve as a new kind of kryptonite against nerd culture misogyny.

In a recent article for Forbes, Christina Blanch, an instructor and doctoral assistant at Ball State University in Muncie, Indiana, discussed the results of a recent Pew Global Attitudes Project survey about gender. Her study found that, around the world, the idea of a career-oriented woman is becoming more and more accepted. At the same time, the study found that when the economy is shaky and jobs are few and far between, there is still a prevailing idea that men are more deserving of scarce jobs. This work can help us understanding worldwide perceptions of gender, which, in turn, influence real world interactions and phenomenon just as the gender pay gap and how people behave toward those of another gender.

Blanch then goes on to describe the highly unconventional medium through which she has been studying gender: comic books. Since the earliest issues of Superman, comic books have reflected shifting cultural attitudes toward gender. During WWII, Superman was a bastion of masculinity and Lois Lane was a strong and independent woman… who became a classic “damsel in distress” once the boys came back home. Even the characters’ body types represent cultural attitudes, with male heroes becoming hyper-muscular during the steroid boom of the 1990s. More recently, comics have ventured into hot button issues such as gay marriage, with Marvel Comics’ first openly gay character getting married in 2012. Comics are generally associated with escapism, so it’s simply fascinating to see them being used to better understand our complex—and very real—society.

The Ottawa Citizen recently explored the portrayal of fathers on the small screen, unpacking the common perception that TV dads are increasingly shown as inept, lazy, or immature. Think Ward Cleaver as compared to Tim Taylor, Ray Barone, or Homer Simpson. Diana Miller, a sociology graduate student at the University of Toronto, designed a study to compare fatherhood in 1950’s sitcoms to more recent shows like Two and a Half Men and Everybody Loves Raymond. She found, actually, more similarities than differences:

There is almost no difference in how often men express anger or emotional attachment. And men in the 1950s were almost as likely to say they were being victimized by someone else, such as their boss, as they do in the recent sitcoms.

Men in both sets of sitcoms also show almost equal amounts of self-deprecating behaviour. In Make Room for Daddy, Danny Thomas made affable comments about his mechanical ineptitude. Fast-forward 35 years and Chandler Bing of Friends was often revealed as deeply insecure. It’s a different kind of self-deprecation, but there’s not much difference in the number of these incidents on television, says Miller.

Probably the greatest difference Miller noted is that men in the recent sitcoms make fewer imperative statements, are less likely to be respectful to others, and less likely to be respected by others. It might signal a decline in male authority, but it’s also a sign of all-around lower standards of decorum and politeness, she says.

Men in the recent sitcoms are also more likely to be immature. In Miller’s recent sample, there were about five times as many incidents of immaturity as in the 1950s series. But sitcom women have also become increasingly immature.

The opening ceremony of the Olympics is not short on inspiring imagery for the many millions who tune in around the globe. As the host country provides the spectacle and entertainment, athletes representing their respective countries march one after the other to cheers of the crowd. With such cooperation in the name of athletic competition, the Olympics can’t help but be a large step towards worldwide transparency, peace and equality. Right?

In a recent New York Times editorial, David Clay Large, a professor of history at Montana State University, suggests otherwise. Drawing on analysis of the 1936 Berlin Games, Large explains that there is little evidence that the Olympics works to open up repressive regimes. In fact, the inspiring tales of the Olympics taming Hitler’s Nazi regime are mostly myth.

The Olympics gave the Nazis a lesson in how to hide their vicious racism and anti-Semitism, and should offer today’s International Olympic Committee a cautionary tale when considering the location of future events.

While few would argue that the Berlin Olympics transformed Nazi Germany into the ideal international partner, it is commonly said that Hitler did reduce persecution of Jewish people during that time.

But the truth is more nuanced. Although the regime did discourage open anti-Semitism, this directive pertained only to Berlin. Outside the capital, the Nuremberg Laws remained in full effect.

Large explains that through employing deceitful tactics throughout the Olympics the Nazis learned how was easy it was to mislead the global public through superficial changes.

The article continues with Large deconstructing other pervasive myths about the value of the Berlin Games, including the well-told stories about the impact of Jesse Owens’ dominance. According to Large, the black American track-and-field athlete, did not simply force the Germans and people everywhere to rethink negative views towards black people; rather, the victory simply led to the group in power using the success to enforce negative views.

[T]he publicity surrounding black athletes’ success simply taught the Nazis how to refine existing stereotypes. Instead of arguing that those athletes were physically inferior, they disparaged them as freaks who, because of their “jungle inheritance,” were able to jump high and run fast.

Large’s presentation of “the truth behind the 1936 Games” effectively calls into question many of the underlying assumptions about the positive impacts of holding the Olympics and other large international sporting events in countries with questionable governance and a history of mistreating citizens. And, as Large points out,

there is little evidence so far that the 2008 Beijing Olympics did anything but show the Chinese government how to maintain its clamp on freedom while supposedly opening its doors to the world.

Large concludes with a critical but potentially positive suggestion:

This is not to say that the Games should be held only in politically “clean” countries. But instead of blindly celebrating the alleged openness of repressive regimes that host the event, the international community should use it as an opportunity to hold them to the values that the Olympics claim to represent.

In a recent opinion column in the Star Tribune, John Rash points to the absence of religion as a major theme in shows on the national television networks.

The absence is all the more surprising considering that 80% of Americans reported to Gallup that religion plays a ‘very’ or ‘fairly’ important role in their lives.

And as Rash reminds readers, religion continues to maintain a very visible presence in other popular culture:

Topping the bestseller list is “Heaven is for Real,” about a boy witnessing the afterlife following a near-death experience.
The hottest Broadway show is “The Book of Mormon,” a satire (and grudging admiration) of the faith from the creators of “South Park.”
The highest-grossing R-rated film ever isn’t a gross-out comedy, Quentin Tarantino-style nihilistic violence, or even a sexual coming-of-age story, but “The Passion of the Christ.”

To help understand the absence, Rash turns to academia. Professor Jeanne Halgren Kilde, director of religious studies at the University of Minnesota, explains that even though network television rarely features explicitly religious themes, it is engaging in many of the same debates.

“Questions about good and evil, justice, personal destiny, love, about relationships — these are the narratives we see on TV that are the same questions religion has been asking, and answering, forever. So TV becomes in some senses a kind of superseding of what had been the religious context of discussing, to a more secular context of answering these questions.”

And, while the major religions are rarely a central theme in popular television, there has been a dramatic increase in the number of shows with spiritual and paranormal themes.

Hitting its peak around 2006, this trend inverted media maven Marshall McLuhan’s famous dictum: This time, the message was the mediums — as well as the psychics, ghost hunters and clairvoyant crimefighters who populated prime-time in shows like “Medium,” “Supernatural” and “Ghost Whisperer.”

Penny Edgell, professor of sociology at the University of Minnesota provides context to the rise.

“Network prime time is responding to a trend,” said Penny Edgell “And thus it’s perpetuating and popularizing that trend of people thinking about spiritual things, but drawing on a different kind of repertoire that’s more about relationships and flexible personal contacts that might shape your own life that don’t have anything to do with a doctrine or a church. There’s a lot of the supernatural on TV, but not a lot of organized religion. And that mirrors trends in how people are thinking about their spirituality; it mirrors a rise of a discourse that emphasized spirituality of something that’s distinct from, but not always in opposition to, organized religion.”

Rash does make note of one of the few shows where religion is discussed – America’s longest running cartoon, The Simpsons.

Even the Catholic Church’s official newspaper, Osservatore Ramono, honed in on Homer, saying he “finds in God his last refuge, even though he sometimes gets His name sensationally wrong.”

Whether or not the misadventures of America’s favorite animated family is the appropriate venue for a national discussion of religion remains up for debate.