cultural production

Fashioning Fat coverIn December, thousands watched tall, thin models parade bedazzled bras, panties, and angel wings down the runway at the Victoria’s Secret fashion show. In the U.S., however, these “standard size” models aren’t representative of either the female population (an average size 10-14) or of the entirety of the modeling population.

Sociologist Amanda Czerniawski, who worked as a plus-size model in researching her book  Fat: Inside Plus-Size Modeling, was featured in a Pacific Standard article about the opportunities and limitations for plus-size models in the fashion industry. She explained that featuring plus-size models can be considered an “act of resistance” against the fashion industry’s standard ideals. Still, while plus-size models contribute to a more inclusive idea of beauty, Czerniawski said the status quo is hard to change:

Though plus-sized models want to change notions of beauty and glamour, she argues, the industry restricts their efforts and their effectiveness. Plus-sized models are not really all that free; though they do not have to be a size zero, their bodies are still regulated and policed.

The article goes on to explain how some plus-size models find themselves labeled too small, too big, or not the right type for a given job. Further, though plus-size models continue to gain visibility in the fashion industry, they still have fewer opportunities than “straight” (that is, willowy) models.

In the end, all modeling is about capitalism:

Many of the indignities that Czerniawski details—lack of benefits, arbitrary management decisions, exploitative contracts—are typical of many (most?) labor relationships under capitalism.

This means including a wider range of sizes among models is unlikely to change the regulation of their bodies; it’ll just mean more women in a glamorous and restrictive sector of sales.

war inkJason Deitch, a UC-Berkeley PhD in sociology, has long been fascinated with the cultural effects of war. A veteran, Deitch has served as an advisor and activist in many capacities, but his newest project, produced in his capacity as an advisor to the California State Library, is gaining national recognition. Along with Chris Brown of the Contra Costa County Library system, the StoryCorps Military Voices Initiative, filmmaker Rebecca Murga, and photographer Johann Wolf, Deitch set out to interview as many of California’s estimated two million veterans as he could.

Well, at least the ones with tattoos. As Deitch told PBS’s NewsHour:

These tattoos are an expression from a community that doesn’t openly discuss or express emotion…. We understood these tattoos to be uniquely valuable, as veterans largely return home to a community that doesn’t know their story and how war changed them… That can be an incredibly isolating experience…

He went on to say that it was tough recruiting vets willing to show off their ink and talk about their experiences on the frontlines, but he hoped the resulting exhibit, “War Ink,” would help “bring veterans out of isolation by helping people back home understand them.”

Participants described the process of being photographed and recounting their stories as a way to educate others about a struggle that doesn’t end with their tour of duty.